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Macon strongly desires to leave home and make his own way in the world. He tries to explain this desire to his father when he says, “I just want to be on my own. Get a job on my own, live on my own” (163). His father protests, citing all the advantages of staying home and continuing to work at his real estate business. Macon tells Milkman that one day the business will be his, and it’s to his advantage to learn as much as he can about the business now, not take a year off. But Milkman continues to ask for money, urging his father not to hoard it as Pilate does with her “green sack” (163). Macon suddenly focuses his full attention on this revelation about the green sack hanging from Pilate’s ceiling, a sack that holds, according to what Hagar told Milkman, her “inheritance” (163). Macon immediately demands to know more about this green sack.
As Macon listens to Milkman, he becomes convinced that the green sack is full of gold. He explains to Milkman why he knows this, sharing a childhood secret. After their father was killed, Macon and Pilate were first taken in by Circe, a servant at a nearby farm. Despite Circe’s efforts to care for them, the children felt trapped in the rooms of the house where they hide. So, they left and lived in the woods for a while. They found a cave to sleep in. However, they didn’t realize an old White man was also sleeping in the cave, and when Macon stumbled across him, he killed the man out of fear.
After the killing, Macon discovered the man had gold and wanted to take it, but Pilate was horrified by the idea of taking the dead man’s gold. She threatened her brother with a knife when he attempted to take the gold anyway, and he was forced to leave the cave. He waited outside for her but had to leave when hunters come nearby. By the time he returned, Pilate was gone. He didn’t see her again until 1930, when she reappeared in his life prior to Milkman’s birth. Macon tells Milkman that he needs to get the gold from her.
Milkman tells Guitar about his father’s story so Guitar can help him get the gold. Guitar is eager to help once he believes the story. He needs money for his next assignment: seeking revenge for the deaths of four Black girls who were killed on September 15, 1963, when the KKK bombed the 16th Street Baptist Church. Guitar realizes that his future missions will most likely involve killing groups of White people “since more and more Negroes were being killed in groups” (173). He doesn’t tell Milkman any of this, and Milkman wonders if his best friend has killed anyone yet.
As they discuss their plans, they talk about what they will do with the money. Guitar lies, saying he will use the money for his family as well as luxury items, though his mind is “on the wonders of TNT” (181). He intends to spend the money on explosives to avenge the church bombing.
A few days after the church bombing, they decide to break into Pilate’s house at night while the women are sleeping. They cut down the green bag, which is attached to the ceiling with wire, and leave with it.
The book shifts from Milkman’s perspective to the perspectives of his sisters, first Corinthians and later Lena. Corinthians struggles to find a husband because of her wealth and education. Many of her potential suitors are intimidated by her credentials and desire a wife who is more comfortable with the work of climbing the social ladder. Corinthians is now in her 40s and resigned to the fact she will probably not marry. She decides to look for a teaching job but finds that her education is now out of date. She is embarrassed that the only job available is working as a maid for Miss Michael-Mary Graham, the State Poet Laureate. Despite working for Graham for two years, Corinthians disguises her job title, telling her mother that she is Graham’s “amanuensis,” or literary assistant, rather than telling her the truth: that she has been working as a maid for the past two years.
Traveling to work by bus, Corinthians notices a man who stares at her whenever he gets on the bus. Eventually, the man gives her a greeting card expressing friendship. Corinthians throws the card in the trash but ends up digging it back out. While she is embarrassed by his gesture, she realizes that no one else has shown her attention in a long time. The man is Henry Porter, the same Porter who stood drunk and screaming on Macon’s roof years ago. He and Corinthians begin to talk on the bus, which leads to Porter occasionally giving her rides home. They go for rides in the country, attend drive-in movies, and get coffee together.
Porter eventually invites Corinthians to his room. When she declines, he correctly guesses that she is ashamed of him. When she tries to blame her refusal on fear of her parents, Porter says he doesn’t “want a doll baby. I want a woman. A grown-up woman that’s not scared of her daddy” (196). He takes her home, but before she enters her house, she races back to Porter’s car and knocks on his locked door. When he doesn’t open the door, she crawls on the car and lies down on the hood, refusing to move until Porter pulls her gently back inside the car. He takes her to a place where they have sex. Porter returns her home before morning.
As Corinthians returns to the house, she overhears her brother and father talking but heads to her room before she can be seen. Macon and Milkman are arguing about the robbery. Milkman and Guitar were arrested after they left Pilate’s house. The police, along with Milkman and Guitar, soon discovered that the green sack contained not gold but bones and rocks. Macon arrived at the station and bribed the officer to release them. Pilate also arrived, lying that the bones are from her dead husband who was lynched 15 years ago and that she didn’t have the money to bury him. Milkman was shocked by her lie and by the way she transformed herself to appear submissive and small compared to the police. When they were all released, Macon drove them home, and Pilate explained that she never took the gold. She only returned to the cave because her dead father appeared to her and said she couldn’t leave the dead man there.
When Milkman looks for Guitar the next day, he sees seven men in the car. He realizes the men must be the Seven Days. The driver is Porter, the man Corinthians is dating.
A couple of days later, Lena calls Milkman to her room to talk to him. She explains that all his life, Milkman has been treated with great privilege by his family, especially the women in the family, who cared for him. She then tells Milkman that she knows he told their father about Corinthians dating Henry Porter, which resulted in Porter being evicted and Corinthians being forced to quit her job as well as forbidden to leave the house. Lena is enraged at Milkman’s power over them, which is similar to their father’s power. After calling him a “sad, pitiful, stupid, selfish, hateful man,” she kicks him out of her room (216).
The novel has largely focused on Milkman’s life, with brief glimpses into the lives of Milkman’s father, his friend Guitar, and some of the women characters. But Chapter 9 is unusual in the amount of time spent away from Milkman’s story to focus on characters who are peripheral to his thoughts. This shift is a surprising break in the narration, especially since the last time we heard from the sisters was when they were children.
Now in her 40s, Corinthians has adhered to strict social norms but has also seen the hollowness of those norms. She was raised with the expectation of a fortunate marriage, hoping to have a doctor as a husband, but now it seems she may not marry anyone. Unlike her sister Lena, she cannot resign herself to being trapped in the house, occupied by their childhood activity of making artificial roses. But her education is outdated, so she has no hope for a “respectable” job and instead takes work as a maid, which she keeps a secret from her family. When she develops a relationship with Porter, she is also embarrassed by his low status. But she soon realizes how much she loves Porter and fears a future alone with nothing but artificial roses.
Her story abruptly ends, shifting back to Milkman and Macon’s quest for gold. But then Lena demands a chance to speak with Milkman. The pent-up resentment and anger that Lena has from a childhood spent “under the frozen heat of [their father’s] glance” (10) breaks through. Lena reminds her brother of how he accidentally peed on her, saying, “after you peed on me, I wanted to kill you” (213). She strikes her brother when he doesn’t take their conversation seriously and then angrily asks the question she has wanted to ask all her life: “Where do you get the right to decide our lives […] I’ll tell you where. From that hog’s gut that hangs down between your legs” (215). Lena’s graphic metaphor succinctly captures the patriarchal dominance that she, Corinthians, and Ruth have suffered from all their lives. She refuses to let her brother take control of their lives, and she demands her own power, finally using her voice to assert her place in the story.



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