62 pages 2-hour read

Someone You Can Build a Nest In

Fiction | Novel | Adult | Published in 2024

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Part 1, Chapter 1-Part 2, Chapter 12Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence and death.

Part 1: “The Wyrm of Underlook” - Part 2: “Several Kinds of Falling”

Part 1, Chapter 1 Summary

Shesheshen is a shapeshifting monster referred to by humans as a “wyrm.” She is hibernating in her lair, which is located in an unincorporated barony claimed by the Wulfyre family. The closest town is named Underlook, which is why humans refer to Shesheshen as the Wyrm of Underlook. She lacks a fixed form or natural skeleton, and she builds temporary bodies for herself using the bones of her prey and scavenged objects. Her species reproduces by laying eggs inside another living being, which then serves as a nest to be consumed by the young upon hatching.


As Shesheshen hibernates, she dreams of her childhood. She remembers little about her mother, recalling only that her mother wore artificial steel fangs when she hunted since their kind has few solid body parts. Shesheshen and her siblings fed on their father’s body as they grew, and this is her earliest and fondest memory. With time, her siblings tried to eat Shesheshen as well, but she triumphed over them and consumed them all—she considers this the event that marked the end of her childhood. It is not in her nature to become emotionally attached to her prey, so she doesn’t mourn their deaths. Still, she recalls the warmth and comfort of her childhood nest with fondness, contrasting it with her current decaying lair.


Shesheshen awakens prematurely from hibernation because she overhears three intruders inside her lair: monster hunters Eoghan Rourke and Nasser Akkad Malik, and their employer, Sire Catharsis Wulfyre, who seeks Shesheshen’s heart and blood as a trophy for his mother, the Baroness Wulfyre. Shesheshen overhears their plan to use rosemary oil to attack her, and because this is one of her few known vulnerabilities, she is determined to stop them—especially since she is weakened from her interrupted hibernation. Her one memory of her mother—of how she used “prosthetic steel fangs” to hunt (6)—has taught Shesheshen to always have tools handy to compensate for her lack of physical structure. She assembles a temporary body using iron rods and a bear trap she has stored nearby. Then, she wears a wig and a red cloak and disguises herself as a frightened human girl named Roislin.


She confronts the intruders as Roislin, claiming the wyrm keeps her captive. She attempts to divert them by sending them on a futile quest for an herb named “summoner’s jaw,” claiming it is the only thing that can harm the wyrm. Rourke and Malik respond with concern for Roislin, but Catharsis decides to use her as live bait instead. When he grabs her with a gauntlet soaked in rosemary oil, the contact burns her flesh. In response, she vomits the bear trap from her body, severing Catharsis’s hand. Rourke flees in terror but returns to rescue the unconscious Malik, abandoning Catharsis. Before Shesheshen can retaliate, Catharsis shoots her with a hooked, poisoned crossbow bolt before he dies, leaving her immobilized and further weakened.

Part 1, Chapter 2 Summary

Shesheshen consumes Catharsis’s entire body, using his organs and bones to heal and restructure herself. Despite this nourishment, she remains unable to remove the barbed, rosemary-poisoned crossbow bolt lodged in her chest. The poison continues to weaken her, creating an urgent need for additional sustenance.


Venturing outside her lair, she observes Rourke and Malik fleeing the area in a wagon. A giant, blue-furred bear that she has named Blueberry gives chase until Shesheshen calls her off. She feeds Blueberry portions of Catharsis’s remains, and she cuddles Blueberry for warmth against the poison’s numbing chill. Recognizing that her current condition leaves her vulnerable, Shesheshen realizes she must risk traveling to the nearby town of Underlook to find more food.

Part 1, Chapter 3 Summary

That evening, Shesheshen ventures into Underlook, with Blueberry carrying her most of the way there. She is still disguised as Roislin in the red, hooded cloak. Shesheshen discovers the town celebrating her supposed death by burning wyrm effigies in the town square. The townspeople have protective shrines, and many of them profit by scavenging from caravans that Shesheshen attacks. A wealthy young man named Laurent approaches her, believing her to be from out of town. He flirts with her and reveals his belief that the Wyrm of Underlook is merely a hoax perpetuated by the locals so that they can sell protections to nervous travelers.


Shesheshen agrees to accompany Laurent to his home, planning to consume him for sustenance. However, their departure is interrupted when Rourke and Malik arrive in the town square. They announce that the wyrm remains alive and describe its distinctive red cloak. Malik spots Shesheshen in the crowd and identifies her to the gathering as the wyrm. Terrified by this revelation, Laurent rips off her hood, exposing her monstrous features to the assembled townspeople. The crowd erupts in panic, and Shesheshen flees through the streets.

Part 1, Chapter 4 Summary

Shesheshen runs through Underlook’s streets pursued by an armed mob wielding torches and burning logs. To escape the pursuit, she breaks into a stable and steals Laurent’s horse, knocking Laurent into a water trough as she rides away.


A mounted posse of townspeople, including Rourke and Malik, gives chase as she flees the town. Desperate to evade her pursuers, Shesheshen directs the stolen horse off the main road toward a deep ravine in the surrounding highlands. When the panicked horse reaches the ravine’s edge, it bucks violently, throwing Shesheshen into the chasm below.

