62 pages • 2-hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of death, graphic violence, substance use, illness, animal death, and cursing.
Zavier seeks Odessa out for a private conversation. Their reunion is awkward and stilted. Odessa asks about Zavier’s daughter, and he informs her that Evangeline, or “Evie,” is four and that very few people know she’s his daughter. Her mother died in childbirth. The information is a secret, but Evie had a momentary slip-up earlier in the presence of Odessa. Odessa promises to keep the secret but asks if she can spend more time with Evie, to which Zavier agrees. He walks her to her tree house, where they say goodnight. Odessa kisses his cheek, which causes Zavier to stiffen. She apologizes for being too forward, but he tells her not to be, touches her cheek, and leaves.
When she enters her room, the Guardian is waiting on her bed. He asks her many questions—where her home is, how many men she’s been with, and if she’s spying for her father. When she answers no to the final question, she can tell that he doesn’t believe her.
Zavier and Odessa begin daily walks together. After five days, Evangeline joins them, though she is still shy around Odessa. The Guardian interrupts their walk one day to deliver serious information to Zavier in private. Evie whispers to Odessa, mentioning sick monsters. When Odessa later asks Brielle and Jocelyn if they’ve heard anything of the sort, Brielle reveals only that she’s heard a few warriors talking about men going missing from Treow. Jocelyn has heard others talking about King Ramsey recruiting more men for his militia. With time passing and no information surfacing about Allesaria, Odessa decides she needs to be more proactive.
With help from Brielle, Odessa schemes to temporarily escape from Treow. She convinces a merchant to give her a ride to the nearby town of Ashmore. Upon arriving, she asks how the town keeps monsters out, but the merchant claims that they don’t anymore.
As Odessa heads for a nearby inn, she hears a familiar laugh nearby. She spots the Guardian smiling and chatting with a beautiful blonde woman just outside a nearby tavern. Odessa tries to ignore her jealousy as she watches him escort the woman inside. She books a room at the inn, but when she enters her accommodations, she finds the Guardian waiting inside.
The Guardian is livid. He insists that they will return tomorrow and that she will never do anything like this again. Speaking freely for the first time, Odessa says that she will fight him if he even attempts to take her limited freedom away. The Guardian asks why she didn’t just ask to explore Ashmore: All her other requests have been granted, and this would have been no different. Odessa is surprised to discover that she hasn’t been as caged as she thought. The Guardian slips out her window, leaving Odessa alone to eat dinner and go to sleep. Just as she becomes comfortable, however, the Guardian returns and rips the pillow out from beneath her head, settling himself on the floor for the night for her own protection.
The next morning, Odessa wakes to a note from the Guardian: He has business to attend to but asks her not to wander far. Odessa relishes the freedom he’s given her to explore on her own. Odessa finds the town library burned, just as King Ramsey did to the one in Treow. Nearby, she crosses paths with Cathlin, who seems amused that Odessa snuck into Ashmore.
Odessa asks Cathlin questions, and she is more forthcoming than anyone else, informing Odessa of tunnels beneath the city meant to protect the people from the crux. The tunnels weren’t deep enough in the past, and everyone died. However, they’ve since been improved, and the town’s inhabitants are hopeful about the next migration. Cathlin also mentions that King Ramsey has withdrawn his soldiers from most towns, likely because he wants residents to move to the cities, where they can be better protected. Odessa suspects that he might be keeping his subjects under watch for some unknown reason. Her deductive skills impress Cathlin, who thinks the same. The clinking of warning bells around town interrupts their conversation, and everyone races inside as the clicks of bariwolves near.
Odessa and Cathlin run to take cover in the inn. However, Odessa spots a woman being stalked by a bariwolf and can’t stand to leave her. Odessa whistles, drawing the bariwolf’s attention to her instead. She is cornered between two bariwolves, but just as one launches itself at her, the Guardian tackles it. He urges Odessa to run for cover as he faces off against the monsters. Odessa becomes concerned when one manages to cut the Guardian’s arm. Several more emerge onto the street, leaving the Guardian alone against nine monsters. The blonde from the tavern the previous night lets Odessa and Cathlin into the inn and hides after pointing Odessa toward the crossbow. Odessa loads the weapon just before a bariwolf crashes into the inn. It kills the blonde before Odessa can react. Though she manages to shoot it in the chest with a bolt, the injury barely even slows it down.
