Shadow Ticket

Thomas Pynchon

64 pages 2-hour read

Thomas Pynchon

Shadow Ticket

Fiction | Novel | Adult | Published in 2025

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Chapters 35-39Chapter Summaries & Analyses

Content Warning: This section of the guide features depictions of substance use, violence, racism, and religious discrimination.

Chapter 35 Summary

Fiume (present-day Rijeka, Croatia) is “a tattered ghost city with a sordid history of secret treaties and sellouts […] continuing to collapse in on itself, unlikely to be redeemed” (264). At the time of Hicks’s arrival, the city is split between Italian and Yugoslavian control. Daphne, searching for her father, notices the local Moor’s head symbol worn in the form of earrings by the local women, a good luck symbol turned into jewelry. (A heraldic symbol dating to the 11th century, the “Moor’s head” depicts the face of a Black man wearing a white bandana. It is found on historical flags of Sardinia and Corsica, on the present-day emblem of the Corsican football club SC Bastia, and elsewhere. Its origins are uncertain, and its present-day use is highly controversial). A few days later, Daphne sings in a roadhouse on the Yugoslavian side of the line. As she sings, she is unexpectedly joined by Hop on clarinet. They retreat to a private conversation, where Hop reveals his secret activities, helping Jews to escape from the rise of fascism. Meanwhile, G. Rodney Flaunch has given up on his attempts to marry Daphne and has, instead, published a book titled How to Lose a Million and a Half and Bounce Back Smiling. Accepting that “cheeziness is [her] destiny” (266), Daphne ends the relationship and tells Hop not to come looking for her. Later, Hicks finds Daphne at the harbor, preparing to board a ship to Split then back to the United States. Hicks will not follow her. Daphne agrees to sign off on the success of Hicks’s assignment, as well as accepting that he is no longer responsible (as per Ojibwe custom) for her life. Hicks asks Daphne to pass along a message to April, urging her to recognize that this current moment in history is “a break that will seem so wonderful and peaceable and carefree” (268) compared to the war and the violence which now seems inevitable. Hicks finds himself at a divergence point, the choice between returning home or staying in a darkening Europe.

Chapter 36 Summary

Bruno Airmont previously visited Fiume on a scouting assignment from InChSyn. He bought a villa at an address with “no agreed-upon location” (270). The villa dates from a time when “Fiume had a reputation as a party town” (271); Daphne could imagine it as a place she could call home. In Fiume, Hicks meets Terike, who is hoping to intercept Ace before he finds himself in trouble. Ace is also in Fiume; he blames Bruno for his encounter with the Vladboys. He arrives at Bruno’s villa with no clear plan but meets Porfirio del Vasto, who arrived in Fiume in search of Glow and is now “looking for an excuse to get into a duel with somebody” (272). After being accused of jewel theft, Porfirio defends himself. Dr. Zoltán von Kiss, on the other side of the room, winks and smiles at the display of apportation. Kiss sits with Hicks as Ace approaches them to chat about baseball, which Kiss believes involves apports. Kiss has been sent to Fiume by Praediger to search for a mysterious smuggling submarine. Onboard, he says, is Hicks’s old associate Stuffy Keegan, who seems “anxious to confer” (274) with Hicks. Behind them, Bruno chases after the cocaine-addled Praediger and comes face-to-face with Ace. He declines Bruno’s offer of reemployment, deciding he would rather be “freewheeling solo” (276) for a while. Later, Hop offers Ace a job, helping with his network for the extraction of Jewish people. He invites Zdeněk to join them as well. Ace, a former strikebreaker who worked for Bruno Airmont, has the “a chance to reform” (277).

Chapter 37 Summary

At the old Whitehead factory in Fiume, said to be “haunted by the ghosts of submarines long dismantled” (278), Hicks reunites with Stuffy. Hicks is introduced to Ernst Hauffnitz, the skipper of the U-13, and a veteran of World War I. Hauffnitz’s doubts began “early in the War” (279), when 343 civilians were killed by U-boat captain Max Valentiner in direct violation of Chancellery orders to spare passengers and rescue survivors. Hauffnitz spent the rest of the war dodging British ships and, to his knowledge, incurred no casualties. In 1921, ordered to deliver his submarine to be broken up, Hauffnitz went rogue. He and his crew took the submarine away, and he speaks of how he has “developed a strange rapport with the boat […] a sort of psychical connectedness” (280). They embarked on a career of non-belligerence, taking up smuggling.


Handing Daphne details for a Swiss bank account, Bruno announces that the deposit box contains “enough on the secret history of the InChSyn […] to send the whole business up in one giant fondoozical cataclysm” (281). With this, Daphne can become the new Al Capone of cheese. Their ship is intercepted by U-13 and Hauffnitz takes Bruno aboard, securing him in a “not uncomfortable cabin” (282). Stuffy speaks to Bruno, who brings news that the cheese syndicate are in search of the money that Bruno stole from them. The crew of the U-13 is not working for the syndicate, Stuffy says, because their “racket happens to be exile” (283). Bruno has the chance to become the Al Capone of cheese in exile. At the same time, he warns Bruno about what is happening in the United States, where “revolution has broken out” (283). A strike over the price of milk has spread from Wisconsin, with milk shipments hijacked and destroyed, ambushes, and gunfights. There have been civilian and military casualties. Bruno envisions the end of the cheese industry, now that “the Red Hour has struck at last” (284). There has been a coup, Stuffy says, and gangs of millionaires have deposed Roosevelt and placed General MacArthur in charge of the country.

