Sophia's War: A Tale of the Revolution

Avi

54 pages 1-hour read

Avi

Sophia's War: A Tale of the Revolution

Fiction | Novel | Middle Grade | Published in 2012

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Content Warning: This section of the guide includes discussion of war, graphic violence, illness, and death.

“With me clutching Mother’s hand tightly and barely looking up, we took the road called Harlem Lane. I may have been willowy for my twelve years of age, and my name was Sophia (the Greek word for ‘wisdom’), but you could just as well have called me ‘Frightened’ and been done with it. In truth, as we hurried along, all my thoughts were on William. He must come home!


(Part 1, Chapter 1, Page 6)

Sophia Calderwood’s journey back to New York City with her mother conveys her innocence and fear due to her wartime circumstances. Sophia feels the burden of her name (“wisdom”) as she admits to being frightened and feeling weak. The image of her “clutching her mother’s hand tightly and barely looking up” conveys her terror and desperation to be safe and protected. She is clinging to her mother in hopes that Molly Calderwood might deliver them from their fearful circumstances.

“That said, the many swirling disputes and political events of 1776 were not fully understood by me. With patience, William tried to educate me. He talked, taught, and catechized me endlessly about our rights, freedoms, and natural liberties. He read me Mr. Paine’s Common Sense in its entirety. Hardly a wonder that I considered my elder brother the source of all wisdom. Let it be said, that I, despite my age, could give an earnest defense of our rightful freedoms.”


(Part 1, Chapter 2, Page 11)

Sophia’s meditations on her brother William Calderwood’s role in her life and in forming her beliefs convey the siblings’ close connection. Although William is older than Sophia and although Sophia is a young woman with no political rights, he devotes himself to her education. The passage also reflects the work’s historical setting, with the reference to Thomas Paine’s work and the idea of “natural liberties” reflecting the ideas of the French Enlightenment and their influence on the American Revolution.

“I wondered what it would be like to have a stranger in our home. A British officer at that! I kept thinking of the officer who led Captain Hale to his death. What if he came to live with us. Or another as brutal? I supposed all were alike. Whoever he was, I knew I should despise him. But how would I ever learn to keep my emotions bottled? I was an ardent patriot. If I could not keep it secret, I knew the consequence.”


(Part 1, Chapter 4, Page 23)

Sophia’s anticipation of her family’s imminent British boarder conveys The Conflict Between Personal Emotions and Patriotic Duty. Sophia is afraid that having a British officer in her home will incite her rage and cause her to expose her patriotic affiliations. Since she is a young girl still learning to navigate her complex interior, she is unsure how she will temper her emotions in the face of someone who is actively fighting against her countrymen, her brother, and her family.

“Though most city streets were narrow and crooked, Broadway was wide and straight, so I was able to glance up and down. Not a soul. I reminded myself where I had to go, a few streets in a southerly direction. Normally an easy walk. At that moment it seemed very far. Shivering with cold fear, I strengthened my will by reminding myself of Father’s need.”


(Part 1, Chapter 7, Page 33)

Sophia’s descriptive rendering of the nighttime city streets accomplishes multiple effects. On the one hand, this descriptive passage creates an ominous, fearful mood. Sophia is by herself, navigating the desolate streets after curfew. She does not have guidance and is risking her safety. The passage also conveys Sophia’s willingness to brave the dangerous unknown on behalf of her family. This moment thus foreshadows the sacrifices Sophia will make to avenge William and defend the patriots, reflecting The Quest for Personal Growth Under Duress.

“The officer turned and I truly saw him. He was a youngish man of middling height, olive complexioned, with black hair and a cheerful, graceful air. Upon seeing me, he offered a bright smile, which I had to admit was frank and open.”


(Part 1, Chapter 10, Pages 46-47)

Sophia’s description of Lieutenant John André enacts her youthful attraction to him. References to his youth, cheerfulness, grace, frankness, and openness imply that Sophia feels comfortable in his presence. She does not fear him the way she anticipated fearing the British boarder. His “bright smile” is particularly inviting and foreshadows how André’s charm will endear him to Sophia.

“Let it be admitted: if a twelve-year-old girl has enough heart, it does not take her long to think of herself as being in love. I daresay I liked the thought of myself—for the first time—in such a bemused and pleasant state. Of course, I had no friends left in whom to confide. So I told no one—neither John André nor my mother—of my emotions. Moreover, I allowed myself to think he fancied me.”


(Part 1, Chapter 12, Page 59)

Sophia’s discussion of her feelings for John André creates a confessional tone while invoking The Conflict Between Personal Emotions and Patriotic Duty. Sophia is admitting that she likes John André despite his political affiliations. Sophia’s decision to keep her feelings a secret conveys her knowledge that her affection is taboo, while implying that Sophia wants a secret of her own. She wants to feel seen and cared for, despite the implications of loving a British lieutenant.

