44 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of sexual content, gender discrimination, and emotional abuse.
One Friday in July, Cathal sits at his desk and stares out the office window at the city scenes below. At just 2:30 pm, he feels restless and wishes he’d left the office for lunch. He feels suddenly irritated reviewing the budget report and gets up for a coffee. At the coffee machine, he runs into Cynthia from accounts. She’s talking and laughing on the phone but hangs up when she sees him. Afterward, he returns to his desk and starts reviewing the budget again when his boss shows up. Sympathetic to Cathal’s situation, his boss suggests he take the rest of the day off. Cathal insists he’s fine. He spends a while longer sipping his coffee and staring at his work before leaving at five.
On his way out, Cathal bumps into the woman who cleans the offices. He gets outside and removes his tie and jacket and waits for the bus. On the bus, he sits near a woman who chats to him about her weekend plans and grandchildren. Cathal tries to ignore her, hoping she’ll stop engaging him. Eventually, she turns away to read. At the Jack White’s Inn stop, a pregnant woman gets on who smells the way countless other women must smell.
Cathal’s mind drifts into the past as he thinks about the events of the year prior. He recalls the days when he’d run out of the office to meet Sabine in Merrion Square below his building. One day, they visited the National Gallery together. He didn’t like the artwork she liked. Afterward, they took the bus back “to his place in Arklow” (14). Sabine napped, went out for groceries, and cooked dinner when she returned.
Cathal and Sabine had met at a conference two years prior. He’d been attracted to her appearance and style. Noticing she didn’t wear a ring, he engaged her in conversation and soon discovered she also “worked in Dublin City Centre, for the Hugh Lane Gallery” and rented “a flat in Rathgar” (15). They exchanged numbers and agreed to meet up for drinks back in Dublin.
Cathal and Sabine began seeing each other thereafter. Eventually, she started spending weekends at his apartment. They’d visit the farmers’ market where she bought expensive produce without concern. Once, she insisted on buying cherries for a tart she wanted to make but had forgotten her wallet. Cathal was annoyed he had to pay for the expensive cherries. Back at his house, he suggested they get married while she made the pie. Sabine scoffed, suggesting he didn’t know what he meant. He pressed on, suggesting they have children and get a cat.
A few weeks later, Sabine agreed to marry Cathal. She found an expensive antique ring at a local jeweler, which was even more expensive because it had to be resized. Cathal got upset over the price, and the two argued. Finally, he gave in and bought it. The jeweler informed him the ring was nonrefundable, but Cathal was unconcerned. The tension between him and Sabine dissipated over the following hours.
Cathal gets off at his stop. He sees an older man he thinks is a farmer Sabine bought mushrooms from in the past. He ignores him, walks on, and returns home, stepping over a dead bouquet on the step.
Inside, Cathal finds his cat, Mathilde, locked in the bathroom. He then examines his pantry and fridge, finding only condiments, champagne, and a penis-shaped cake his brother got for his bachelor party. He microwaves a Weight Watchers meal, feeds Mathilde, and drinks water from the faucet. He feels momentarily better. Then he turns on the television and searches for something to watch. Light and noise come in through the windows. He notices a kids’ birthday party across the street and shuts the curtains.
Cathal eats his Weight Watchers meal while recalling Sabine’s obsession with losing weight before the wedding. He tried reassuring her about the dress and her appearance but she didn’t listen, which irked him. About a month prior, she had moved into Cathal’s house. He was overwhelmed by all the stuff she brought with her and let her know it bothered him. Sabine got upset, reminding him he was the one who proposed. He countered that he thought it’d be easier and she’d just be there cooking and sleeping in his bed as usual. He tried hugging her, but she pulled away, finished organizing her things, and ate some Chinese. When she rejoined him, her mood had changed. She told Cathal she’d recently gone out with Cynthia. Over drinks, the women had talked about Irish men and what they wanted from women. They determined the men were misogynistic and selfish. Sabine then confronted Cathal for being cold, controlling, and unhelpful—mentioning his failure to thank her for her cooking, contribute to the groceries or dishes, or assist her with the move.
Cathal can’t remember now what he said in response. He vaguely recalls insulting Sabine’s eyes but dismisses the thought. What he does remember is tossing the Chinese cartons, grateful there were no dishes.
At eight pm, Cathal finds a Lady Diana documentary on television. He watches intently. At the end, he opens the champagne and pulls out the cake. He eats a large chunk and drinks a good deal, taking more to the couch where he continues flipping through the channels. Then he opens his phone and discovers a message from his brother insisting he doesn’t need Sabine anyway.
