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For several days, Hicks has felt as though he is being watched. He is approached by men dressed as “Santa’s elves” (102) who hand him a package covered in Christmas-themed wrapping paper. The elves address Hicks as Schultz and then disappear, leaving him holding the package. At this point, Hicks is surprised to run into the “same sawed-off Bolshevik striker” (104) whom he once nearly killed with a beavertail, only for the weapon to apport from his hand. The bespectacled striker warns Hicks that the package contains a bomb. Hicks enters Wisebroad’s Shoes and uses their “shoe-store X-ray machine” (105) to look inside the package, seeing on the machine what “is inescapably a face” (106) gazing back at him. Worried still that the package contains a bomb, Hicks disposes of it in Lake Michigan. The bomb explodes, throwing “three varieties of trout” (107) into the air. Hicks is ticketed by one of Uncle Lefty’s old colleagues for crossing against a light.
Later, Hicks seeks out April to help him overcome his strange feelings of despair and paranoia. April offers to raise the matter with her Italian relatives, who are connected to the Mafia. Hicks is thankful, but quietly believes that he and April are not destined to be together. He speaks with Lefty, who is unable to offer much help other than noting that the elves seemed to confuse Hicks with a man named Schultz. To learn more about the bomb, Hicks visits Michele ‘Kelly’ Stecchino, a former hardhead turned anarchist who is “highly regarded locally these days as a bombsmith” (111). Kelly warns Hicks about April’s relationship with Don Peppino and suggests that he get out of town. Hicks is reluctant to follow Kelly’s suggestion all the way to fascist Italy, but Kelly points out that Italian fascism started with strike breakers like Hicks. Later, Hicks returns to the New Nuremberg Lanes and speaks to Ooly Schaufl, who warns that the bomb does not seem like a local job and may be connected to something “bigger than a gang war” (113). Last, Hicks speaks to Lew Basnight, who “isn’t much more help” (114). Hicks admits to Lew that he always looked up to him, but Lew warns him not to try flattery.
Boynt warns Hicks that the Home Office of U-Ops wants him sent out of town. Hicks is being sent to New York with a decidedly one-way ticket, which Boynt describes as “an act of uncompensated kindness” (116) since someone saw Hicks meeting with the FBI. Next, Hicks says goodbye to Skeet, who tries to give Hicks his lucky half-dollar. Skeet plans to look into Stuffy’s disappearance himself. Lino Trapanese, Don Peppino’s henchman, congratulates Hicks on his decision to leave town. At the station the following day, Hicks says farewell to April. They part ways with “no choice but to kiss goodbye” (122) as the train prepares to depart.
Hicks the train across the United States toward New York. In the observation car, he is approached by McKinley Gibbs, who shows him a collection of records. They discuss politics and music. When McKinley plays a record, Hicks slips into a “romantic nostalgia episode” (124) as he recognizes April’s song. Hicks listens to the song several times, then falls asleep. When he wakes, the record and McKinley are gone.
In New York, Hicks makes a “courtesy drop-by” (126) at the local U-Ops branch. At the front desk, Connie McSpool jokingly compares Hicks to Judge Crater, a New York Supreme Court justice who vanished in a famous case. Daphne Airmont, he is told, just set off “on that midnight liner for overseas” (127). Hicks assures himself that U-Ops will not send him overseas in pursuit. In Gould Fisk Fidelity and Trust, Hicks goes to collect his pay but instead finds himself issued with “a steamer ticket and a brand-new passport too” (128). He tries to call Boynt and then to send a telegram, but he cannot reach his office. That night, he visits a club in Harlem with Connie and “a few of the boys” (129). He complains to her that someone seems intent on sending him “clear out of the U.S.A.” (130). No one else will take the assignment from him.
Hicks wakes on an ocean liner with no memory of how he got there. He suspects that he was surreptitiously injected with “a needle full of something in the chloral hydrate family” (132). He is aboard the Stupendica, where he meets a journalist named Glow Tripforth del Vasto. She is researching an article about being a Jazz Age adventurer on Depression budget. The passengers of the ship include American sorority girls, exiled royalty, grinning stewards, and corrupted juveniles. In his cabin, Hicks finds a new suit: the “Midnight aubergine and electric kumquat” (133) suit seems to be impossible to wrinkle. The passengers aboard the ship seem to be locked into a drunken party that brings together the various social groups. Among them, Hicks meets Alf and Philippa “Pip” Quarrender, a pair of married spies who claim to be on “an extended world tour” (135). Alf jokes about the rise of fascist tendencies in America, feigning surprise that “Republicans and gangsters” (135) might be in business together. Hicks also learns about Glow’s “ex- or possibly current husband” (138), Porfirio del Vasto, an unscrupulous dealer of used autogyros (a flying machine similar to a small helicopter). Porfirio, Hicks learns, may be a notorious jewel thief and murderer; he is determined to sell an autogyro to his wife, Glow, at what he claims to be a very reasonable price. Over a drink, Porfirio reveals to Hicks that many of the passengers believe Hicks to be “an American gangster, being deported to somewhere in Eastern Europe” (141). Porfirio claims that it is an open secret that the Quarrenders are transporting Hicks across the Atlantic.
Hicks asks the Quarrenders about Porfirio’s claim. The Quarrenders, he learns, have “been out on a worldwide scouting expedition to find recruits for the Secret Intelligence” (142), a division of MI6 known as MI3b. Like many nations, Britain is trawling the world for operatives and many code breakers are being escorted back to Britain by the married couple. They ask Hicks whether he would be interested in joining them. Hicks insists that he is on a normal assignment as a private detective; Pip pities Hicks, noting that “things will never go back to the way they were” (143). Instead, he says, everything will become more “interesting” (143). Alf hints that war is imminent. Alf and Pip agree between themselves to keep an eye on Porfirio. The ship seems haunted by unseen forces, reminding Hicks of his family history in proximity to seances and mediums. His Cousin Begonia, he says, claimed to be a spiritualist but Pip dismisses such acts as “parlor tricks” (146). Alf comments on the strangeness of the times in which they are living, “where popes make arrangements with Fascists and the needs of cold capitalist reality and those of adjoining ghost worlds come into rude contact” (146).
