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Content Warning: This section of the guide features depictions of racism.
Skeet sends a note to Hicks, telling him that someone wants to speak. Skeet and his fellow gang members meet Hicks at their clubhouse under the Holton Street Viaduct. Inside the clubhouse, Hicks finds a sprawl of cables and stolen radio equipment “like a lab in a movie belonging to a scientist not entirely in his right mind” (51). The gang scans the radio waves “to decipher secret messages” (52). The person who sent for Hicks is revealed to be Stuffy Keegan, the man whose truck was blown up by a bomb in the earlier chapters. The police have floated theories for who might be responsible, including the Mafia and the Nazi Youth. The radio monitors pick up a signal from the U-13, “an unsurrendered Austro-Hungarian submarine” (54) that is prowling around Lake Michigan while smuggling all kinds of illicit goods. The U-13 is going to pick up Stuffy and help him escape Milwaukee, taking him to “where it’s safe” (55). Hicks, Skeet, and others accompany Stuffy to the shack near the lake. There, Stuffy disappears. Hicks is reluctant to believe that the submarine is real, though he spots a looming dark apparition beneath the ice. In the following days, rumors spread that Stuffy has gone “back to his old contraband-running ways” (56). Skeet jokes that Stuffy is a ghost haunting Hicks.
The next day, Skeet appears at the U-Ops office with Fancy Vivid, a young lady who insists she was in love with Stuffy. She wants to hire the detective agency to track Stuffy down. She says that Stuffy talked often about submarines, but she mistook this for “some kind of sex talk” (60). Later, Hicks reads through old files and falls into a brief dream in which he nearly lets Stuffy die. Hicks wakes up and assures himself that it was “only a dream” (61).
Hicks visits his aunt and uncle for “another novelty casserole” (62). Uncle Lefty talks about the rise of fascism in Germany again, and when he hints that there is a burgeoning fascist movement in Milwaukee, he invites Hicks to accompany him to a bowling alley. At the Nuremberg Lanes, Hicks discovers an expensively-designed modern bowling facility. Feeling a sense of unease, however, he notices that many of the men are “only pretending to bowl” (64). This is, he realizes, a meeting place for American Nazis. Hicks recognizes an old associate named Ooly Schaufl, who is now going by the name Ulrich. They worked together, breaking strikes, and Ulrich invites Hicks to join the National Socialists as they socialize. Hicks declines. The alley is raided by the authorities, led by the Prohibition agent Vic Durbow. Hicks has a “chilly” (67) relationship with the stern Durbow, so he exits the venue. The next time he visits his uncle, Hicks raises the subject of the American Nazis. Uncle Lefty tells Hicks that there is a federal presence in Milwaukee; the FBI will open an office in the city soon and they want to speak to Hicks. Lefty warns that someone is “trying to hang the Stuffy Keegan bomb” (69) on Hicks.
Hicks goes to the federal courthouse, which is still under construction. He speaks with Assistant Special Agent in Charge T.P. O’Grizbee about “what part Nazis, foreign or domestic, might’ve played” (71) in Stuffy’s disappearance. From Skeet, the FBI have heard rumors of the U-13 submarine. Since Hicks speaks a bit of German, O’Grizbee wants to recruit him for some work which will be “quite far out of town” (73). O’Grizbee applies pressure on Hicks by reminding him that the FBI could “be running the country any day now” (74) and they can use legal means against him if he does not agree to work for them.
Hicks approaches Boynt for advice. Boynt is not surprised that the FBI want Hicks to be “what [he] never stopped being” (76). Boynt believes that the FBI are a front for a nationwide syndicate of financial tycoons who are organized against any sort of left-wing political movements. They are spooked by the prospect of a “Red apocalypse” (76) and will do anything to prevent the United States moving to the left. Boynt returns to the case of the missing cheese heiress, suggesting that Hicks could use the search for Daphne Airmont as an excuse to get out of town. The detective agency is changing, Boynt says, and Hicks may be due a promotion if he is cooperative. Since Hicks is still reluctant, they visit the offices of the Airmont lawyers to find out more about the case. The lawyers outline Mrs. Airmont’s desire to have her daughter return “without the clarinet player” (80). Hicks is reminded of the “the American Indian belief […] that once you save somebody’s life, you’re responsible for them in perpetuity” (80). Hicks claims that he did not save Daphne’s life, but the lawyers claim that his “crucially decisive intervention” (81) amounts to the same thing.
Hicks visits the Airmont home to find out more about Daphne. The mansion is filled with luxury goods and “a number of eccentric Airmont cousins” (82). Hicks talks to them about the metaphysical nature of cheese, which is almost a religion in Wisconsin. The Airmont cheese fortune was built in part on a product named Radio-Cheez, a brand of cheese designed to stay fresh due to the use of radioactive ingredients. Radium, at the time, was very popular, and the so-called Radium Girls of Ottawa, Illinois worked in factories where they painted radium on watch dials for a glow-in-the-dark effect. The initial success of Radio-Cheez, however, quickly unraveled when it was declared “harmful to human health” (84), just as the Radium Girls eventually experienced health issues caused by licking the radium-laced brushes. In the middle of his legal problems, Bruno Airmont “skedaddled off the civilized map for parts unknown” (85), leaving Daphne behind to deal with the paperwork and legal problems despite her youth. The cheese industry underwent a revolution in 1930, with some believing that Bruno Airmont’s complaints about the cheese industry masked a secret involvement in the sale of contraband cheese. At some point, Bruno met the gangster Al Capone, and the two seemed to become friends. At the Airmont house, Hicks meets G. Rodney Flaunch, a “onetime male flapper” (88) who has presented himself as Daphne’s fiancé while bragging about his intention to marry into the Airmont cheese fortune. He insists that he wants Daphne back, even though he would happily leave the family alone in exchange for $1.5 million. Daphne’s mother, Vivacia Airmont, reiterates the assignment: bring back Daphne from the clutches of jazz clarinetist Hop Wingdale, whose band the Klezmopolitans were last seen in Chicago.