A memory from childhood comes to mind. One weekend, he and his brother both returned home from college. Over breakfast, his brother pulled their mother’s chair out from under her. When she fell, Cathal, his brother, and his father burst out laughing and watched her recover herself and collect the fallen food from the floor. Cathal wonders now if he’d be different if his dad had been different but dismisses the thought.
Cathal falls asleep on the couch, waking up after midnight to a poker game on television. He pulls Mathilde into his arms and imagines what he and Sabine would be doing if they’d gone through with the wedding. He regrets all the money he wasted on the event and the money he squandered on the cherries for Sabine’s pie; its edges had been burnt and its center raw.
Staring out the window, he curses Sabine. Then he curses Cynthia and the cleaner at the office, Monika. A wasp zigzags through the room. He kills it and throws it outside before urinating with the door open and stumbling upstairs to bed. Lying on the mattress, he tries to ignore the sleeve of his wedding shirt sticking out of the closet, the cards people sent on the table, and Sabine’s ring glinting on the nightstand. However, he can’t stop remembering the moment she backed out of the wedding.
The collection’s title short story “So Late in the Day” uses Cathal and Sabine’s relationship to explore the theme of How Misogyny and Patriarchal Gender Roles Threaten Women’s Lives and Safety. Written from the third-person point of view, the narration is limited to Cathal’s perspective. The narrator therefore describes the narrative world—and particularly Cathal’s relationship with Sabine—according to Cathal’s insular outlook. By writing “So Late in the Day” from this perspective, Keegan formally exposes Cathal’s misogynistic tendencies and sexist views of women. The narration is grounded in his consciousness, which means that the narrator presents Cathal’s beliefs on women as fact. For example, when Cathal sees the pregnant woman on the bus and smells her perfume, “it occur[s] to him that there must be thousands if not hundreds of thousands of women who [smell] the same” (11). This line conveys Cathal’s belief that all women are essentially the same: a subtextual platitude that comes to dictate the course of Cathal’s story and Keegan’s representations of his character. Because the short story is rooted in his consciousness, Keegan never comments on his behaviors or beliefs. This necessitates one interrogate Cathal’s point of view on their own. The same is true, the short story sub-textually implies, of patriarchal societies and their effects on the human psyche. Cathal’s perspective represents macro social notions about gender roles; like Cathal’s views, such lopsided patriarchal notions are not only ubiquitous but also presented as absolute truth (and even biological destiny). Therefore, the story emphasizes that women must question the validity of their socially prescribed roles.
The author uses flashbacks throughout the short story to complicate Cathal’s character and show how misogyny has historically defined his identity. The memories that Cathal recalls and the details of these memories he notes provide insight into his worldview. For example, when Cathal recalls his and Sabine’s visit to the National Gallery, what stands out to him most is Sabine’s admiration for and his distaste for Vermeer’s paintings of women: “to him, [they] looked idle: sitting around, as though waiting for somebody or something that might never come—or staring at themselves in a looking glass” (14). His regard for the paintings is representative of his regard for women in general. He sees women as lazy, unconcerned, and vain individuals who don’t have the will to make their own decisions and change their own lives. Although this flashback is momentary in the course of Cathal’s story, it reveals the truth of his biases. The same is true of the flashback surrounding Cathal and his brother’s return home from college. In this flashback, Cathal recalls laughing with his father and brother when his brother yanked the chair out from under his mother, and she fell. The memory underscores Cathal’s callousness and cruelty toward women and reveals that he has not only mistreated Sabine throughout their relationship but has also mistreated women at large since he was a young man. His mother has been no exception.
While the flashbacks offer Cathal opportunities for reflection and revelation, Cathal’s misogynistic viewpoints are so ingrained that he resists taking responsibility for his dangerous beliefs and behaviors. This introduces the theme of How Relationships Shape and Clarify Personal Desires. After he remembers laughing at his mother, for example, Cathal wonders “how he might have turned out if his father had been another type of man and had not laughed” (44); this moment of contemplation demonstrates that Cathal might have the capacity for self-reflection. However, Cathal immediately dismisses the thought, refusing to “let his mind dwell on it” and deeming the incident “just a bad joke” (44). The passage’s flippant tone underscores Cathal’s refusal to interrogate his sexist behaviors or to amend his misogynistic views. This is why Sabine’s decision to call off the wedding has failed to change Cathal. Instead of spending his would-be wedding day trying to make amends with Sabine or to contemplate her reasons for leaving him, he passes the time idling moving from couch to kitchen, mulling over Sabine’s slights against him, and even cursing her name. His life is stark and dull without her—as void of flavor as his microwaved Weight Watchers meal—but Cathal remains shut off to change. Instead, he actively tries to dismiss his wrongs—shown via his attempts not to look at the shirt, cards, and rings—and validates his harmful views.



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