“I wanted to keep my heart locked tight. It took work. While aware that William was still missing—and the danger he posed for us—I thought of him less and less, while thinking increasingly about handsome, sociable, and charming Lieutenant John André. In short, I was joyful—in a blind way. I gave almost no thought to the future, as if nothing bad could happen.”


(Part 1, Chapter 13, Page 63)

Sophia’s affections for John André further the novel’s theme of The Conflict Between Personal Emotions and Patriotic Duty. Sophia cares for John André despite her efforts to quash her feelings. As a result, she feels she is betraying her brother. However, Sophia also finds her concern for William dissipating in light of her growing affections for André—thus instigating an intense battle between her youthful longing for love and higher hope that William will be able to defend the patriot fight for independence.

“The column of captives proceeded north, going to the west of the Commons area, until they reached the block between Murray and Barclay. They were, I now grasped, going to the King’s College, a wide, tall building, with an elegant cupola top center. It was where William had been going to school before hostilities had begun in earnest. Now it was surrounded by soldiers. And the prisoners, including William, were being shoved inside. His school was to become his prison.”


(Part 1, Chapter 15, Page 71)

Prior to the revolution, the city was a rich and vibrant cultural center. Since the revolution, familiar settings have become foreign. The very college where Sophia’s brother was meant to study has “become his prison.” This passage also speaks to The Influence of War on Loyalty and Allegiances, as this is a significant turning point for Sophia, who must choose between acknowledging her brother as a patriot prisoner or agreeing to keep quiet at John André’s behest.

“Though hard and inky work, it was never drudgery. I liked it. Moreover, Mr. Gaine was impressed—he said so—by my quickness and willingness to learn. So it was that on that first day I went home weary but content. The knowledge that I was earning money, which could help William, gave added pleasure.”


(Part 1, Chapter 22, Page 94)

Sophia’s job at the print shop affords her a sense of meaning and purpose, which contribute to The Quest for Personal Growth Under Duress. Although “hard and inky work,” Sophia finds her new print shop apprenticeship to be rewarding. She is devoting her intelligence to something she cares about, while helping her family. These experiences empower her, and will ultimately lead to her work with Robert Townsend, who will learn of her “quickness and willingness to learn” from Mr. Gaine.

“So I trust you will completely accept it when I reveal that in my grief I vowed I would avenge William’s awful death. Moreover, I believed that John André had the power to save my brother. But he refused. By mid-January of 1777, all the rivers around New York were frozen solid. Just as, I believed, was my heart. Ah! But was that so? You, Dear Reader, must decide”


(Part 1, Chapter 28, Page 118)

William’s death propels Sophia’s fight for the independence cause and accelerates The Quest for Personal Growth Under Duress. Sophia is indeed heartbroken over her brother’s fate, but she uses her grief to mobilize her fight for vengeance. She remarks that her heart is as frozen as the “rivers around New York”—a metaphor which suggests a lack of emotionality. However, she interrogates this claim as soon as she makes it, breaking the fourth wall to invite her reader into her story.

“But it was only three years after William’s death—in 1780—a leap year, when I reached the age of fifteen, that I finally had my chance. What I did had vast consequences, which I shall now set forth before you.”


(Part 2, Chapter 29, Page 122)

Sophia breaks the fourth wall, uses the direct address, and foreshadows future events in this brief passage. In speaking directly to her reader, Sophia creates an open, honest narrative tone. She also foreshadows the risky choices she will make, which heightens the narrative tension and attempts to pique her reader’s investment in her narrative.

“For my part, I felt a boiling fury that there appeared no likelihood that America would win the war and secure its independence. Somebody needed to do something. Where was Washington? Where was Arnold? Who would revenge William’s death? Then I met Robert Townsend and everything changed.”


(Part 2, Chapter 31, Page 127)

Sophia’s internal monologue captures her growing investment in the patriot cause, and thus her personal maturation. In Part 1, Sophia is more invested in her relationship with John André than she is in the progress of the revolution. By this point in the narrative, Sophia is “boiling with fury” when she realizes the patriots might lose the war. This figurative language conveys Sophia’s passionate devotion to the patriot effort. Further, the questions she asks herself in the latter half of the passage foreshadow her espionage efforts for the patriots.

“What aims did he think I had? To be sure, I would have given much to help the patriot cause. Regardless: What could Mr. Townsend offer me in that regard? Or I to him? May I remind you, I was living in a city occupied by the enemy. To act against that enemy was to court great hazard. No one knew that better than I did.”


(Part 2, Chapter 33, Page 134)

In this internal monologue, Sophia tries to make sense of her circumstances and future. The questions that she asks herself create an interrogative, searching tone, which illustrates Sophia’s willingness to probe the unknown as she navigates The Influence of War on Loyalty and Allegiances. Sophia is eager “to help the patriot cause” but understands that doing so means acting “against the enemy” and “courting great hazard.” She is weighing the pros and cons of overtly supporting the patriots and exposing her true loyalties.

