62 pages 2-hour read

Someone You Can Build a Nest In

Fiction | Novel | Adult | Published in 2024

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Part 5, Chapter 27-Part 6, Chapter 38Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death, graphic violence, physical abuse, and emotional abuse.

Part 5: “The Hunt” - Part 6: “This is the Last Time”

Part 5, Chapter 27 Summary

Shesheshen is caught in the rosemary-poisoned bear trap as the multi-skulled creature approaches. She amputates her own leg to escape when it charges. Malik and Rourke wound the creature with their weapons, but it flees toward the main camp. In the ensuing chaos, Shesheshen manages to get to Blueberry and free her from her bonds without being detected.


As soldiers attack the monster with flaming arrows, it absorbs several of them and grows larger. Homily arrives to protect Shesheshen and drives the creature back using pure rosemary oil. The two of them take refuge in a purple tent with Ode. When an explosion rocks the camp, Ode panics and runs outside, and the creature devours her. Shesheshen pulls a screaming Homily back into the tent as the monster flees with Ode’s body.

Part 5, Chapter 28 Summary

The next morning, the camp is in complete disarray. Baroness Wulfyre sits grieving but furious in a bomb crater. She denies Ode’s death and issues cruel orders that include the execution of guards. Epigram deliberately avoids her mother. Shesheshen attempts to get Homily to safety, away from the Baroness, but their hiding spot is betrayed by the captain, Arnau.


The Baroness confronts Homily directly, verbally abusing her and blaming her for Ode’s death. Seeing Homily’s distress, Shesheshen intervenes to deescalate the confrontation and successfully leads Homily away to a waiting carriage.

Part 5, Chapter 29 Summary

That evening at the Red Dragon Inn, Homily kisses Shesheshen, and this causes Shesheshen’s internal heart-like organ to react with intense pain. They discover a mutual dislike for kissing and bond over this shared sentiment. Homily confides in Shesheshen about her traumatic childhood, and she also reveals that Epigram would physically harm her under the guise of playing.


Homily removes her scarf to show Shesheshen a deep scar across her throat where Epigram once slit it. She explains that this abuse drove her to originally flee her family. She also has fresher wounds that are still bleeding, and Homily confesses that Epigram continues to hurt her. Shesheshen comforts her but internally struggles with the urge to confess her own monstrous nature.

Part 5, Chapter 30 Summary

Shesheshen plans to return to her lair to feed and regain strength. On the way, she finds Blueberry and removes several lingering skewers from the bear’s hide. In her basement, she discovers that her stored food—pre-digested corpses—has completely disappeared. A slime trail leads from the empty larder to a door that has been pushed open from the inside.


She realizes that the deer-skulled monster is her offspring, which she accidentally created from her discarded flesh. More shocking still, she discovers that the organ she assumed was her heart is actually an egg sac that yearns for Homily to serve as its nest. Overwhelmed by this maternal connection and the implications, she collapses.

Part 6, Chapter 31 Summary

Returning to the inn, Shesheshen joins Homily, Epigram, Malik, and Rourke as they plan their next move. To control her reactive egg sac, Shesheshen deliberately keeps physical distance from Homily. Inspired by the supposed curse on the Wulfyre family, the hunters propose using a Wulfyre family member as bait to lure the monster into a trap.


Epigram furiously refuses to participate and implies that Homily should be the one to risk her life instead. Seeing an opportunity to confront her offspring directly, Shesheshen suggests they use a trackable lure to wound the creature in the trap.

Part 6, Chapter 32 Summary

Homily volunteers to serve as bait, determined to save Epigram’s life and prove worthy of her family’s love. Shesheshen follows her to a storehouse where Homily gathers supplies, and she tries unsuccessfully to change Homily’s mind. However, Homily explains her desperate need to protect her sister.


Shesheshen recognizes the self-destructive nature of Homily’s kindness. She realizes that if she were to ask Homily to sacrifice herself and become a nest for Shesheshen’s eggs, Homily would agree. Meanwhile, Homily vows this will be the last sacrifice she makes for her family. Unable to dissuade her, Shesheshen resolves to accompany her on the hunt.