Several passengers reportedly feel as though the Stupendica is being tracked by a strange submarine. Like the supposed ghostly inhabitants of the ship, “some see it, some don’t” (146). Though Hicks does not see the submarine, he hears a radio message from Stuffy Keegan (though his voice sounds different), who confirms that the U-13 is following the Stupendica. The submarine is operated by smugglers and operates out of the port city of Fiume (in present-day Croatia), currently under the control of fascist Italy. Stuffy invites Hicks to visit him in the “Milwaukee of the Adriatic” (148). Hicks also learns about the duels that Porfirio is fond of fighting; he observes Porfirio closely to confirm that he is a light-fingered jewel thief. Thievery is just one part of Porfirio’s “diverse portfolio of projects” (150). Porfirio confronts Hicks in a dramatic showdown, accusing him of being romantically interested in Glow. Hicks resolves the situation amicably, and the del Vastos disembark the ship in Tangiers, where Porfirio presents Glow with a likely-stolen autogyro.
After crossing the Atlantic, Hicks is in Central Europe. He slumbers on the train as it passes through Belgrade; Pip and Alf promise to reconnect with him in Budapest. They are replaced in Hicks’s life by Egon Praediger, an International Criminal Police Commission agent with a cocaine habit. Egon reveals that, as Hicks searches for Daphne, he is being watched “day and night” (157) as part of an investigation into the ongoing cheese fraud committed by her father. The ICPC and InChSyn (the International Cheese Syndicate) have been pursuing Bruno Airmont for the crime of counterfeiting cheese. Fueled by cocaine, Egon explains that cheese fraud is also a metaphor for more geopolitical crimes, a showdown between cheese-based colonial powers in Northwest Europe and Asia, which does not consume as much cheese as InChSyn would like. Egon believes that a new war is inevitable; they are living through the “long erotic buildup before the shuddering instant of clarity” (157), followed by a collapse of the civil order. Hicks is being sent to Budapest, “the metropolis and beating heart of asport/apport activities” (158), where he may be able to find Ace Lomax, Bruno Airmont’s former right-hand man. Egon tells Hicks to find the noted apportist Dr. Zoltán von Kiss, who will help him to find Ace, who should now be considered Hicks’s “new assignment” (159). As part of this new assignment, Egon hands Hicks a gun, a brand-new Walther PPK.
The Daphne Airmont assignment supplies Hicks with a convenient reason to leave Milwaukee. For Hicks, April is one of the main reasons he wants to stay in Milwaukee. He may not love her in the conventional romantic sense, but she is an important part of his life. She is his dance partner, if not necessarily his girlfriend. Thus, April is both the reason that Hicks must leave town and one of the few reasons he wants to stay. April, in her own way, has a sincere affection for Hicks. As they bid farewell, her “voice breaks a little” (122), revealing the emotional weight of the moment even as both she and Hicks habitually avoid conventional emotional attachments. Ultimately, though, they have “no choice but to kiss goodbye” (122). Once Hicks leaves April behind, she does not appear again in the novel. Instead, she transforms into a vital memory, a point of reference for Hicks’s homesickness and nostalgia. When her song is played aboard the train taking him from Milwaukee, Hicks falls into a nostalgic reverie. He wakes to an empty carriage, a symbolic reminder of his loneliness as April recedes into his past and his subconscious.
Hicks does not spend long in New York. As ever, he is propelled forward, deeper into the fractal chaos of the assignment as the search for Daphne Airmont will seemingly take him overseas. In New York, however, Hicks is denied agency over his decisions in the starkest possible terms when he is drugged by an unknown assailant and thrown aboard a ship. With this pressganging, the thin veneer of consent is stripped away to reveal The Surrender of Individual Agency to Systemic Power. Hicks’s individual agency is at its lowest point as unseen figures force him to leave the country.
The Stupendica is another reference to Pynchon’s other works. A boat by the same name appears in Against the Day, splitting apart into two separate vessels that travel in two separate directions. Hicks wakes aboard the Stupendica at a similar point of divergence. He leaves one continent en route to another. He leaves behind the familiar world of the United States to be sent to the unknown, chaotic Europe of the interwar period, a world overshadowed by the rise of Fascism as a Consequence of Societal Collapse.
Tellingly, the people Hicks meets aboard the ship introduce him to a very different world. First, Glow Tripworth del Vasto urges him to affirm his identity. She offers Hicks pity at his lowest ebb, a pity that was difficult to find in Milwaukee. More prominently, the British spies Alf and Pip Quarrender signify Hicks’s transition from the world of private eyes to the world of espionage—a movement between literary genres that coincides with the movement between continents. For Pynchon, the hard-boiled detective genre is synonymous with America as the spy genre is with Europe. Sent out into the world to “find recruits for the Secret Intelligence” (142), they make a direct offer to Hicks to join their agency. Hicks is no longer beholden to the conventions of detective fiction that shaped his life in Milwaukee. Out here, on the way to Europe, the uncertain world of espionage offers a different kind of danger. In Milwaukee, Hicks needed to fear for his physical wellbeing. He was threatened often. At sea (and later in Europe), Hicks needs to fear for his mental wellbeing. The threat to his identity and his understanding of reality threaten to change Hicks on a fundamental level.



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