62 pages 2-hour read

Someone You Can Build a Nest In

Fiction | Novel | Adult | Published in 2024

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Background

Content Warning: This section of the guide includes discussion of ableism.

Literary Context: Humanizing the Monster in Postmodern Romance and Fantasy

Someone You Can Build a Nest In participates in a postmodern literary tradition that seeks to humanize monstrous figures by narrating stories from their perspective. John Gardner’s 1971 novel Grendel, which retells the epic poem Beowulf from the monster’s point of view, famously uses this approach. Like Gardner, John Wiswell centers the consciousness of the so-called monster in his novel and challenges traditional binaries between hero and monster, and civilization and savagery. Shesheshen, a shapeshifting creature driven by instinct and longing, becomes a vehicle for questioning what it means to be human, or to be deemed human.


Wiswell’s literary choice recalls Mary Shelley’s Frankenstein (1818), which positioned the Creature as a thoughtful, articulate being whose monstrosity arises from society’s rejection of his differences rather than from his nature itself. This echoes Someone You Can Build a Nest In’s theme of Monstrosity as a Social Construct Rather Than an Innate Trait. Like the Creature, Shesheshen is shaped by her loneliness and the moral hypocrisy of those who claim to be civilized.


Additionally, Someone You Can Build a Nest In engages with the “monster romance” subgenre, a category popularized on social media platforms like TikTok. Books in this category include works like Kathryn Moon’s A Lady of Rooksgrave Manor and Ruby Dixon’s Ice Planet Barbarians. Unlike traditional “Beauty and the Beast” narratives that resolve difference through assimilation or transformation, these stories explore themes of consent, communication, and love between characters who represent radical difference. Wiswell uses the conventions of dark fantasy and romance to deconstruct the idea of monstrosity itself, ultimately asking readers to reconsider what constitutes worthiness and kinship.

Social Context: Neurodivergent Perspectives on Monstrosity

Someone You Can Build a Nest In uses Shesheshen’s perceived monstrosity as a metaphor for neurodivergent experiences of social alienation, self-concealment, and the exhausting labor of social conformity. Wiswell identifies as neurodivergent and he dedicates the novel “to everyone who has been made to feel monstrous” (ix), explicitly aligning the protagonist, Shesheshen, with those marginalized by dominant norms of appearance and behavior.


A key theme the book explores is The Psychological Costs of Masking and Identity Performance. “Masking” is term that is used within neurodivergent communities to describe the constant effort of suppressing one’s natural expressions or tendencies to conform to social expectations. Shesheshen’s shapeshifting literalizes this experience. In her natural state, she is an amorphous collection of “impressionable lumps of flesh” (17), but to navigate the human world, she must painstakingly assemble a convincing human form from scavenged bones. Her attempts to blend in also require her to mimic speech patterns, conceal her natural appetites, and manage her emotional reactions even when she is under extreme stress. This act of constructing a socially acceptable “mask” is a constant, draining performance.


In his Author’s Note, Wiswell directly links Shesheshen’s masking and identity performance to his own life. He writes: “As a neurodivergent person, I’ve learned to hide myself. They call it ‘masking’—the process of presenting your personality like everybody else’s. […] To restrain our unusual thoughts or ways of looking at the world” (311). He writes that as he created Shesheshen, he was “excited by the freedom of writing someone closer to [him]self” (311). By centering Shesheshen’s consciousness, the novel explores identity, acceptance, and the pain of being an outcast in a world that pathologizes difference.

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