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Julia writes to Emmy on June 8, 1958, telling her that her therapist Dr. Diamant has encouraged her to keep a journal and write letters to Emmy to help her move on from her grief. She finds this wording amusing because she realizes how little control she has over life circumstances. She likes Dr. Diamant, who has been helping her and was brought to her by her boyfriend Simon, with whom she is in love. Her first therapist Dr. Nielsen forced her to relive her separation from Emmy, which worsened her trauma and selective mutism. Another therapist, Dr. Hunt, was more helpful and got her to speak a little more. Her speech also improved after arguing with her grandmother about returning to England. They moved from Connecticut to Woodstock, and Julia soon started speaking fluently again.
On June 11, Julia reveals that she has visited their old neighborhood and knows how their mother and Neville died. Julia says that her grandparents found her after learning about her and her location from Neville. After learning her mother died, they took her to America. She notes that she has been looking for Emmy but has not yet found her. She apologizes for hiding the brides box and wishes she could undo what she did.
In a letter from June 12, Julia says that she told Dr. Diamant that writing was not helping. Dr. Diamant replied that healing would require her to revisit painful events. Julia is unsure if she can do this, but Dr. Diamant encouraged her to remind herself she made it. Julia recalls her separation from Emmy. She woke up from her nap as the bombings in their neighborhood began. She screamed for Emmy and her mother before Thea found her. While Thea hid with Julia in her bomb shelter, she sang Christmas carols to calm her until the bombings stopped. She then learned that Julia’s foster mother’s first name was Charlotte and found the letter from Neville’s mother to Annie. Thea took Julia to Oxford and left her in her grandparents’ care. Julia does not remember much else.
On June 18, Julia writes that she had to take a break from writing and had been struggling mentally since revisiting her last days in London. Though Simon expresses concern, Dr. Diamant assures him this will work. Unable to sleep, Julia recalls more of her early years after being separated. After her grandparents could not find Annie, Julia’s grandmother convinced her grandfather to take her to America with other Oxford faculty and their family members. She reveals that during their travel, her grandparents changed her last name to Waverly, Neville’s last name. There, she was kept unaware of the war in Europe and fell in love with learning. She continued not to speak much and struggled with Christmas carols for a long time due to her trauma. She also struggled with Dr. Nielsen because she knew that he could not undo what happened, and that she wanted to return to that Friday and tell Charlotte about Emmy’s plan to prevent their separation. She befriended a girl named Frannie on a summer trip and, after her brother went missing in 1944, asked her if she thought he was alright. Julia’s friend, like her, hoped her sibling was still alive. Julia wonders if that is the purpose of writing in the journal.
On June 22, Julia writes that she and Simon are going to see his cousin perform in Swan Lake. She is nervous to meet his family because she dreads them bringing up her loss. Simon works as an accountant at the cartography company where she works as an art director’s assistant. She says she does well at the job because of her counting habit and need for control. She was an outcast when she returned to England due to not only her Americanized accent, but also the feeling that she struggled less than children who stayed in Britain. During her adolescent years, her doctor Dr. Bristol encouraged her and her grandmother to visit London.
Julia reveals she hid the brides box in the crawl space in their old room. In London, they avoided Whitechapel and Saint Paul’s, and she steadily faced her fear. She then decided to visit London again. Two days later, she writes that she enjoyed the ballet, and that her visit with Simon’s family went well. She moved to London at 20, got a job at the company, and met Simon, whom she bonded with over their shared struggles fitting in after the war. Though she loves him, she struggles to say it aloud because she feels undeserving of happiness. For this reason, she started seeing Dr. Diamant and wants to make things right.