Part 6, Chapter 33 Summary

The party returns to a newly fortified mercenary camp. A massive explosion nearby reveals itself as a demonstration of a new, more powerful Wulfyre bomb, created using a recipe improved by the late Catharsis. Baroness Wulfyre appears wearing armor and her necklace of steel fangs.


While Homily tends to guards injured in the blast, Shesheshen watches her and realizes the trap is too dangerous for Homily to survive. She resolves to use a bomb as a distraction to lure the offspring to herself and become the true bait instead.

Part 6, Chapter 34 Summary

Homily begins walking down the path she has memorized, cutting through a field of disguised pit traps. To execute her own plan, Shesheshen shapeshifts into a guard and enters the armory tent. She manages to grab two small bombs before a suspicious Epigram enters the tent, and Shesheshen escapes by liquefying her form, leaving behind only an empty suit of armor.


She then detonates one bomb in the northern forest, causing an explosion that draws the guards away from Homily’s position. Meanwhile, Homily becomes panicked about Shesheshen’s safety amid the explosion and calls out for her. Shesheshen slips out of the southern edge of camp, presenting herself as bait for her offspring.

Part 6, Chapter 35 Summary

When Shesheshen’s offspring appears, it seems smaller than before and comes without its camouflage of bones. The creature approaches her submissively, and as Shesheshen drops her bomb and reaches toward it, they share a brief, peaceful moment of connection. The Baroness interrupts this reunion by attacking the offspring with a rosemary-oiled spear.


The offspring stabs the Baroness in the neck before fleeing into a deep trench. When Malik and Rourke join them, the Baroness is seemingly unharmed, to Shesheshen’s surprise. The Baroness orders them to relentlessly pursue the wounded creature.

Part 6, Chapter 36 Summary

During the hunt, Shesheshen isolates the Baroness and asks her about how she killed the wyrm that Shesheshen believes was her mother. Then, Shesheshen attacks and kills the Baroness, stabbing her in the neck and head with metal spikes she was previously using as bones. However, the Baroness’s corpse reanimates, revealing a gray-skinned creature that is Shesheshen’s creator. The creature impales Shesheshen and explains that she planted Shesheshen as an egg in the original Baron; she killed the original Baroness years ago and has been wearing her corpse as a disguise ever since. Now, she seeks Shesheshen’s nutritious egg sac so she can feed on it and prolong her own life. The creature reveals that this is why she, as the Baroness, has been hunting the Wyrm of Underlook with renewed urgency—she has been in search of the egg sac.


The Baroness also reveals her plan to kill either Homily or Epigram and wear one of them as her next disguise. When Rourke appears, the Baroness kills him without hesitation. Shesheshen detonates her last bomb, injuring them both and escaping on Rourke’s horse.

Part 6, Chapter 37 Summary

Gravely wounded, Shesheshen returns to camp and decides she must confess everything to Homily. She sees a figure in Homily’s blue robe huddled in a tent and enters, believing it to be Homily. Shesheshen delivers a full confession about her true nature, her initial deceptive intentions, her genuine love, and a warning about her creator, the Baroness.


The figure rises and removes her hood, revealing herself to be Epigram instead of Homily. Epigram immediately shoots Shesheshen with a poisoned crossbow bolt, leaving her collapsed and incapacitated.

Part 6, Chapter 38 Summary

Paralyzed by the poison, Shesheshen watches helplessly as Epigram brings Homily to the tent, mocking her about how her girlfriend turned out to be the monster they have been hunting. Shesheshen can no longer hold her human form and lies in a melted state on the tent’s floor. Epigram admits that the story about the family curse was always a lie the Baroness used for political manipulation. She tries to force Homily to execute Shesheshen, saying that Shesheshen only meant to use Homily as a nest for her eggs; instead, Homily uses Epigram’s jeweled knife to slit her sister’s throat.


