51 pages 1 hour read

Sisterhood of the Traveling Pants

Fiction | Novel | YA | Published in 2001

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Chapters 16-20Chapter Summaries & Analyses

Chapter 16 Summary

Over breakfast, Bridget contemplates sex. She and her friends are all virgins, but her desire for Eric is “bigger and craggier and stormier” (122) than anything she’s ever felt, though she’s not sure exactly what she wants. She tells her friends that she will hook up with Eric that night.


Bridget is thrilled to receive the pants in the mail. She wears them to the next scrimmage, where she tries to hold herself back. Still, she plays so well that their team dominates, and Molly relegates her to goalie. When a ball comes at Bridget, she instinctively intercepts it, but when she sees the disappointment on everyone’s faces, she intentionally throws an own goal, or throws the ball in her own net.


In the second scrimmage of the day, Bridget is put on defense. She defies Molly to intercept the ball and score a goal, leading Molly to bench her for the rest of the game.


Carmen arrives at Tibby’s house, surprising her. She throws herself into Tibby’s arms and starts to cry. Carmen is surprised when Tibby starts asking her what made her experience so awful. She denies Tibby’s suggestion that she is angry at her father. When Tibby tells Carmen that her problems aren’t “the worst thing in the world” (126), Carmen leaves, feeling betrayed.


Tibby writes to Lena about her film. She let Bailey interview Duncan, and the interview turned out heartfelt rather than funny. The documentary isn’t shaping up the way she planned, but she’s still happy with where it’s going.

Chapter 17 Summary

Lena spends her days walking aimlessly around Oia. She half-hopes that Kostos will tell everyone what really happened, but so far, he hasn’t. Lena still finds herself unable to broach the subject with her grandparents. She returns to the olive grove to finish her painting but is startled out of her reverie by a sound in the water. Looking up, she sees Kostos skinny-dipping in the pond. She realizes that Kostos hadn’t been intruding on her privacy the day he surprised her at the pond—instead, she’d been in his spot. She writes to Tibby, detailing her shame but noting that Kostos looked into her eyes for the first time in days, which pleases her.


Bridget writes to Lena. She has a feeling that the upcoming night is going to be special. Unable to sleep, she goes for a walk. She recalls old memories with her brother but can’t picture her mother in them. Bridget walks past Eric’s door, knowing that she is “pushing him […] pushing herself” (131). Eric silently gets up and follows her to the edge of the beach, where they sleep together. Afterward, Bridget stays behind alone. She finds herself crying, unsure how to handle the intensity of her feelings and how to confront and cope with what happened.


It's been nearly two weeks since Carmen returned home, and she still feels ill-at-ease. She tries to spend time with her mother but finds herself easily annoyed by her mother’s habits. Whenever she is alone, she vows to be kinder, but finds it difficult to do so when she is around her mother. Carmen realizes that there are only three weeks left until her father’s wedding and feels guilty that they haven’t spoken since her last outburst.

Chapter 18 Summary

Effie excitedly tells Lena that she kissed a cute waiter in town. Lena reprimands her but is secretly jealous of Effie’s open attitude toward boys and love. She sits down to draw and finds herself making a detailed portrait of Kostos.


Lena thinks about Bridget, whose last letter worried her. She knows that Bridget occasionally “crashes” into deep emotional lows. She asks her grandmother about Kostos’s family, and Grandma tells her that Kostos lost his parents and younger brother in a car wreck when he was three years old. Lena feels ashamed that people like Bridget and Kostos, who have experienced so much loss, are still open to love while she herself is closed off. She finally tells her grandmother that Kostos is innocent.


Bridget wakes up to her camp friends eagerly interrogating her about her encounter with Eric but realizes that she doesn’t want to talk about it. She lies and says that nothing happened, letting them go on to breakfast without her. Bridget stays in bed all day, skipping meals.


Carmen makes several attempts to write to her father but can’t stop herself from including something mean in each one. In the end, she forgoes the letter and sends him money to repair the window.

Chapter 19 Summary

As Bridget prepares to send the pants back to Carmen, Eric visits her cabin to check on her. He takes responsibility for their encounter, which annoys Bridget because she feels he’s taking away her agency. She writes to Carmen, saying that she is “very mixed up” (142) and should’ve listened to Carmen’s advice about having good sense.


Carmen returns to Tibby’s house, where Tibby and Bailey interview her. Carmen tells Bailey they are fighting, and Bailey responds that it doesn’t matter because they love each other. Bailey starts the interview, asking questions about Al’s wedding and Carmen’s feelings. When Carmen starts to cry, Bailey tells her it’s okay to be angry.