Julia writes on June 27 that she told Dr. Diamant she wants to fix what she broke by finding Charlotte’s house and the brides box. She remembers hearing from her grandmother that Charlotte lived in Gloucestershire. On July 2, she and Simon use a map to look for the house. Julia remembers it was in the Cotswolds, and they decide to search the different towns and villages there, starting with Fairford. Three days later, she writes that the house was not in any of the towns and villages they searched. On July 12, she notes that they looked again and did not find it. Discouraged and overwhelmed with Simon’s determination to save her, Julia decides to keep looking alone, with Simon’s reluctant approval.
On July 19, Julia writes that she drove to Moreton-in-Marsh that day and remembered details about her arrival with Emmy. She searched some of the towns she and Emmy walked past but did not find Charlotte’s house. On July 26, she writes that she has the flu and will not continue her search till she is feeling better. On August 2, she writes that she traveled to Stow-on-the-Wold and talked to the librarian, who knew Charlotte and Rose. There, she learned that Charlotte’s house was called Thistle House, and that an American and her daughter were staying there. When Julia arrived at the house, the daughter, Gwen, answered the door. She revealed everything to Gwen, whose mother is English and lost family in the war. Gwen helped Julia look for the brides box in the crawl space of her old room. However, they did not find it. Julia told Gwen to give her mother her phone number but knows she will likely not. She returned to London, dejected, and apologizes to Emmy.
On August 5, Julia tries to make peace with failing to find the brides box. On August 7, she writes that Simon is encouraging her to stop writing in the journal and get rid of it so she can move forward. Julia considers this and says she will ask Dr. Diamant. Three days later, she says Dr. Diamant told her to do what she wants with the journal; she decides to keep it but stop writing it. On August 15, Julia writes that Gwen found the brides box in the crawl space in her room, which used to be Rose’s, and that even though the sketches are somewhat faded, they are still pretty. Apparently, the bride box was on the door framing, and Rose found and took it. Julia encouraged Gwen to tell her mother, but she said she would get angry.
In October, Julia tries to interest people in the sketches, but they are too outdated and faded. However, Julia wants to use one of the sketches for her wedding dress, as she and Simon are engaged to be married on April 7, Emmy’s birthday. In November, Julia finds a seamstress interested in making the dress, but her grandfather says it would be difficult to find the money, and they are not familiar with dressmaking. Julia picks the sketched dress with the buttons and pearls; the seamstress finds them too outdated. However, in December, the dress is somewhat sewn, and Julia gets her first fitting. She loves it; the dress makes her feel connected to her sister, even after she takes it off. Finally, she decides to stop writing and says goodbye to Emmy.
After reading Julia’s journal, Kendra wonders how Isabel got it and asks her if Julia gave it to her herself. Isabel says she did, which relieves Kendra. Almost a year before Mac joined Isabel and Gwen at Thistle House, they had been improving their marriage, and Gwen had adjusted to life in Stow-on-the-Wold. They went to Oxford for an art exhibit, and Mac showed her a newspaper with an article about a wedding. Isabel recognized the bride’s dress as one of the dresses she sketched and the bride as Julia. Gwen then told her about Julia coming to the house to find the brides box, so Isabel told her about her life. Mac had Julia meet them at Thistle House, where she and Isabel happily reunited.
Julia understood her sister’s name change but, among family, Isabel decided to go by the name Emmy again. Isabel reveals to Kendra that Julia’s son, daughter-in-law, grandchildren, and great-granddaughter are there for the party, but that Simon died a few years ago and Julia died 20 years after their reunion from breast cancer. Isabel reveals that Colin wrote to her in 1956, and she realized he gave her the check because he wanted to connect with her as her half-brother. He also gave her the inheritance money, which had multiplied in value, to repair Thistle House when they moved in. From him, she learned that her parents were both looking for love and made mistakes, but they were not bad people.
Kendra’s recorder dies, and they conclude the interview. Isabel tells Kendra that she wants her essay to get into the newspaper; this would make her mother proud, as it would show her mother’s life beyond her death and how all their choices were affected by war and other circumstances. Kendra joins Isabel for her birthday party.
