62 pages 2-hour read

Shield of Sparrows

Fiction | Novel | Adult | Published in 2025

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Chapters 1-12Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death, death by suicide, animal death, and emotional abuse.

Chapter 1 Summary

A young princess named Odessa stands on a cliffside, fighting with the desire to jump from it. Meanwhile, her sister Mae is pampered as she is readied for her meeting with the warriors their father has invited to the kingdom of Quentis; he intends to marry Mae off to the prince of the kingdom of Turan to satisfy a peace accord known as the Shield of Sparrows. Mae has been trained her entire life for this occasion, as she is not only meant to marry the Turan prince but also to fulfill a secret mission for their father.


Odessa’s fiancé, Banner, greets Odessa on the cliffside. Banner is the general of her father’s forces and reveals that the Turans have brought the infamous Guardian with them to the city of Roslo; Banner despises the Guardian, whom he blames for destroying his family. According to Banner, the Guardian and Banner’s brother fought over a woman in Turah, the Guardian’s home kingdom, which ended in the death of Banner’s brother. Within the last year, Banner’s mother died by suicide because of that loss. With a final reminder not to be late to the meeting, Banner leaves Odessa on the cliffside. She is used to being overlooked in favor of Mae, so Odessa jumps from the cliff and into the waters below, believing that no one will notice this brief moment of danger—and blissful freedom.

Chapter 2 Summary

Odessa sneaks back into the palace through the deserted east-wing gallery, which features gruesome pieces of artwork of the crux, “eagle-like” creatures that fly over Calandra each migration and slaughter many people. The last migration was 30 years ago, and scholars predict that the next migration could come as early as next spring—less than a year away. In the hall, Odessa crosses paths with the Voster priest who serves as her father’s emissary. His chilling presence always unnerves her. Power radiates off him, sickening Odessa. He uses magic to lift the water from her hair, swirling it into a crown that hovers above her head. Though Odessa knows that the Voster brotherhood uses its magic to deliver messages, she rushes away without attempting a guess at what his message means.


Odessa’s stepmother, Margot, aids her in getting ready for the meeting with the Turans while Odessa’s handmaidens, Brielle and Jocelyn, are busy in the southeast wing, where the Turans are staying. The ocean washed out much of the brown dye in Odessa’s red hair, so Margot pours brown powder back into it to disguise the natural color, hiding any trace of Odessa’s birth mother. Like always, Odessa is dressed in shades of gray. Margot scolds Odessa for swimming in the ocean, reminding her that the Turans have come to kill the monsters—marroweels—that have been disrupting Quentis’s trade routes for the past year. If their trade routes aren’t secure and the kingdoms of Laine, Genesis, Ozarth, and Turah don’t get their shipments, they might see it as an invitation to start a war. With the crux migration nearing, no one can afford a war.

Chapter 3 Summary

Everyone gathers in the throne room, where the Turans—including Prince Zavier Wolfe and the Guardian—are in attendance. Odessa’s father offers to pay the Turans in coin for killing the marroweels. Prince Zavier is rumored not to talk, so the Guardian is brought forward to speak on his behalf. The Guardian is amused, but Zavier looks bored at the prospect of meeting Mae, his future wife. Rather than accept the offered coin as payment, an unspoken conversation seems to happen between Zavier and the Guardian. The Guardian then states that, as payment, Zavier has chosen to marry Odessa.

Chapter 4 Summary

Odessa’s family and fiancé protest this choice, but the Guardian only laughs. Their protests hold little weight because the Turans have killed seven female marroweels. According to the High Priest of the Vosters, who has accompanied the Turans to Quentis, the Turans have completed the ancient rite of the Chain of Sevens. To kill seven females of any monster is to “alter the chain of life” (44). The magic has sealed the Chain of Sevens, and any warrior who completes it receives a prize of their choosing. Therefore, Odessa’s family can’t challenge Zavier’s decision to wed Odessa to fulfill both the Chain of Sevens and the Shield of Sparrows.

Chapter 5 Summary

After the declaration, the Turans exit the room, leaving Odessa behind with her father, Margot, Mae, her father’s Voster emissary, and Banner. The emissary, Brother Dime, claims that there is no way to evade Odessa’s fate. Odessa’s father is clearly upset; she focuses on his eyes, which contain the amber starbursts that appear in the eyes of every Quentin. Odessa’s eyes are not like everyone else’s: Hers are pure gold with no starburst.


Odessa’s father dismisses everyone from the room except for immediate family. He tells Odessa that she must take over the mission Mae trained for: find the way into the Turans’ secret capital city of Allesaria and inform him on how to infiltrate it. Brielle and Jocelyn will accompany her, and she will send the information back with one of them. He also tasks Odessa with learning everything about the Guardian and his powers. If she has the opportunity to kill him, she must do so. He alludes to something that he wants inside Allesaria—something crucial to stopping the next crux migration.

