77 pages • 2-hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Joe Johnson leads Amber out to the Indian burial ground. They hear the sound of a rider and Joe orders Amber to hide in a ditch. Amber hears Wiley’s voice when Joe asks the rider for his papers and Amber shouts to Wiley to run. Wiley spurs his horse away.
Joe tries to shoot Wiley as he rides off and Amber takes the opportunity to pull Joe from his saddle. They grapple on the ground and Joe bites Amber hard on the neck. Amber hammers Joe’s gun hand, then jumps up and runs into the forest.
Nearby, Denwood hears gunshots. He rides toward the sound, tethers his horse, and hides. Wiley rides by at full speed, but Denwood does not recognize him, so he lets him pass. Then Denwood sees Amber running towards him, with Joe in pursuit on horseback. Denwood knocks Amber down with a log and faces Joe, who tells him to get out of his way. Joe claims that Amber is his, while Amber protests that he belongs to Kathleen.
Denwood tells Joe to calm down, and Joe furiously tells him to mind his own business, pointing his gun. Denwood raises his own gun and asks Amber his name, which Denwood recognizes. Joe continues to insist that Amber is his charge, and if he is a runaway, he will collect on him.
After they have lowered their guns, Denwood explains to Joe that Amber’s owner has lost her son and everyone in the area is looking for the boy and for Amber. Joe knows nothing about that; he found Amber leaving the blacksmith shop. Silently Denwood curses, thinking that must mean that Amber already brought Liz to the blacksmith’s.
Denwood tells Joe that he will take Amber back to his owner and that Joe can come along. Joe draws his gun again, but Denwood keeps his down and calmly tells Joe that he will never get away with murder. Joe curses Denwood who pretends to back down and turns around.
Sensing Joe is aiming at him, Denwood waits. He has wanted to die ever since the death of his son, seeking an end his constant rage, worry, and suffering: “He wanted what the coloreds hollered for so fervently all the time: a release, all things being equaled out, to the promised land, where all things and all people were equal” (291). Denwood realizes that although he had made his living chasing runaways, he is the true runaway. He ran away from a decent life of being a waterman like his father.
The bullet whizzes past Denwood’s ear. A hatchet has struck Joe in the shoulder, causing him to misfire. A swirl of leaves turns into the Woolman who runs away into the swamp. He moves so fast that Denwood thinks he must have been dreaming. Joe, furious and injured, accuses Denwood of ambushing him and tries to pull out his rifle. Denwood warns him repeatedly, then shoots Joe dead. Denwood’s gun splits in half from the discharge and he drops it.
Amber wants to go home, but first he must take Denwood to Liz. Amber says that she is not nearby, that he was misdirecting Joe to keep her safe. Denwood insists on seeing the Indian burial ground anyway, so Amber takes Joe’s horse and they ride off.
Wiley makes it home, exhausted and traumatized, and tells everyone that the Woolman abducted Jeff Boy. Wiley reports that he gave chase but was taken by Patty Cannon, who had Amber as well. When Kathleen wants more details about Jeff Boy, Wiley says that he tried to tell Patty and her crew that a black devil had taken the boy, but they would not listen and let the Woolman get away.
Wiley confirms that Jeff Boy is alive. Kathleen asks Wiley how he got the gun in his hand. Wiley seems surprised to see it there, telling Kathleen that Patty’s crew was attacked by the Woolman and that Wiley picked up the gun afterwards.
Kathleen goes out to look for Jeff Boy despite Wiley’s protests that Patty’s group are killers. Mary asks to come as well, but Kathleen puts her in charge until she returns or her father comes from Ocean City, which would signify that Kathleen is dead.
Meanwhile, Clarence brings Liz to Blackwater Creek. Liz’s headache returns, and she strongly senses that the surrounding wildlife is watching her. Liz guides Clarence to Sinking Creek. He says there is nothing near there, but Liz knows this is the right place. She tells Clarence to return to town, though he wants to stay. Liz tells him that the code is safe, and Clarence answers, “We rise at sunrise and rest at midnight” (303), the code for someone running. Liz has done no such thing, but Clarence says that one way or another, she is heading for freedom.
