61 pages 2-hour read

So Far Gone

Fiction | Novel | Adult | Published in 2025

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Character Analysis

Content Warning: This section of the guide features discussion of emotional abuse, death, animal cruelty, and mental illness.

Rhys Kinnick

Rhys Kinnick is the central protagonist of the novel. He is introduced as a retired journalist who went into self-exile in 2016 after a series of events—the loss of his job, the end of his relationship with Lucy Park, and the provocations of his son-in-law Shane Collins—convinced him that the world no longer needed him. Walter heavily relies on backstory to explain Rhys’s motivations and to deepen the emotional impact that his self-exile inflicts on his life and the lives of his family. In the present action of the novel, Rhys is focused largely on making amends for his actions and for lost time.


Rhys is an environmentalist. When he worked as a journalist, he covered the environment beat, allowing him to meet Brian and Joanie through their activist efforts, as well as Dean Burris during his poaching trial. Rhys’s intellectualism impacted his relationships by making him unsympathetic to the emotional needs of the people in his life. This is best demonstrated by his affair with Lucy Park, which led to the end of her marriage. Rhys’s ex-wife Celia tried to get him to realize the moral weight of his actions, but Rhys argued that Lucy’s divorce was inevitable regardless of the affair. Similarly, Rhys declared his romantic feelings for Joanie in ways that negatively affected his relationship with her and Brian. Initially, the only person who was immune to Rhys’s emotional coldness was Bethany, as suggested by her acceptance of the bedtime stories he used to tell her—thinly-veiled allegories for the environmental problems he covered as a reporter. When Rhys’s daughter Bethany discovered his affair and he refused to acknowledge it to her, they gradually became distanced from one another. Rhys ultimately leverages his intellectualism to insulate himself from the guilt of abandoning his family. This is represented by the Atlas of Wisdom, an impossibly ambitious book project that codifies Rhys’s moral value system in the hopes of establishing his legacy. 


The novel traces Rhys’s redemption arc as he develops sympathy for his family and friends and learns to overcome his intellectualism for the sake of his relationships. His character development begins when his grandchildren arrive at his doorstep and reveal that Celia has died. The most important moment of Rhys’s arc comes in Chapter 5 when he decides to apologize to Bethany for his past transgressions. He turns his back on past philosophers like Aristotle and Henry David Thoreau, declaring, “If we aren’t living for others, maybe we aren’t really living” (204). This is a stark shift away from his earlier belief that he had to feel “needed” by his family to justify his presence in their life. That worldview only served his guilt. Now, Rhys understands that he doesn’t have to feel needed, but that he has to actively work towards making life better for his family to achieve a sense of purpose. Once he makes it clear that he intends to work towards their reconciliation, Bethany starts making room for him in her heart again, allowing him to fulfill his role as her father and her children’s grandfather.

Bethany Kinnick Collins

Bethany Kinnick Collins is the secondary protagonist of the novel and the daughter of Rhys Kinnick. She appears primarily through flashbacks until Chapter 4, when Walter establishes her as a protagonist by setting up the framework for her own personal journey. The central tension of Bethany’s character arc revolves around her impulsive desire to run away from uncomfortable situations. It is initially suggested that this tendency is what sets the plot in motion, causing her to disappear out of fear for Shane’s radical politics. The flashbacks that reveal Bethany’s backstory, however, drive a more complex explanation for her escape.


Growing up, Bethany admired Rhys so much that she aspired to become a writer like him. Their relationship weakened during her adolescence when she discovered that Rhys may have been engaged in an affair. Rhys’s failure to acknowledge what Bethany saw made her believe that Rhys did not trust her. This gave rise to two complementary ideas that defined their relationship up until their reconciliation in Chapter 5: first, that Rhys was morally reprehensible, and second, that he considered her unworthy of the truth. Bethany’s therapist identifies her tendency to escape as behavior that she has modeled from Rhys. This suggests that despite their estrangement, Bethany still sees Rhys as a role model, even if only on a subconscious level. This also explains why Bethany decides to send her children to Rhys when she runs away with Doug to the Paititi Music Festival.