Chapter 6 Summary

Margot prepares Odessa for her wedding night. The broken engagement with Banner does not bother Odessa, as Brielle has informed her before that Banner has a lover in the city. Odessa thinks of the former Turan capital, Perris, which the last crux migration completely destroyed. After that, the Turan king moved his stronghold into the mountains and built Allesaria. No foreigners have ever been allowed there.


Odessa’s stepmother promises that Odessa can say goodbye to her four-year-old brother, Arthalayus (Arthy), before she leaves with the Turans. Left alone before the ceremony, Odessa pries up the loose floorboard in the corner of her closet and retrieves a necklace and sketchbook from inside. The necklace, which she found 13 years ago, has a pendant with “a wing of silver […] inlaid in a circle” of “red and orange and as bright as the harvest moon” (67). She likes to pretend that it belonged to a long-forgotten family member. Mae visits Odessa before the marriage ceremony, and they share a hug. Odessa’s father then enters her rooms and cuts Odessa’s hand to fill a vial with her blood, which she will later use to sign the Shield of Sparrows.

Chapter 7 Summary

A select few Quentins and Turans gather in the castle sanctuary, where Odessa and Zavier will wed. Odessa and Zavier are brought to the altar to sign the Shield of Sparrows with their blood. The treaty declares that the king cannot kill his “sparrow” (the princess chosen to marry into another kingdom) and vice versa, “either directly or indirectly, without death befalling them both” (75). (It is later revealed that the Guardian secretly speaks the oaths on Zavier’s behalf.) The marriage is sealed without even a kiss. Without looking at her, Zavier declines the celebratory feast that Odessa’s father offers and exits the room. Odessa tries to follow, unsure of what she should do, but the Guardian stops her, laughing. He informs her that she will sail with the Turans at dawn.

Chapter 8 Summary

Odessa’s family gathers at the docks to see her off; unfortunately, her stepmother does not bring Arthy, so Odessa isn’t able to say goodbye to her younger brother. The Guardian teases Odessa about how she must have spent her last night in Quentis, hinting that she might have spent it with Banner. He also seems to disapprove of her dyed hair.

Chapter 9 Summary

Odessa learns that Mae knows what their father wants from Allesaria. It stings that her father entrusted Mae with that information but prefers that Odessa remain oblivious. It also bothers her that he expects her to trust him fully but doesn’t do the same in return.


Brielle and Jocelyn are already on the ship when Odessa boards. They are in low spirits, as they did not have time to say goodbye to their families. The three of them will be sharing a room; Odessa is relieved that she will not have to share with Zavier. As the ship sets sail, Zavier approaches Odessa while her handmaidens are below decks. He speaks to Odessa, revealing that he can talk but chooses not to publicly. This gives him power, as it usually prompts those in his presence to overshare to fill the silence.

Chapter 10 Summary

Brielle and Jocelyn spend their first night aboard seasick, but the rocking lulls Odessa into easy sleep. When she wakes, she finds pants and boots at the door of their cabin. Odessa remains obstinately in her dresses. The Guardian greets her above decks with his usual amusement and arrogance, which irks Odessa. She is surprised when he jumps overboard and swims to a nearby Turan ship with speed and strength of which no ordinary man would be capable. Zavier greets her shortly after. He has again trusted Odessa with the secret that he can speak, implying that she is now Turan while Brielle and Jocelyn are not. She decides to earn his trust by keeping this secret from them.

Chapter 11 Summary

Eventually, Odessa tries on the pants left for her and finds she enjoys the freedom and comfort of the Turan clothing. While Brielle goes above decks with Odessa for fresh air, Jocelyn stays below. The Guardian is back onboard after a few days on the other ship and greets them.


When a marroweel attacks the ship, the Guardian instructs the women to stay abovedeck, where it’s safest, and to hold on tight. Odessa defies his orders by going below in search of Jocelyn, who might be in danger should the eel breach the ship. She meets Jocelyn halfway down, and they emerge above just as the eel attacks again, tipping the ship precariously. Without a handhold, Odessa begins to slide toward the ship’s edge. She manages to catch herself on the ship’s rail, but before she can gain purchase, another lurch from the marroweel’s attack throws her into the sea.


Odessa swims for her life as the marroweel pursues her. The Guardian shoots a harpoon into the water beside her, and Odessa grabs it so that they can reel her in. As they lift her from the water, the Guardian aims another harpoon, shooting the marroweel as it leaps up to attack her. Odessa is safely back onboard, along with the body of the dead marroweel. The Guardian angrily tells her to obey his orders from now on. Odessa states that she will when it is a matter of safety but not otherwise, surprising them both. She begrudgingly thanks him for saving her life.