Once Clarence has gone, Liz walks towards the woods. After slogging through swamp, she walks blindly through dark and fog. Liz leans against a tree and has a vision of a young black boy tied to a tree with “enormous pain, the pain of a thousand indignities, heaped up against the will of one” (304). Servants all around the boy beg him to cooperate, but he shakes his head and a white man raises a whip. The boy looks up and Liz recognizes him as the Woolman.
Liz awakens and senses she is close. The Woolman is sitting on the beach and Liz crawls to him, referring to her vision of him as a boy: “You should have told your master your dream, she said. Even if it was a lie, you should have told it to him” (305). Liz says that every truth is a lie and every lie a truth, so the only true truth is tomorrow.
Liz sees that the Woolman is hurt so she binds his wounds. He leads her through the grove, points at an outcropping of rock, lies down, and goes to sleep.
Amber leads Denwood to the Indian burial ground and shows him the hollow tree where Liz had hidden. It is dark and a storm is coming, so they make camp. Denwood plans to head back to the blacksmith in the morning. He thinks about Kathleen again and about how much he needs to connect with a woman to ease his loneliness.
When Denwood asks Amber how well he knows the Dreamer, Denwood is struck by how sad Amber looks. Denwood struggles not to feel compassion or empathy for Amber. Denwood remembers quitting slave catching after his son was born because he became ashamed of his profession.
Amber says that he has known Liz for nine days, though it feels like a year because of all the traumatic things that have happened since they met. Denwood says that Amber should not have harbored Liz, knowing he would go to prison. Amber replies that he has always tried to keep himself isolated from people because he helps those in need almost as a religious vocation: “To turn someone away looking for help, I reckon, is to do God wrong” (314).
Denwood comments bitterly that he does not believe in God. Amber replies, “But God believes in you” (314). Denwood describes slave owners as a bunch of thieves, claiming to be men of God, yet taking the oysters from the Chesapeake away from poor men who use oystering as their last refuge. Denwood asks Amber if he thinks the same God governs all of them. Amber believes this is so.
Amber knows that Denwood had a son who died. Denwood says that Amber must hate him, but Amber replies that if someone has to capture Liz, he prefers it be Denwood. Denwood asks where Liz is, and Amber is surprised, thinking he already knew that Liz had gone North.
Shocked and angry, Denwood asks why Amber led him to the Indian burial ground instead of telling him this. Amber thought that Denwood was looking for Jeff Boy, since he had told Kathleen that he would do so. Denwood suppresses an urge to point his gun at Amber. Finding Jeff Boy is the constable’s job, and he is likely dead already anyway. Amber answers that Liz will be too, once she is returned to Captain Spocott. Denwood will undoubtedly find Liz, but he is the only person who could find Jeff Boy.
Denwood is surprised that Amber wants him to find Jeff Boy more than Liz. Amber says that he knows that he is doomed and cannot be with her, but he is trying to help his loved ones. If Jeff Boy is not found, Wiley is likely to be sent to prison, Mary will be sold south, and Kathleen will lose her farm: “They’re my family in this world. All of ’em” (317).
When Denwood does not believe him, Amber asks if Denwood would like to hear Liz’s dream of the future. Denwood agrees, thinking there might be a clue to Liz’s whereabouts. Eyes glistening, Amber relays the dream about the preacher who speaks before thousands of people of all colors who hold hands and weep at his words and how the preacher reaches into their own time and finds a song. Amber sings the song Liz had shared.
Denwood comments that he killed a man that day and asks what God thinks of that. Amber answers that when men are born, their goodness is lost, but God lays plans to fill them back up with goodness, if they allow it. Denwood says that they can search for Jeff Boy in the morning, though it won’t help his soul to do so: “I’m going to hell in spite of redemption anyhow” (320).