Cathlin and Odessa run upstairs, where Odessa loads another bolt. On the street below are five dead bariwolves. The Guardian is bloodied but still fighting against the remaining three. However, Odessa realizes the Guardian is slowing and will lose the fight, so she climbs out the window and onto the balcony. Odessa then aims the crossbolt, shooting one monster in the leg, buying the Guardian time to behead it. A one-eyed bariwolf turns and flees, leaving its partner alone for the Guardian to kill.
As Odessa relaxes, the fragile balcony collapses; she falls to ground level but is relatively unharmed. However, at the Guardian’s panicked shout, she notices movement behind her. The bariwolf from inside the inn launches itself at her but is killed by the Guardian’s thrown sword before it can reach her. It lands partially on top of her, seeping green blood. The Guardian helps Odessa to her feet, but by the time Cathlin emerges from the inn, he has left.
Odessa helps dig graves for the 17 people who died in the bariwolf attack. When the Guardian returns to her room that evening, he is drunk. When he calls her by her nickname, Sparrow, Odessa asks him why. He simply states, “Because you’re a bird” (335), which she doesn’t understand. Odessa asks about the bariwolf that bled green. He reveals it is a sickness called Lyssa that has infected the monsters and made them more feral.
The following day, Odessa says goodbye to Cathlin, who is staying in Ashmore a little longer to visit a woman with whom she’s in love. Odessa is surprised when the Guardian hugs Cathlin before they depart. The Guardian and Odessa share a single horse as they begin riding toward Ellder, where Zavier is waiting.
Odessa falls asleep in the saddle and has a nightmare in which Mae holds a knife to Odessa’s throat after their father orders her to kill Odessa. Brielle and Jocelyn lie dead on the floor before them. When Odessa wakes, she is slumped against the Guardian’s chest. They are looking out over a cliff, and Odessa feels wonder and peace as she takes in the view. The Guardian tells her about how his mother took him here as a child just to sit in silence. While it felt like punishment back then, he has now come to appreciate it. Odessa finds that she doesn’t want to move out of his embrace and that she enjoys learning more about him.
They reach Ellder fortress shortly after nightfall. The Guardian escorts her to a private room, where all her belongings are, and she realizes that she won’t be returning to Treow. When the Guardian prepares to leave, Odessa grabs his wrist to stop him because she isn’t ready to be alone. He gestures to her hair and tells her that she doesn’t need to hide who she is in Turah or with him. When he leaves, she dumps her hair dye out the bedroom window.
The following week, Odessa falls into a routine of spending a few hours with Evie each morning. She quickly becomes deeply attached to Zavier’s daughter. Both Zavier and the Guardian have been gone since the night Odessa arrived. One day, Evie takes Odessa to the dungeons of Ellder, where there are secret books hidden. In the dungeons, they find Luella and Cathlin, and Cathlin loans Odessa a few books from the secret collection.
Zavier and the Guardian finally return. Zavier reunites with Evie and invites Odessa to dinner that night, which she accepts. She finds the Guardian waiting outside her room after she leaves Zavier and Evie. He gifts her a sword and invites her to train with him.
A week passes with the Guardian teaching Odessa how to wield her sword. Though their training is just as brutal as it’s always been, she enjoys it. A tension simmers between them, and Odessa feels increasing guilt that she is attracted to the Guardian instead of Zavier.
When Zavier leaves on business, Odessa overhears the Guardian calming a distressed Evie. He invites Evie to travel with him to Treow the following day to retrieve Odessa’s horse, Freya. He invites Odessa to accompany them as well.
On their journey to Treow, Odessa reveals her heritage to Evie, who learns that Odessa is a princess like herself. When Evie falls asleep, Odessa pries further into the Lyssa illness. The Guardian reveals that the infection spreads by bite and makes the monsters feral; they kill for enjoyment rather than necessity. He reveals that Turah has only known about the infection for the past four years. The Vosters have been studying the infection since then and don’t believe the crux are associated with it.