Part 2, Chapter 5 Summary

Shesheshen awakens later by a small campfire in the ravine, and she finds herself wrapped in warm quilts. A stocky woman named Homily introduces herself and reveals that she found Shesheshen unconscious after her fall. Homily has carefully removed the poisoned crossbow bolt, sewn and bandaged the wound, and splinted Shesheshen’s injured arm.


When asked for her name, Shesheshen provides the alias Siobhan. Homily kindly feeds her nutritious broth to help her healing. However, Shesheshen notices that Homily’s cart contains various traps and bladed weapons. Mistaking her rescuer for a monster hunter, Shesheshen resolves to kill and consume Homily for sustenance once she has regained sufficient strength.

Part 2, Chapter 6 Summary

The following day, Homily loads a still-groggy Shesheshen into her wagon, dressing her in a spare gray dress and a large hat that looks like a witch’s hat. As they travel, Homily explains that she is a traveling researcher studying animal behavior and says she was testing scent-lures in the ravine when a blue bear appeared. Shesheshen’s fall from above frightened the bear away, saving Homily from potential danger.


Shesheshen realizes the bear was Blueberry and later spots the bear following the wagon from a distance. Convinced that Homily is not a monster hunter and charmed by her kindness, Shesheshen no longer wishes to attack or consume her. Also, she is concerned that by leading Homily to her lair, she runs the risk of potentially exposing her true nature. So Shesheshen reluctantly accepts Homily’s offer to stay with her at Underlook’s Red Dragon Inn.

Part 2, Chapter 7 Summary

As they enter Underlook, Shesheshen observes that the townspeople actively avoid Homily. At the Red Dragon Inn, they discover a letter from the innkeeper offering them free lodging. Homily is angered by this gesture, but the novel will later reveal that this is an act of sympathy following news that Catharsis, Homily’s brother, has been killed by the wyrm. The townspeople avoid Homily because they fear the Wulfyres. However, Homily remains unaware that Catharsis is dead, and Shesheshen does not yet know that Homily is a Wulfyre.


Homily refuses to explain the reason for the townspeople’s treatment to Shesheshen. Distressed, Homily leaves the room to clear her head, abandoning Shesheshen at the inn. Left without explanation, Shesheshen believes she is somehow responsible for causing Homily’s distress. However, she is too tired and weakened to pursue this thought and falls asleep.

Part 2, Chapter 8 Summary

That evening, Shesheshen wakes to find herself still alone. She explores the town, observing crude triangular drawings posted as warnings about the monster. Following the sound of music, she discovers a party for Underlook’s wealthy residents taking place in the town hall. Through a window, she observes Homily sitting by herself inside, isolated from the other guests by a deliberate barrier of empty tables.


Homily pretends to read a book while secretly watching the other partygoers dance and socialize. Understanding that the townspeople are deliberately ostracizing her rescuer, Shesheshen resolves to intervene on Homily’s behalf.

Part 2, Chapter 9 Summary

Shesheshen breaks into a butcher shop and eats the rats infesting the shop. She selects various animal bones to incorporate into her body. Using these materials, she constructs a new, more robust humanoid skeleton that is complete with feet suitable for dancing.


She then locates Laurent in an alley, captures him, and threatens to consume him. However, she offers him an alternative: He must gather a crew and thoroughly clean her lair in preparation for receiving a guest. Terrified by her threat, Laurent agrees to her demands and departs to fulfill his task.

Part 2, Chapter 10 Summary

Shesheshen returns to the town hall party and approaches the isolated Homily, asking her to dance. She admits she lacks knowledge of proper dancing technique and requests that Homily lead. As Shesheshen and Homily dance together, the other guests clear the floor to watch their performance, creating an intimate moment between the pair.


During their dance, Shesheshen experiences intense emotions and realizes her strong feelings for Homily stem from a biological desire to make Homily a nest for her future children. After the dance concludes, Shesheshen successfully convinces Homily to leave Underlook and accompany her to her home. Homily agrees, and they depart together in the wagon.

Part 2, Chapter 11 Summary

As they travel the highway outside Underlook at night, Shesheshen and Homily encounter three masked bandits: Aristocracy, Plutocracy, and Kleptocracy, who falsely claim to be collecting tolls for the Wulfyre family. The bandits search their wagon and become aggressive when they find nothing of value.


Homily attacks Aristocracy with a mace, and while Homily is distracted, Shesheshen uses bone spikes to kill Plutocracy and Kleptocracy. During the melee, Aristocracy manages to stab Homily in the shoulder before Shesheshen kills her as well. With Homily badly wounded and bleeding, Shesheshen rushes her toward the safety of her lair.

Part 2, Chapter 12 Summary

Shesheshen arrives at her lair to discover that Laurent’s crew has successfully cleaned and decorated the foyer as she instructed. After dismissing Laurent, she brings the bleeding Homily inside to tend to her wounds. When she sees that the shoulder wound refuses to close properly, Shesheshen grafts a piece of her own flesh onto it, miraculously healing the injury.