These chapters show that the complexity of Denwood’s character. His status-seeking impulses drive him to take on morally compromised work, while only people with whom he has an emotional connection can activate his better nature.
Denwood found fame and fortune as a hunter of runaways, but he realizes that he is also a runaway who wanted to prove to his father that he was a better man to rebel against a childhood of abuse and poverty. Despite making much more money than his father ever had, Denwood never got his father to acknowledge his success. Instead, his father had seen the ugly choice Denwood had made and, though destitute, refused Denwood’s spiteful offer of money: “Son, you’ve made money trading cash for blood, and I don’t want a penny of what you got. I’d rather starve to death than feed myself from your pocket. At least I know who I am” (292). Selling his soul to become a slave catcher deeply affected Denwood’s psyche, leading to alcoholism and rages.
When his son was born, Denwood gave up slave catching and started oystering, neatly creating a mirror image effect from his original decision. Now, though his soul was slightly more at ease, his outward status and reputation fell dramatically. He became a poor shadow of himself, ridiculed and called “the Gimp” by those who used to fear him. Getting an opportunity to be rich again through slave catching, Denwood takes it, sacrificing his moral growth by becoming a man who “always ran towards a dollar” and not, in Denwood’s words, “to who I am or what I really need. My own father said it” (312).
Denwood feels this bitterness strongly when he meets Kathleen, who arouses in him a desire to be a better man, though he fears it is too late. Ironically, Kathleen would likely be less than willing to help Denwood, as she values the freedom she has experienced since her husband disappeared. Controlled by her father and then her husband, seeing the way the constable has mishandled the search for her son, Kathleen is done with men: “Men, she thought bitterly. They run the world to sin and then wonder why the world wakes up every morning sucking sorrow” (301).
Unlike Denwood, who can be pulled from the brink by others, Joe has lost his humanity entirely by valuing money over decency. As noted previously, Joe wants to be a good person, but this is incompatible with hunting runaways, seeing people as nothing but dollar signs, and considering possessions to be the measure of a man’s worth. Before Denwood shoots him, Joe protests, “You can’t kill me, Gimp, I own a tavern. It’s paid for” (295), arguing that his wealth should shield him from the lower-status Denwood.
These chapters also give us a long philosophical discussion about the nature of religious belief as Denwood and Amber camp at the Indian burial ground. Denwood is dismissive of the fealty to God that he has observed in black people and wonders how they can worship the same God as the hypocritical slave owners. Like Liz, Denwood has experienced so much pain and suffering in his life, he doubts God’s existence. This makes it hard for him to understand how black people could accept all the terrible things that God sends them: “[H]e lets your children die and lets y’all be sold like dogs; your God takes all your tomorrows away, and still you dreamin’ about Him in your songs and tomorrows?” (318).
Amber doesn’t subscribe to Denwood’s materialist understanding of faith. Amber believes that instead of being rewarded on earth, black people will be rewarded in the afterlife for the good they do, despite the injustice and misery forced upon them. Both Denwood and Amber expect a transactional relationship with God, but Amber is content to wait until death to get what he believes to be his due. This idea has been strengthened by Liz’s dream, putting hope into Amber’s heart that there is a better tomorrow and a true freedom for his people. Liz’s message of hope reaffirms and strengthens Amber’s faith in God and in God’s plans.
In response, Denwood considers hedging his bets that he may not be beyond redemption after all. He agrees to help find Jeff Boy, though doing so further delays him from his task of capturing Liz. Giving Kathleen her son could be his personal redemption.
Returning to the theme of decrypting codes, Liz uncovers part of the mystery of who the Woolman is, or at least who he was. She realizes that he was a Dreamer of the future as well, though it is not clear why the Woolman’s boyhood dreams disturbed his master so deeply. It seems that the Woolman’s mother had to escape with her boy to keep him safe. Through some unknown force, Liz was drawn to the Woolman, perhaps because they are similar in some otherworldly way.



Unlock all 77 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.