As Odessa learns more about the illness, she realizes the root of the Guardian’s abilities: He is infected with Lyssa. The Guardian removes the carved cuff on his arm to reveal a scar beneath it. The bite is from the one-eyed bariwolf they faced in Ashmore weeks ago. He is the only known human survivor of Lyssa. Odessa, who now considers herself part of his country and his family, asks what they can do to stop Lyssa from spreading. The Guardian states that they will kill all the monsters, including him. He jokes about how happy it will make Odessa’s father once she completes her mission, revealing that he knows she was sent to assassinate him.
Perry escalates the novel’s thematic and emotional stakes by pushing Odessa into more active roles in both interpersonal relationships and broader political conflicts. A tension between perceived freedom and actual agency shapes the narrative, especially as Odessa begins to act without permission—both physically, as in her trip to Ashmore, and emotionally, as she wrestles with guilt over her growing, forbidden emotional attachment to the Guardian. The most significant shift in these chapters is Odessa’s transition from a passive observer to a participant with meaningful choices, albeit ones that are still constrained by various factors (such as her father’s wish for information). She takes action and decides “if [she] was going to find Allesaria, then something had to change. [Her]. [She] had to change” (289). Her decision to escape Treow reflects a need to test the limits of her autonomy explicitly for the first time. In keeping with the theme of The Importance of Freedom to Personal Growth, the novel frames this as a necessary and significant moment even as it also highlights that Odessa does not quite understand her situation. As the Guardian notes, she could have asked and would have been granted her request—implying that her options are less limited than they were in Quentis—but it is important to her continued character growth that she act entirely of her own volition.
There is a growing romantic tension within Odessa’s evolving relationship with the Guardian. Their dynamic remains shaped by a clear power imbalance and mutual distrust, but it begins to take on new dimensions as the Guardian’s control softens into reserved protection of and reluctant vulnerability with Odessa. The revelation of his infection with Lyssa becomes a turning point, especially in the theme of The Human Roots of Monstrosity—not just because it redefines him as literally monstrous but also because it forces Odessa to reconcile her emotional loyalty with the violent task that she was sent to complete, raising questions about who exactly is the “monster.”
Indeed, these chapters significantly complicate the question of monstrosity. The carnage of the bariwolves’ attack reveals the real danger that such creatures can pose, but once again, the idea of monstrosity encompasses more than mere threat. The green blood of the infected creatures suggests a perversion of the “natural” order that the Guardian affirms when he reveals that such beasts are no longer simply acting on instinct when they attack. At the same time, the Lyssa infection removes the line between human and beast, making the Guardian both (the infection’s name alludes to the lyssaviruses, a group of diseases that include rabies and affect people and animals alike). Meanwhile, his nickname and his clear desire to protect others and do good imply that defining a monster isn’t as clear-cut as it first seems. The Guardian’s dual nature, therefore, raises the question of whether monstrosity is defined by what one is, what one does, or simply what others decide one is.
The novel’s exploration of Belonging as a Choice also deepens in this section as Perry builds upon the found-family trope introduced alongside characters like Tillia and Cathlin. Odessa’s attachment to Evangeline in particular signals a shift in allegiance that her eventual statement about being part of the Guardian’s country and family affirms. When asked about missing home, Odessa’s thoughts are revealing:
The castle. The city. My father and Margot. They crossed my mind less and less each day. And when they did, all I could feel was the weight of responsibility on my shoulders. Spy for Father. Kill for Father. Find Allesaria for Father. How? I was stuck. Totally fucking stuck. Maybe the reason I didn’t miss home was because home meant Father. And when I thought of him, I pictured the disappointment on his face when I failed him completely (274).
Odessa regards Quentis and her family as a prison holding her back, while Turah has come to represent freedom and autonomy for her; she feels “stuck” there only because she continues to feel an obligation to act out her father’s desires, the oppressiveness of which the repetitive sentence structure (“Spy for Father. Kill for Father. Find Allesaria for Father”) underscores.
At the same time, Odessa struggles with the many secrets she faces in Turah. When she discovers Evie is Zavier’s child, she becomes upset that she wasn’t told upfront. Even though Evie’s identity is a secret from everyone, Odessa takes this personally, as she is “so tired of being the last person in the know” (277). This affirms to her that she can’t fully trust the Turans just yet, which brings her closer to Brielle and Jocelyn. Odessa places her trust in her long-time lady’s maids simply because, as Quentin citizens, they are familiar, but events later in the novel prove that this is not the same as being trustworthy.



Unlock all 62 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.