Holding her dying sister, Homily asks Shesheshen if there was ever a real curse. Shesheshen confirms there was not a curse. Homily declares that the real curse was the abuse their family perpetrated on each other. Together, she and Shesheshen drive Epigram’s knife into the earth.

Part 5, Chapter 27-Part 6, Chapter 38 Analysis

The novel’s climax underscores the theme of Monstrosity as a Social Construct Rather Than an Innate Trait by exposing how those in power define what monstrosity is to hide their own predatory behavior. The revelation of that the Baroness is a monster like Shesheshen dismantles the human-monster binary that has structured the novel thus far. The Baroness’s confession to Shesheshen reveals monstrosity in its most institutionalized form: the calculated abuse of power disguised as civilization. The Baroness’s offhand admission that “humans are clothing” (217), as well as her plan to eventually kill and wear Homily as a disguise demonstrates how she weaponizes social structures to prey upon the vulnerable. Her social roles as mother, noblewoman, and protector are revealed to be a performance designed to secure access to bodies and identities she can exploit. This revelation recontextualizes every previous interaction: Her cruel treatment of Homily, her manipulation of grief over Ode’s death, and her orchestration of monster hunts were all performances designed to maintain her position while satisfying her appetites. The Baroness represents how civilization can become a mechanism of predation, with the most accepted and powerful figures often hiding the most profound monstrosity.


Shesheshen’s deteriorating body literalizes The Psychological Costs of Masking and Identity Performance. Her confession, delivered to whom she believes is Homily but is actually Epigram in disguise, demonstrates the exhaustion of performing an identity—even when that identity is protective. Revealing that the name “Siobhan” is not her own, she haltingly admits: “I never felt that attached to human names” (226). This statement reveals how fundamental aspects of identity become negotiable when survival depends on passing as something else. Shesheshen’s struggles to maintain stable human features, the constant pain from her egg sac, and the way her flesh betrays her emotional state demonstrate the profound physical and psychological toll of sustained identity performance.


The contrast between Shesheshen’s emotional growth and the Baroness’s regression deepens the novel’s exploration of the motif of consumption as a metaphor for both exploitation and connection. The Baroness’s reproductive cycle destroys rather than nurtures. She tells Shesheshen that “the nutrients in [the egg sacs] are more useful to [their species’] adaptable bodies than to new life” (219), transforming the act of reproduction into one of cannibalism that sacrifices future generations for personal longevity. This creature represents consumption divorced from any reciprocal relationship—she creates offspring specifically to devour them, turning the generative process into pure extraction. Describing reproduction as “planting,” she sees her children as a harvestable resource to be cultivated and consumed. This industrialized approach to consumption contrasts with Shesheshen’s conflicted relationship to eating, as she struggles between survival needs and growing emotional connections. The Baroness’s consumption extends beyond physical nourishment to include identity itself, as she literally wears human roles and relationships as sustenance, treating even Homily and Epigram as future disguises.


Homily’s transformation from passive victim to active agent demonstrates how the idea of Building Family Through Care Instead of Inheritance can break entrenched cycles of abuse. Initially, Homily is locked into familiar patterns of self-sacrifice and submission, even volunteering as bait to prove her love for Epigram and earn the approval of her family. Even after Shesheshen’s revelation of her true nature, Homily initially asks her, “Why didn’t you just fulfill the curse and kill me?” (231), revealing how thoroughly she has accepted the role of deserving victim. However, her growing awareness of her family’s systematic deceptions creates space for a different understanding and allows her to regain some agency. When Epigram demands that she kill Shesheshen to “make it right,” (232) Homily initially appears to comply but ultimately turns the knife on her sister instead. This choice marks her rejection of a familial ideology rooted in abuse, deception, and discrimination. Her decision represents a moral recalibration grounded in empathy and love as she refuses to perpetuate cycles of violence against the innocent and instead eliminates the source of ongoing harm. By choosing to protect Shesheshen, who has treated Homily with care and respect, Homily affirms that family must be chosen and sustained through mutual responsibility rather than biological obligation. When Shesheshen and Homily drive the knife into the earth together, the act symbolizes the end of the Wulfyre family’s systems of violence.

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