Chapter 38 Summary

In a Fiume café, Hicks runs into Dippy Chazz Foditto, who has been deported from the United States to help set up an anti-fascist training camp in Sicily because certain elements of the United States’s ruling class believe that this will be a “strategic factor in the next war” (285). He also brings the news that April is now married to Don Peppino, and she is expecting a child. As such, Dippy warns, Hicks should not return home, as the Mafia boss will view April’s old flame as a threat. Dippy warns that “it’s over for [Hicks] in M’Waukee” (288). During “the dawn hours of the first day of a post-American life” (288), Hicks dials home. He speaks to his mother. He cannot say much to her, as she warns that “they listen in” (289), but she tells Hicks to stay safe.

Chapter 39 Summary

Aboard the U-13, Bruno is told that he is being taken to the United States, “but not exactly the one [he] left” (290). He sees what he believes to be the Statue of Liberty, but Stuffy warns that he should not be so sure. In exile, they are heading “toward a frontier as yet only suspected” (291). Back in Europe, Hicks is still in his own form of exile. After a small moment of panic, he begins to come to terms with his situation. Terike promises to help him learn Hungarian, teaching him the words for “kiss me” (291). When he says csókolj meg, she kisses him. Skeet Wheeler, still in the United States, writes a letter to Hicks. Skeet describes how he is dodging the police and bemoans the lack of hiding places compared to old times. In a bid for freedom, he plans to head west with his girlfriend, Zinnia. He has heard that there is plenty of work out in California. Lew Basnight has offered to give him the money for the trip and has warned of “forks in the road” (292) and plenty of potential mistakes in the promises made by California. Skeet is optimistic, though slightly confused by Lew’s claim that “innocent and not guilty ain’t always the same” (293). Skeet is going to put his days as a street kid behind him and grow up. For the time being, however, he and Zinnia have “ a couple of sunsets to chase” (293).

Chapters 35-39 Analysis

Everyone Hicks meets in Europe agrees that war is inevitable. Hicks is told as much by Alf Quarrender, Slide Gearheart, and even his Uncle Lefty. As the idea becomes more pronounced throughout the novel, he becomes increasingly aware of The Surrender of Individual Agency to Systemic Power. He is just one man, a man whose lack of agency over his fate has been proven repeatedly, and he is left wondering what he can do to prevent the inevitable. More powerful people, more intelligent people, and those with a better understanding of how the world functions seem to have given up hope that war can be avoided. They may be vindicated by history but, in his experience of this loss of control, Hicks discovers a new approach. He has a “moment of panic” (291) in which he realizes that he is exiled from his country seemingly forever, stranded on a continent on the precipice of a war that everyone around him believes to be inevitable. In Terike, however, Hicks has an insight into the local culture. He makes a comic, faltering attempt to learn the local language. This is not much, but it is a start. Gradually, one Hungarian syllable at a time, Hicks is taking back agency over his life and rejecting the pessimism and helplessness of those doomed to war.


Hicks’s fate also highlights The Possibility of Redemption as a core theme. Hicks has failed successfully in his assignment. He was tasked to bring Daphne Airmont home and, somehow, she is heading back to the United States. Hicks bears little responsibility for Daphne’s decision to return; rather, she is on her own quest to redeem her family name and to rebuke the mistakes of her family and her own past. Hicks is secondary to Daphne’s decision. Likewise, Ace Lomax is given the possibility of redemption when Hop invites him to join the mission to help Jewish people escape the fascists. Quite explicitly, this is a “chance to reform” (277) for the former criminal. Ace declines to decide right away; whether or not he chooses redemption, the possibility is very real. More broadly, Hicks’s journey throws this question open more broadly. With the continent seemingly on the cusp of a fascist uprising, whether Europe itself is beyond redemption is left unanswered. The crew of Ernst Hauffnitz’s stolen submarine symbolizes the possibility of redemption for the continent. The submarine has been designed entirely for war, but they have rededicated it to escape and freedom. If this small crew can do this, the novel suggests, the people of a nation dedicated to violence can also shift that nation to a different purpose.


The final chapter is structured as three distinct endings. In the first, the elusive Bruno Airmont is taken aboard a submarine toward “any sunrise but west” (291). His exile is yet to be imagined, but there is a future even for a man like Bruno. In the second ending, Hicks makes his faltering first attempts at speaking Hungarian. He and Terike share a kiss, a suggestion that there is a romantic future for Hicks in which he may find happiness. In the third ending, the character of Skeet returns with a letter addressed to Hicks. This diversion into an epistolatory format introduces a new narrative voice. Skeet takes over the narration, taking control of the story in the final passages to assure his former mentor that their friendship has not been forgotten. Like Hicks with Terike, Skeet believes in a possible future through romance. Like Bruno, his future is yet unwritten. Whereas Bruno is heading anywhere but west, Skeet and his girlfriend are chasing sunsets all the way to California. There is still some kind of America for them to believe in. Whatever happens with the war and the fascism in the future, Skeet’s final declaration of optimism ends the novel on a positive note.

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