Hicks recalls the night he met Daphne Airmont. That night, Daphne was running away from Dr. Swampscott Vobe, the operator of a rehabilitation facility, who is obsessed with testing his experimental ray-based ideas on his patients. Hicks was riding aboard a “high-performance smuggling craft” (92) with his friend, Dippy Chazz (also known as Giancarlo Foditto). Hicks was introduced to Daphne and offered to help her escape. They shared a moonlit speedboat chase across the lake until Hicks dropped Daphne off with friends at the nearby Ojibwe reservation. April, learning the story later, is unimpressed. Weeks later, while talking to his associate Vito Cubanelli, Hicks meets an Ojibwe man named Jimmy, who explains that Daphne met several members of the Ojibwe Dawn Society while in one of the “childhood loony bins” (100) in which she spent time as a child. The Ojibwe, Jimmy explains, were often consigned to such places due to “phony cannibal” (100) accusations based on the cultural story of the Windigo. Jimmy repeats the belief that saving someone’s life leads to a responsibility for that person.
In Chapter 8, Hicks accompanies Stuffy Keegan to the rendezvous point, only to miss the arrival of the submarine completely. By this point in the novel, Hicks has direct experience with apportation and asportation (the novel’s central supernatural conceit—in which objects can disappear from one place and reappear in another), but he doesn’t quite believe it. The presence of an Austro-Hungarian submarine in Lake Michigan, deep in the North American interior with no navigable route to the ocean, defies rational explanation: Hicks is reaching an inflection point at which he is being forced to acknowledge the existence of forces and phenomena beyond his control or his understanding. The fleeting glimpse of the submarine as “lights beneath the ice” (56) alludes to this conundrum: Hicks can see the lights, but he cannot see the submarine itself. He can see a dark shadow which resembles a submarine, but he cannot be sure. The uncertain image deliberately evokes similarly ambiguous images of Scotland’s Loch Ness Monster, or “Nessie,” alluding to a broader universe of real-world speculation around conspiracy theories and paranormal phenomena.
In the novel as in the real world, such unexplained and uncertain phenomena stand as metaphors for the hidden workings of systemic power. Just as the forces of capital, the gang wars in Chicago, the brewing conflict in the dairy industry, and the rise of fascism are beginning to impact Hicks’s life, the supernatural forces behind apportation and asportation are beginning to make themselves felt. Yet these forces, much like the submarine, remain obscure. Hicks can see only shapes and shadows. He sees blinking lights but does know not what they signal. In the following chapter, Hicks has a dream in which he fails to save Stuffy. He wakes up, assuring himself that it was “only a dream” (61). Hicks cannot rely on this excuse forever; gradually, he is being thrust into the difficult position of acknowledging his own powerlessness in the face of forces he cannot yet comprehend, a recognition central to the novel’s exploration of The Surrender of Individual Agency to Systemic Power.
In Chapter 10, Hicks receives more evidence of his limited comprehension of what is happening in society when his uncle Lefty takes him to the New Nuremberg Lanes, a bowling alley built as an apparent meeting point for young Nazis who seem to be “only pretending to bowl” (64). This fictional meeting place mirrors reality, as dozens of pro-Nazi training camps existed in the United States during the 1930s, with varying degrees of secrecy, many of them sponsored by the German American Bund. One of the bowlers, Ooly Schaufl—now going by Ulrich—was Hicks’s mentor in his strikebreaking days; whereas Hicks came to regret his violent past, Ooly has gone in the opposite direction. In Ooly, Hicks has a vision of the man he might have been, had the beavertail not vanished from his hand. At the bowling alley, Hicks can no longer deny that the American Nazis are not only real, but apparently well-funded. They are not isolated people from the fringes of society; they include old associates and family members. Hicks is forced to recognize the existence of an underground fascist movement right under his nose. This realization gives credence to all the other seemingly impossible things he has witnessed, including the asportation of the weapon from his hand and the apportation of an Austro-Hungarian submarine in Lake Michigan. In acknowledging the existence of the American Nazis, he also receives a glimpse into an alternative reality in which he, like Ooly, fell into fascism. Save for a few different choices, Hicks might have been just like Ooly. The realization shows Hicks how difficult it is to avoid the surrender of individual agency to systemic power.
In Chapter 14, the reader is finally shown the midnight speedboat chase that has seemingly bound together the fates of Hicks and Daphne Airmont. The Ojibwe, Hicks is told, have a belief that saving a person’s life (or even altering it significantly) gives him a responsibility for that person’s life. At first, Hicks is told this by people who do not really share the Ojibwe belief. The lawyers and the Airmonts, for example, just want him to take the assignment. Their manipulative tactics further undermine Hicks’s agency, reinforcing his belief that his destiny is out of his hands. Yet the assignment to bring Daphne home reminds Hicks of the spiritual void in his life. He has regret for his past actions, particularly the possibility that he may have hurt or killed someone. He does not want to be a violent man; he is not even sure he wants to be a private detective. Hicks is searching for redemption, even if he does not know exactly what he has done for which he must redeem himself. Daphne Airmont comes to represent The Possibility of Redemption, the idea that he is—in some way—responsible for more than just himself. Hicks may never really believe in the Ojibwe tradition, but it provides him with a moral framework through which to pursue redemption. Saving Daphne offers him a purpose, even if he insists that he does not want the case.



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