43 pages 1-hour read

Softly, As I Leave You: Life After Elvis

Nonfiction | Autobiography / Memoir | Adult | Published in 2025

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Themes

Content Warning: This section of the guide includes discussion of substance use, addiction, mental illness, and death.

Discovering Personal Autonomy and Self-Empowerment

In her memoir, Priscilla Beaulieu Presley identifies her decision to leave Elvis Presley as the start of her self-liberation. “Contrary to rumor” (11), Priscilla didn’t leave Elvis because of his affairs or her own. Rather, Priscilla seeks to present a more complex explanation for her decision, and what resulted from it. Priscilla first depicts the restrictive nature of their marriage, which abided by the social standards of the time: “It was difficult for us to have a marriage of equals when Elvis was used to being in charge” (4). Priscilla resists painting Elvis as a villain, however, and instead categorizes him as a man of his time: taught to be the head of the household and to expect his wife to play the supporting role. Priscilla learned early “never to question his behavior” (5) even when she felt hurt or bothered by his late nights out, his interest in other women, or his constant need for attention. Priscilla holds that “Elvis never forced” (5) her into this role, as she had internalize the need to be submissive and silent from a young age. Still, Priscilla describes being Elvis’s wife like being “the proverbial bird in a gilded cage” (5), a metaphor which evokes ornamentation and entrapment. From the outside, Priscilla’s life may have looked glamorous and idyllic, but in reality, she was lonely, stifled, and powerless.


Leaving Elvis was Priscilla’s first act of agency, which ultimately led her on a path to autonomy and self-empowerment. Over the course of the memoir, Priscilla repeatedly returns to her thesis statement: She has never regretted her decision to leave Elvis despite how painful the decision was and despite how others regarded her for it. Each choice Priscilla has made as a free woman reminds her that leaving was necessary to find her own voice and identity: She “could never have a life of my own in the velvet cocoon I lived in” (14).


Since her divorce, Priscilla has explored the world and herself in myriad eclectic ways. She is a devoted mother, actress, designer, businesswoman, and philanthropist. “People my age often have bucket lists”, she writes, but Priscilla doesn’t need one because she has “already experienced everything [she’s] dreamed of” (315). Priscilla believes she has lived such a rich and fulfilling life because she allowed herself to dream beyond the confines of her first marriage. She identified the flaws in her situation and decided she needed to take action. In turn, she orchestrated a life that has been truly her own, free from others’ limited expectations for who she could be.

Generational Nature of Trauma

Throughout Softly, As I Leave You, Priscilla balances the positive and negative aspects of her life to examine how patterns of loss, pain, and sorrow repeat themselves from one generation to the next. Priscilla structures her account chronologically, beginning with the start of her relationship with Elvis and then describing the years following her decision to leave him. By starting at the beginning, Priscilla formally conveys how her late ex-husband’s encounters with death and grief, depression and substance use eventually trickled down to her children and grandchildren. Priscilla devotes a large swath of the early chapters to describing Elvis’s use of drugs and alcohol; these passages foreshadow their daughter Lisa Marie’s substance use as well as that of her son Navarone. While Lisa Marie was only a child when Elvis died and Navarone never met Elvis, both children faced many of the same challenges (as did Lisa Marie’s son, Benjamin, years later). Priscilla traces these lines of inheritance to imply that if the cycle of trauma isn’t broken, the pattern will continue.


Priscilla writes with honesty and empathy about generational trauma and cycles of addiction and abuse. She explains why Elvis began using prescription medications in a disordered way and why it was so hard for him to stop even when loved ones showed concern. When she describes Lisa Marie and Navarone’s drug use, she similarly considers that these were coping strategies for her children:


Lisa turned to drugs out of angst and rebellion. She didn’t fit in. She felt different from other kids, and drugs were a refuge. Navarone, on the other hand, was outgoing and adventurous. He was the kid who would try any food and get into everything. When his friends tried drugs, he wanted to try them, too (164).


In this passage, Priscilla extends grace and understanding to her children, in spite of how their substance use hurt her in light of her “experiences with Elvis” (164). Priscilla is trying to break the cycles of judgment and scorn that isolated Elvis when he was in need. Priscilla, wanting something different for her children and family, hopes her account of their experience disrupts these patterns. At the end of the memoir, Priscilla asserts that despite the sorrow she has suffered, she “choose[s] to focus on what remains” (316). Holding on to life’s joys is Priscilla’s way of counteracting the cycle of trauma and tragedy. She refuses to allow this suffering to dictate the rest of her life and seeks renewal for the next generation.

Navigating Fame, Public Expectation, and Legacy

Via her careful accounting of her life after divorcing Elvis, Priscilla explores the challenges of defining her own identity in the rock-and-roll icon’s shadow. Although Priscilla has never regretted her decision to leave Elvis, she has always been aware that the public formed their own opinions of her choice and of her character. She remained in the spotlight for years because of her relationship with Elvis, “recognized regularly as Elvis’s ex” (99) and longing for a sense of anonymity. In particular, Priscilla wanted “to become an independent woman” (96) outside the context of her famous husband.


However, even while creating an independent life for herself, Priscilla has also devoted her life to upholding the legacy and integrity of Elvis’s memory. Priscilla’s efforts to preserve her late ex-husband’s reputation and pay tribute to his cultural contributions convey her deep love for Elvis. This work includes Priscilla’s lifelong devotion to the Graceland project. Priscilla never wanted to sell the estate and believed that opening it to the public was an important way to let fans connect with the dead star. The place also held her own memories of Elvis. Graceland is a symbol of memory and legacy; it also represents the balance between Priscilla’s private and public personas. Opening the mansion to the public let her invite others into her personal relationship with Elvis and into the rock idol’s legacy.


Priscilla presents her experience of navigating fame and public expectation in a nuanced light. She often notes the benefits of being famous, such as financial stability and the privilege to travel the world and help others. At the same time, she will note the challenges of fame, such as raising children in the spotlight who are always examined and judged for their actions. For example, no matter what Priscilla did to ameliorate Lisa Marie’s behavioral challenges, Lisa Marie “would always be Elvis’s daughter, and because of his struggles with addiction, the press would pounce on the news that Lisa had drug problems” (104-05). Priscilla thus always lived with a double-consciousness: She saw her life through her own lens as a mother, but had to simultaneously project herself into the imagined perception of the media and the public. Although Elvis died in 1977, his memory has lived on, so Priscilla and her children live on a stage where their actions impact the icon’s lasting legacy.

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