17 pages 34-minute read

Some Afternoons She Does Not Pick Up the Phone

Fiction | Poem | Adult | Published in 2018

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Background

Literary Context

Anne Carson is widely regarded as one of the most important poetic voices in English in the 21st century. Carson’s literary style is difficult to classify under a school or movement, since her poems intentionally play with form, ranging from novel-length verse (Autobiography of Red) to operas and collages. In an interview with The Guardian, Carson describes herself as a person who doesn’t “gravitate to groups or traditions.” Though Carson’s work does not fit under one overarching umbrella, her literary approach can be understood as Postmodern, because of her mixing of genres, her play with forms, and her love of pastiche.


But more than formal approach, what makes Carson’s work distinct is its engagement with themes like love, desire, and despair. For instance, “Some Afternoons She Does Not Pick Up the Phone” is a fine study of the melancholy brought upon by an endless winter. While the poem’s atmosphere and tone convey its themes effectively, some lines are left deliberately ambiguous in trademark Carson style. For instance, the image of the wind torn to shreds over the ice invites the reader to stop and ponder over its meaning. This helps the reader engage more deeply with the poem. While some critics argue Carson’s work can be obscure, the poet’s literary style is open-ended so she can take readers on a unique journey to join the dots.


Another distinctive element of Carson’s literary style that can be seen in “Some Afternoons” is her painterly approach. Carson, who is also a visual artist, often uses strong visual imagery to enrich her work. In this poem, the granular descriptions of the color of the ice and the dazzling wall of snow immediately paint a vivid image for the reader.

Geographical Context

Although the poem’s location is not stated, it can be inferred it is a wintry town in North America, a place that sees long winters. This could be a town in Canada, where Carson was born, or in the northeast United States, where she often teaches. Alternatively, it could be any snowy place in the Northern Hemisphere. February is a cold month in Toronto, where Carson was born, and in Quebec, where she studied and often teaches. Temperatures are still below freezing point—in Quebec City the average low for February is -14 degrees Celsius—and days experience just four to five hours of sunlight.


Snow can still be found in most parts of Canada in February, with lakes frozen over and roads slick with ice. Some of the snow of December and January becomes compacted into slippery ice. By February, winter has lasted for many months, which causes a proliferation of ice. Fresh snowfall may still occur, but because of temperatures being warmer than January, the snow tends to melt and refreeze. Particularly dangerous is the phenomenon called “black ice,” where briefly melted snow again freezes to a thin layer of ice over flat surfaces like roads and metal. Because black ice is thin and clear, people can step on it mistakenly and slip and fall.


These specifics of weather and geography—even when not spelled out—dominate “Some Afternoons.” The ice and its dangers are literal as well as metaphorical, with the poet using ice to symbolize a despondent mental state. While the speaker’s despair in the poem can also apply to universal melancholy, here it is linked with the weather. It can be inferred that the lack of sunlight and the ubiquity of slippery ice have laid the speaker under a state of siege. The monotony and extremity of the weather have come to dominate their internal landscape as well. Thus, the poet draws attention to how weather can deeply affect one’s psyche.

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