Bethany’s perception that Rhys is disappointed in her is really a projection of her disappointment in herself. After the death of Celia and Shane’s gradual turn to militant radicalism, Bethany feels panicked that she is the only person left to keep her children safe in an unsafe world. The fact that she has failed to achieve her early dream of becoming a writer makes her feel incapable of fulfilling her role as a mother. This is also why she escapes with Doug when she hears that his band will be playing the songs she wrote when they were still dating. She wants to return to a point in her life when she felt she could still achieve her ambitions, escaping her disappointment. When Rhys arrives at Paititi to bring her back to her children, it awakens her to the reality of her present life and compels her to take responsibility for it. This is helped along by Rhys’s apology, in which he assures her that he isn’t disappointed in her. At the end of Chapter 5, they connect over their shared tendency to escape, realizing that this tendency never actually leads them anywhere satisfying. By the end of the novel, Bethany is able to fulfill her role as a mother by supporting Leah through her adolescent angst and Asher through the grief over his father’s death.

Dean Burris

Dean Burris is the primary antagonist of the novel, representing the greatest threat to Rhys and Bethany in their character journeys. Dean is initially introduced as a sidekick to Shane Collins, who is similarly framed as an antagonist. This misdirection enables Shane to have a redemption arc while also deepening Dean’s motivations for antagonizing the heroes.


Dean’s backstory revolves around his criminal activity as a wildlife poacher. When Rhys was working as an environmental journalist, he sensationalized Dean’s criminal case by giving him the nickname “The Dominion Eagle Killer” in the newspaper. This tainted Dean’s reputation so much that when he later ran for Stevens County Commissioner, he lost the primaries on account of his history. Dean thus holds a grudge against Rhys, which turns him increasingly aggressive as he comes to recognize that Rhys is the newspaper reporter who ruined his reputation by accurately reporting on his poaching of endangered animals.


Dean’s grudge ultimately causes him to brutalize Rhys and Bethany during their final confrontation in Chapter 6. This drives the idea that Dean does not really abide by the ethical demands of his religion. Rather, Dean subscribes to the Church of the Blessed Fire and the Army of the Lord because it enables his desire to break away from the laws that govern society. This aligns with the platform he pushed when trying to run for commissioner, suggesting that the county should be freed from the legal jurisdiction of the state and from federal laws as well. Dean effectively wants to do what he wants without consequence, allowing him to stand as a representation for the darkest parts of radical right-wing American politics.

Shane Collins

Shane Collins is a secondary antagonist who redeems himself at the end of the novel. The novel initially presents him as the biggest threat to Rhys and Bethany’s relationship, especially since Shane’s first appearance sees him provoking Rhys into a fight over their political differences. Shane embodies the novel’s critique of a “post-truth” information landscape by subscribing to conspiracy theories that affirm his racism. This directly leads to Rhys’s self-exile, making Shane a catalyst for the estrangement between Rhys and Bethany. Shane reinforces this role when he rebukes Bethany in Chapter 5, implying that he is emotionally abusive towards Bethany.


Shane’s backstory drives his redemption arc, however, by making him sympathetic and recontextualizing his actions through the lens of his underlying motivations. As Chapter 7 reveals, Shane is a coward who wants to be brave for the people in his life. He links the idea of bravery to Christianity when he sees a peer from a Christian youth group stand up for another peer who is being bullied. Shane is conscious of his own failure to stand up for the bullying victim, which convinces him of his fundamental cowardice. Shane later experiences drug addiction and goes into a court-ordered recovery program with Narcotics Anonymous, where he meets Bethany. It is in recovery that Shane accepts religion as a tool for empowerment. The deeper he commits to his chosen church, the more he can convince himself that he has the capacity to be brave. Shane needs to augment this, however, with physical evidence, which is why he leans into organizations like the Army of the Lord, which encourages believers to assert their power through pseudo-military force.


Shane obeys the impulse to save Bethany from Dean because it gives him an opportunity to stand up to a bully. Shane puts his life at risk to protect his wife, correcting his error as a young man and suggesting that he has grown as a character.

Chuck Littlefield

Chuck Littlefield is a foil and sidekick for Rhys. He is introduced as a retired police officer whose overzealous work ethic drove an antagonistic relationship with his superiors at the police department. Chuck is characterized as aggressive, combative, and impulsive. In particular, his impulsiveness is what drives his resemblance to Rhys before his exile. Chuck is the only character who sympathizes with Rhys’s motivations for self-exile because they mirror his own lack of purpose after his retirement. His involvement in the standoff at the Rampart establishes the physical threat the Army of the Lord poses to Rhys and his family. The fact that he gets injured, removing him from the main action of the novel, is a warning to Rhys against relying on his impulses. If Rhys remains impulsive, he may experience the same fate.

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