The narrative takes a turn by shifting the focus from Emmy’s life after the war to Julia’s perspective of the Blitz and her life after it. The narrative answers many questions about what happened to Julia and why the man appeared outside Emmy’s flat. It also changes stylistically: The story continues through a series of journal entries, rather than a direct prose retelling. This shows that Kendra is reading from a journal rather than hearing a story from someone. Part 3 also concludes Emmy’s story and the interview between Kendra and Isabel. Like many historical fiction novels set during and after World War II, the novel ends with the protagonist reuniting with surviving family members and friends. Specifically, Emmy reunites with Julia after almost 19 years. Isabel’s story impacts Kendra greatly and gives her a large, vivid, and heartfelt story to tell in her essay.
Julia develops throughout Part 3. Before the Blitz, she was an immature, impulsive, and naïve seven-year-old girl. After, she struggled with severe trauma, becoming mostly mute until her adolescent years. Overwhelmed with guilt for switching out the bride sketches and, in her mind, destroying Emmy’s dreams, she suffered from depression and even experienced suicidal thoughts. Julia ended up seeing multiple therapists and psychologists during her childhood, adolescence, and adulthood as a result. Like her sister, she felt like she did not deserve happiness, which caused her to delay her engagement and marriage to Simon. However, she grew to be more selfless, mature, and introspective over time. She dedicated herself to finding Thistle House and the bride sketches and chose to document her journey in her journal. After Gwen helped her find the bride sketches, one of which turned into her wedding dress, Julia was finally able to forgive herself and make peace with her and her sister’s separation.
The Resilience of the Human Spirit in the Face of Loss and Adversity plays a central role in Part 3. Julia works hard to overcome her grief over being separated from her sister and losing her mother; she also works through her guilt over hiding Emmy’s sketches. By returning and moving to London, she conquers her fears, though she has many bad memories from the Blitz. With Gwen’s help, she even finds Emmy’s bride box, which eventually leads Julia back to her sister. The Impact of War on Personal Destinies affects Julia, as it makes her feel guilty for leading Emmy to be separated not only from her, but also from the bridal sketches. The war traumatizes her, and she must confront this trauma to heal. War also impacts people by pushing, if not forcing, them to make choices they might regret. Isabel says, “[W]ar has a way of absolving us of the mistakes we make while in its dreadful shadow, but it keeps this absolution a secret” (379). She also calls the war “a cruel opponent that had its own cards to play” (379). Because war can change people’s lives so drastically and quickly, it does not do much good for people to dwell on the mistakes they made during it.
Julia’s journal makes its first appearance in Part 3 as a symbol of her attempt to connect to and find her sister and make peace with their separation. As she confronts her trauma and devotes herself to finding the bride sketches, she documents her journey and addresses the entries to her sister. After she first fails to find the sketches, Simon encourages her to burn or bury the journal, to finally let her sister go and move on. However, Julia holds onto the journal and, after Gwen finds the sketches, decides to make a dress with one of them for her wedding. After she succeeds, she feels her sister’s presence and stops writing in the journal. This indicates that she is ready to let her sister go and move forward in her life. The bride sketches reappear as well, symbolizing Julia’s guilt and her dedication to making things right with her sister. Initially, her inability to find them devastates her, but then Gwen finds them and Julia takes the brides box home. By making a wedding dress from one of the sketches, Julia is able to make her sister’s dream come true, at least to a degree. Getting one of the dresses sewn marks Julia’s success in helping Emmy’s old dream become a reality, and it allows her to forgive herself. Thistle House appears again as well as a symbol of the past for Julia, as well as a symbol of stability and happiness for Emmy/Isabel and her family.
The pattern of Meissner’s use of flashbacks continues in both Isabel’s storytelling and Julia’s journal entries, as they detail stories of finding the sketches as well as their reunion. The author also uses detailed imagery and foreshadowing to show that Emmy’s dress not only helps Julia move forward from her guilt, but also brings the sisters back together.



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