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Content Warning: This section of the guide includes discussion of substance use, sexual content, and emotional abuse.
44-year-old Mia Hoffman flies back to New York from England. On the way, she anticipates seeing her old friends again. She recalls the time she spent in New York and New Jersey after college with Adam Parker, Richie Fournier, Marco Bernardi, Theo Wingate, Sasha Karlsson-Lee, and others. She studies old photos of them on her phone and reflects on their history. Her seatmate interrupts her thoughts to talk about his upcoming trip to New York City.
In 2007, Mia attends a New Year’s party at a mutual friend Richie Fournier’s apartment, where she mills around looking for a drink. In the kitchen, she encounters an attractive guy her age, and they flirt. Mia hadn’t even planned to celebrate New Year’s, but Sasha had convinced her to come out when she dropped by the other night. While the friends chatted about the holiday, Sasha remarked on the numerous perfume samples around Mia’s room, which Mia had gotten through her job at Details magazine.
At Richie’s now, Mia continues chatting with the young man, learning his name is Marco. When they part ways, Mia is disappointed to see him meet up with another girl.
Marco rejoins his childhood friend Gina at the party. Their parents have been friends for years, and he promised her mother he would look after Gina on New Year’s. They chat about mutual friends, including Theo, Mitch Reynolds, and Alison Lieu. Marco hadn’t planned to celebrate New Year’s until his new roommate Richie insisted on hosting a party, promising it would be small.
When Gina heads out, Marco ends up back “in the kitchen, surrounded by people and feeling completely alone” (24). Soon, Richie emerges from the bathroom with cocaine on his face, whining about another friend named Courtney Paulson. Marco informs Richie he’s heading out for more mixers and ice before midnight, asking him about Mia before leaving. Richie shares an anecdote he heard about her from a Russian literature class, intriguing Marco.
Sasha’s boyfriend Theo leaves the party early, complaining he isn’t feeling well. Sasha stays behind to celebrate. She rejoins her friends, and they tell her about hearing Annie again. Annie is a ghost Sasha made up to hide the fact that she has been sneaking out of her, Adam, and Mia’s apartment to hang out at hotels in the middle of the night.
Sasha has been feeling discouraged ever since her boss at the gallery, Wally Roebling, said her generation was as useless as “a used condom hanging limply off a Styrofoam cooler” (34). Ever since, Sasha has dealt with her upset by sneaking out at night and exploring the city alone.
Mia runs into Courtney and Mitch outside the kitchen. During their conversation, Mia recalls kissing Mitch in college and muses on how strange it is that Courtney is talking to her; they have never gotten along. Then Courtney remarks on Adam coming out, teasing Mia for being in love with him. Mia insists Courtney is in love with Nina Guzman, which upsets her.
After breaking away, Mia rejoins Sasha and their friends, asking what she knows about Richie’s new roommate before stepping outside for a cigarette.
When Mia steps outside, and Sasha goes to the bathroom, Adam studies the dirty space and starts tidying up. He’s tended to be people-pleasing since he was a child. Ever since his parents died and his aunt took him in, he has tried to be useful to others.
Meanwhile, he muses on his relationship with Richie. They have hooked up a few times, but Adam isn’t sure what their dynamic really is. Then Sasha emerges, and the friends start a new game of quarters, throwing coins into drinks. While playing, Adam and Sasha chat about how to respond to different text messages. Adam worries he was too enthusiastic when Richie texted about the party. Sasha advises him to play hard-to-get, which is what she did with Theo.
Richie stands outside looking for a cigarette, trying to calculate when he smoked his last one and how much he’s had to drink. Then Nina surfaces. Annoyed, Richie insults her and ends the interaction.
Richie joins his friends in the kitchen, but feels bored by their game, conversation, and energy. He even feels disappointed by Adam, recalling their various hookups. He remembers how good their sex was the last time. He invites Adam and Sasha to smoke weed with them. They sit together in the bedroom. Richie’s mind wanders, considering whether or not he should leave and go to a club instead. Before leaving the room, he and Adam kiss, and he decides to stay home and see what happens.
Mia and Marco run into each other outside. They have a smoke and run to the bodega together for ice. On the way, they share a pleasant conversation, and Marco clarifies that Gina is just a friend.
Mia is surprised to learn that Marco just moved back to the States from Bogotá. They talk about their upbringings, jobs, and lives in New York. After they find the right bodega and buy what they need, they return to the street, realizing that it’s already past midnight. Marco kisses Mia, surprising and delighting her.
The opening sections of the novel introduce the primary characters, conflicts, stakes, and overarching formal rules of So Old, So Young. Divided into a series of titled sections and chapters, the narrative is organized according to the main characters’ perspectives and moment-by-moment timestamps. While Part 1 is set in 2024, Part 2 is set in 2007, roughly 20 years prior. Part 1 strictly follows Mia’s point of view, while Part 2 is divided between Mia’s, Marco’s, Adam’s, Sasha’s, and Richie’s points of view.
These formal techniques introduce the novel’s theme of Time as a Test of Bonds Between People. In Part 1, Mia sits on a plane alone, reflecting on her relationships with her old friends. This opening section indicates that much has changed between Mia and her old friends over the years, with time having altered who they originally were to each other. The airplane setting in Chapter 1 induces a flashback, with Mia drifting “deep in the fall of 2022” (4). Her memories foreshadow the coming narrative shift into the past in Part 2, which provides insight into the dynamics that have defined Mia’s friend group throughout their relational history. Part 2 depicts the friends interacting years prior, establishing their intimate dynamic and the deeply entangled nature of their lives. Time has indeed changed how the characters have related, but Part 1 indicates that the main characters remain in each other’s lives.
The New Year’s Eve backdrop for Part 2 creates an insular, high-stakes narrative that introduces the theme of The Tension Between Chosen Family and Individual Identity. All of the friends are gathered together in a single space, which circumstantially inspires them all to interact over the course of the evening. Richie’s New Year’s Eve party establishes the friend group’s dynamic. Meanwhile, the individual characters’ chapters enact their distinct experiences amidst their dynamic found family. Throughout the section, each character views the evening differently. Mia’s and Marco’s chapters convey how out of place they each feel at the event, for different reasons. Neither of them planned on celebrating the holiday, and neither of them gets along with everyone in attendance.
Adam also feels uncomfortable, as he has an undefined relationship with the host, Richie, and a “compulsion to please” (49), forever trying to diplomatically appease others to remain amenable to the larger group. Sasha also feels different from her companions because, as Adam’s chapter reveals, “many women didn’t like Sasha, or were at least intimidated by her” (51). Meanwhile, Richie feels frustrated with the group dynamic despite having orchestrated the night. His mind is caught up in what he might do to escape the apartment and find better people to spend the night with. While all of the characters are seemingly at the party by choice, they each feel divided between what they want from the people around them and who they understand themselves to be beyond the context of the group. This tension conveys how the characters negotiate their personalities to meet either their friends’ expectations or their own personal desires, while also suggesting that their intimacy might not be as stable or as deep as their physical proximity suggests.
The way the characters think about each other introduces the novel’s thematic explorations of Romantic and Professional Rivalry Within Close Circles. The characters’ internal monologues often contrast with their dialogues with each other, intensifying the tension they feel within the group. For example, although Adam and Sasha are outwardly discussing sex and romance, Sasha is privately consumed by her own existential discouragement and the secrets she’s keeping from Adam and Mia; meanwhile, Adam is consumed by how his fraught childhood has shaped his relationships in the present. The characters are connected, but they also feel in competition with one another. They begin to shape their futures as independent adults via comparison.



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