Homily is amazed by Shesheshen’s supernatural healing abilities. Then, Homily reveals her true identity, saying she is Homily Wulfyre. She explains that her entire family suffers from a deadly curse supposedly placed upon them by the Wyrm of Underlook; as a result of this curse, their family members are dying one by one. She confesses that she has been hunting the monster to obtain its heart, believing that will save her remaining relatives. Homily then asks Shesheshen to help her locate and kill the creature.

Part 1, Chapter 1-Part 2, Chapter 12 Analysis

The novel’s opening chapters establish the theme of Monstrosity as a Social Construct Rather Than an Innate Trait by deliberately inverting assumptions about who or what is truly monstrous. Shesheshen possesses the physical attributes traditionally associated with monsters, like shapeshifting abilities, consumption of human flesh, and a predatory nature. However, the narrative consistently positions the supposedly civilized humans as the true sources of cruelty and violence. For instance, Catharsis’s decision to use a frightened, injured girl as live bait reveals a callous disregard for human life that surpasses any of Shesheshen’s survival-driven actions. Similarly, the townspeople of Underlook demonstrate their hypocrisy as they burn effigies of the wyrm while profiting from the very attacks they claim to fear. Even the bandits who later attack Shesheshen and Homily operate under a veneer of legitimacy, as they claim authority from the Wulfyre family while engaging in extortion and violence. These repeated reversals underscore how “monstrosity” is nothing more than a label used to justify violence and maintain existing power structures and moral superiority. In contrast, Shesheshen, who is the supposed “monster,” often exhibits greater empathy, restraint, and compassion than her human counterparts.


Shesheshen’s shapeshifting body functions as an extended metaphor for The Psychological Costs of Masking and Identity Performance. Her ability to pass as a human requires meticulous physical labor as she assembles bones, repositions muscle mass, and imitates human expressions. These transformations serve as a literalization of the exhausting emotional labor required of marginalized individuals who are forced to constantly modulate their authentic selves to navigate hostile social environments. Shesheshen’s efforts are exhausting and painful, mirroring the psychological strain of social masking, where every interaction becomes a performance requiring conscious effort and constant self-monitoring. The constant effort required of this performance becomes evident when Shesheshen’s disguise begins to slip under stress, revealing glimpses of her nonhuman traits that immediately trigger panic or violence. Her internal struggle to maintain human speech patterns, facial expressions, and behavioral cues reflects the psychological toll of inhabiting a world that demands conformity while punishing difference. The witch’s hat that Homily gives Shesheshen is a symbol of protective concealment, something she feels she can “hide in” (44), suggesting that successful navigation of an intolerant society often requires strategic invisibility.


The symbol of nests permeates the narrative as a representation of safety, belonging, and the complex relationship between love and consumption. Shesheshen’s memories of her childhood nest—“Oh, the warmth of it. A warmth unlike anything in the adult world, soft and pliable heat keeping her and her siblings alive” (3)—establish nests as the foundation of nurturing care and familial connection. However, this idealized memory is immediately complicated by the violence that ended her childhood. The contrast between Shesheshen’s warm memories of her father’s sacrificial nest and her current cold, unwelcoming lair reflects her isolation and disconnection from meaningful relationships. When Shesheshen begins to envision Homily as a potential nest for her future offspring, the symbol takes on additional complexity, representing both the desire for intimacy and the fear of destruction inherent in her species’ reproductive process.


Consumption functions as complex motif throughout these chapters, shifting from a marker of violence to a language of care and intimacy. Shesheshen’s literal consumption of Catharsis serves both as survival mechanism and as symbolic justice, as this act transforms the would-be hunter into sustenance for his intended victim. In contrast, Shesheshen treats Homily’s shoulder wound by offering part of her own flesh, which is quickly consumed by Homily’s body as it heals. This represents consumption in reverse—rather than taking from another, Shesheshen gives of herself to promote healing and connection. This act of healing echoes the novel’s opening image of Shesheshen’s father’s sacrificial nest, and it emphasizes that genuine love involves an element of self-sacrifice: Shesheshen is willing to be consumed for Homily’s benefit. The motif develops further complexity in the romantic relationship between Shesheshen and Homily, since Shesheshen desires to make Homily a nest for her offspring, and this desire—which if fulfilled would result in Homily’s death from being consumed by said offspring—exists alongside a sincere yearning for intimacy and partnership.


Finally, the dramatic irony surrounding Homily and Shesheshen’s true identities reflects how prejudice and fear can prevent genuine understanding. Homily’s genuine compassion and medical skill directly contrast with the brutality of her brother Catharsis, yet the townspeople treat her with suspicion and exclusion simply because of her family name. Her ostracism mirrors Shesheshen’s own experiences of social rejection, suggesting that stigma is difficult to escape, even when its foundations are built on false assumptions. The eventual revelation that Homily seeks to kill the very creature who has shown her unprecedented kindness creates narrative suspense and moral ambiguity. This demonstrates how cycles of violence perpetuate themselves through incomplete information and inherited prejudices. Though Shesheshen and Homily are operating under false assumptions about each other’s nature and intentions, they are developing an authentic connection despite these barriers.

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