Several days later, Bailey misses her usual visit to Wallman’s. Worried, Tibby bikes to the Graffmans’ house, where a neighbor informs her that Bailey was taken to the hospital. There, Tibby meets Mrs. Graffman, who tells her that they are stopping treatment for Bailey’s leukemia so that she can live out her last few months with more normality. She expresses her appreciation for Tibby, who quickly leaves, overwhelmed by emotion.

Chapter 20 Summary

In early August, Lena returns to the olive grove to finish her painting. She’s unsure if she’s hoping to see Kostos but knows that she will give him the painting as an olive branch.


Tibby calls in sick at Wallman’s, not wanting to face the knowledge that Bailey is dying. When she goes to feed Mimi, she finds the guinea pig lying dead in her cage. Tibby refuses to accept the reality of Mimi’s death, and instead puts her body in the freezer. She tries to write a letter but can’t think of anything to say. She ignores a call from Bailey, instead retreating to her room to watch TV.


Lena writes to Carmen, lamenting the fact that she and Bapi Kaligaris have never had a conversation. She asks for “pointers on how to be a normal person” (149).


Carmen talks to her mom, asking why she finds it so hard to get mad at her father. Her mother suggests that Carmen feels less secure in her relationship with Al and reminds her how much she struggled in the wake of the divorce.


At camp, Bridget continues to feel worn-out and listless. Molly encourages her to go all-out for their next game, but Bridget is unable to summon any energy on the field. She walks away from the game, angering Molly.

Chapters 16-20 Analysis

In this section of the novel, Brashares develops the theme of Love and Vulnerability. Bridget tries to navigate the intensity of her desire for Eric but finds that she doesn’t have the vocabulary for it. She knows she wants something from him, but doesn’t know exactly what that something is, physically or emotionally. Her uncertainty reflects her youth and inexperience. Bridget contemplates losing her virginity, a common milestone in coming-of-age narratives that can mark a transition from adolescence toward adulthood.


Brashares doesn’t detail Eric and Bridget’s encounter, but the narrative implies that they slept together. The following day, Bridget feels lost, overwhelmed, and fearful. She is transformed from the force of nature she was in earlier chapters into a shadow of herself who can barely eat or get out of bed. She feels that Eric has somehow “[taken] her power” (141) away and doesn’t know how to get it back. Brashares highlights that first experiences with love and sex can be painfully complex.


Lena achieves a key moment of growth when she finally tells her grandparents that Kostos didn’t assault her. She has overcome the fear that held her back and is able to communicate and make herself understood. Her relationship with her grandfather continues to trouble her. She still craves a connection with him but doesn’t know how to get past the barrier of their mutual shyness.


As the girls begin to reconvene after their summers apart, they find one another changed. Tibby’s interaction with Carmen demonstrates her character growth. Carmen expects Tibby to blindly support her complaints about Lydia, Paul, and Krista. In the past, Tibby has been prone to “feeling sorry for herself and blaming other people” (127), but the Tibby that Carmen meets back in Bethesda has matured into a more compassionate and level-headed person. Instead of reinforcing Carmen’s anger, Tibby probes her about the source of her feelings. Carmen initially views this as a betrayal, but Tibby’s questioning encourages her to sit with her feelings and realize that she is angry at her father. Just as Bailey’s friendship has helped Tibby to mature, Tibby’s bond with Carmen passes on the same lesson.


Carmen’s talk with her mother further explores The Complexity of Familial Relationships. When she is away from her mother, Carmen finds it easier to sympathize with her, but when they are together Carmen is easily annoyed by her and finds herself being mean. She is stuck in a continuous cycle of planning to be kinder, only to snap at the first annoyance. Brashares demonstrates a nuanced understanding of the emotional complexities of adolescence. Carmen’s mother correctly points out that Carmen finds it easier to express anger toward her because she trusts the stability of their bond. This is reminiscent of how the four friends are able to interact and grow—the stability they each expect and receive gives them freedom to come as they are. The fact that Carmen gets angrier at the parent she trusts more illustrates just how nuanced and challenging familial relationships can be. Carmen’s ability to identify her anger at her father marks her development, though she is still not ready to confront him with this anger.


In Chapter 19, Tibby is confronted by the sudden worsening of Bailey’s condition. Her death, which until now has been a nebulous and far-off idea, is now imminent. When Tibby finds Mimi dead, her decision to freeze Mimi’s body rather than bury her symbolizes her unwillingness to confront the reality of death. She ignores a call from Bailey immediately afterward, showing that she is taking the same approach of complete denial toward Bailey’s mortality. Though she’s undergone significant character growth, Tibby is still a teenager, not ready to understand death and terrified of losing someone she loves. Her grief at Bailey’s impending death shows that love is a double-edged sword: It brings joy and fulfillment but leaves one vulnerable to being hurt.

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