Chapter 12 Summary

The following morning, Odessa approaches the dead marroweel, which is hanging from the ship’s mast and bleeding into a bucket. She notes its white eyes and green blood. When she asks why it bleeds green, unlike the slain females that bled red, the Guardian ignores her question. Odessa then asks if she should worry about another marroweel attack. The Guardian informs her that there are many creatures to fear in these waters. Odessa makes a witty retort calling him one of those monsters, but the Guardian replies seriously, “Not all monsters are born from the gods […] Some of us were made” (137), implying he considers himself a monster too.


The Guardian promises to keep Odessa safe, but she is tired of relying on men for this. She claims to want a sword, but Zavier doesn’t want her to hurt herself. Nevertheless, the Guardian offers Odessa his sword and tasks her with keeping it aloft and aimed at his throat. She strains under the weight of the weapon but stubbornly keeps it raised as long as possible. The Guardian easily disarms her and retrieves his sword, but Zavier agrees to give her a sword of her own. Odessa heads below deck but pauses halfway down. She overhears Zavier tell the Guardian, “[I]t’s spreading.” Odessa wonders if they’re talking about whatever is affecting the marroweels.

Chapters 1-12 Analysis

Shield of Sparrows capitalizes on the tropes of epic fantasy and romantasy genres. These opening chapters gently introduce the political climate of Odessa’s world and the lore of the monsters and magic inhabiting it. Odessa’s first-person point of view serves a similar purpose to the narrative voice of Violet Sorrengail in Fourth Wing, another popular high-stakes romantasy. The protagonists of both novels have a limited worldview and lack knowledge about the political and magical workings of their worlds—in Odessa’s case, because her father has kept her in the dark. This allows for a mutually illuminating experience in which readers and protagonist are discovering the world-building in tandem, resulting in a natural flow of exposition. Shield of Sparrows also draws on recognizable narrative elements and character types. For example, the Chain of Sevens binds Odessa to the future ruler of Turan in a way that recalls The Witcher’s Law of Surprise, which connects Geralt to Ciri in a permanent, magically binding way. The Guardian shares similarities to Geralt of Rivia already, from his strange-colored eyes to his unique magic and uncanny ability to hunt monsters. Though these early chapters don’t reveal why the Guardian is the way he is, the subtle mystery surrounding him alludes to the theme of The Human Roots of Monstrosity.


In fact, these opening chapters establish many mysteries at the heart of the novel’s plot. For undisclosed reasons, it is important that Odessa dye her hair to keep the natural red hues hidden. She possesses a necklace featuring a pendant with a symbol that she can’t locate in any book. The Guardian calls himself a monster and, in conversation with Zavier, mentions that something is worsening. By introducing several mysteries with presumed high stakes, Perry sets up the novel for increasing tension and intense conflict.


The Importance of Freedom to Personal Growth emerges as an important theme, as autonomy is important to Odessa. Her cliff-jump into the sea in the novel’s first chapter functions as indirect characterization, as does her inner monologue just before she jumps: “What was out there? Mae would find out. After the wedding, she’d set sail to Turah” (16). This moment showcases Odessa’s jealousy of Mae’s independence: She thinks of Mae’s marriage to Zavier Wolfe as an escape and an adventure that she herself will never enjoy. Indeed, this first section establishes that lack of choice has profoundly shaped Odessa’s character. Her family treats her as something to be hidden away or overlooked. She is not seen as valuable—or even noticeable in any way—until she becomes politically useful when Zavier decides to marry her instead of Mae. Perry uses Odessa’s initial lack of agency to explore how a character can begin to reclaim power. Odessa begins a gradual transformation toward reclaiming her autonomy by refusing to obey the Guardian’s every order, asking for a weapon to defend herself, and even simply changing her wardrobe to reflect her preferences and her current circumstances better.


Perry keeps romantic tension low in these early chapters, focusing primarily on the shift in Odessa’s status quo as she hesitantly tests the boundaries of her new cage and finds that she’s freer than she’s ever been. Nevertheless, romance is a key part of the work, and the opening chapters establish character dynamics that will be crucial as the novel unfolds. Perry subverts the arranged marriage trope common to romantasy (and romance broadly) by introducing Zavier (later revealed to be Dray) as the initial love interest. Though it becomes clear by the end of this section that Odessa will form an attraction to the Guardian, Zavier is still positioned to take part in a potential love triangle. That this doesn’t come to fruition shows Perry’s reinterpretation of familiar tropes, adding tension, intrigue, and unpredictability to the plot.

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