“What if I were found out? Did I wish to practice such trickery? If caught, could I accept an end to life by hanging? Did I not have a responsibility toward my parents? What if they lost another child—me? Who would care for them in a reduced state and in old age? What if I were unable to do what Mr. Townsend asked? What if I made hash of it all?”


(Part 2, Chapter 36, Page 142)

Sophia experiences an internal conflict when she first learns of Mr. Townsend’s espionage proposition. Sophia desperately wants to support the patriot cause and to avenge her late brother. However, now that she has the opportunity to do so, she fears that she is not up for the task. Her series of rhetorical questions is meant to imitate the process of working through a problem in real time.

“I made no response to her but only felt anger—How could he have forgotten me? But a new thought quickly tumbled forward: I have fooled him! That realization gave me something I had never experienced before—a sense of power.”


(Part 2, Chapter 44, Page 173)

Sophia’s experience working as an undercover patriot spy at the Archibald Kennedy house fuels The Quest for Personal Growth Under Duress. Sophia is initially wounded that John André doesn’t recognize her, but quickly realizes that her shrouded identity will in fact help her cause. This emotional passage—defined by feelings including anger, disappointment, triumph, and empowerment—illustrates how Sophia’s challenging espionage experience is helping her to grow.

“There I was, merely a girl, but one who had uncovered a huge secret. One of the greatest importance. But my excitement over my discovery was turning into terror. How could I be expected to know what to do? I had to tell someone who could act. Frustrated, scared, I went off to the Kennedy house. I was, moreover, increasingly angry with Mr. Townsend for having abandoned me. He might be safely hidden, but I was trapped in the lion’s den with a great secret in my hands.”


(Part 2, Chapter 46, Page 185)

Sophia uses descriptive and figurative language to convey the intense fear and responsibility she feels at learning a British secret. Diction including “greatest,” “excitement,” “terror,” “frustrated,” “scared,” and “angry” captures Sophia’s heightened emotional state. She wants to help her country but cannot do so without the recently disappeared Mr. Townsend. She compares her circumstances to being “in the lion’s den,” which is a Biblical allusion and metaphor that enacts the danger she faces.

“It would have been easy to excuse myself by claiming the cause of my inaction was Mr. Townsend’s absence, which was none of my doing. Yet there I was, aware that General Arnold was about to commit horrible treason—treason that, in all likelihood, would lose the war for my country. What did I do? Serve food and wash dishes!”


(Part 2, Chapter 50, Page 199)

Sophia admits that she could give up on her spying mission, but she refuses to abandon the patriot cause. Her sustained determination underscores her strength of character, her bravery, and her commitment to avenging William and supporting the patriots. On the one hand, Sophia feels disempowered by her lowly position as a housemaid and a young woman (“Serve food and wash dishes!”). At the same time, Sophia’s frustration with her circumstances foreshadows the lengths she will go to stop André and Arnold.

“It was upon sensing the river’s vastness that I fully grasped the enormous compass—not to say goosery—of my enterprise. That said, my determination was so locked I could hardly pry it apart. Did I not have energy, strength, and most of all, motive? Reminding myself I had but three days, I began to walk northward.”


(Part 2, Chapter 52, Page 206)

The image of Sophia setting out from the Archibald Kennedy house towards West Point on foot captures her strength, tenacity, and determination. The passage underscores The Quest for Personal Growth Under Duress: Sophia acknowledges the “compass” and “goosery” of her mission, yet still does not back down. She is going ahead in spite of the odds against her.

“I gazed upon the stars in the vast black sky, and the half-moon, which gilded the river’s surface with a rippling golden hue. Will I be in time? I kept asking myself. I could not help wondering where John André was at that moment. Thinking of him, ever gallant, splendid in his uniform, handsome, self-assured, and eager to attack, to destroy my country, I fell asleep.”


(Part 2, Chapter 55, Page 219)

The descriptive imagery in this scene creates a bittersweet mood. Sophia is gazing at the stars “in the vast black sky,” an image which captures her smallness in the context of the universe and the political conflict she faces. At the same time, the reference to the river gilded in moonlight creates a romantic mood, which conjures Sophia’s musings on John André. These thoughts are dichotomous in nature, alluding to her simultaneous affection for and bitterness towards him, reflecting The Conflict Between Personal Emotions and Patriotic Duty.

“But what did geography matter? I was locked in a room that was all but a prison. Exhausted and frustrated, I sat down on the edge of the bed and almost burst into tears. In haste, I dried my eyes. I must, I told myself, show strength, or they would never believe me.”


(Part 2, Chapter 58, Page 234)

The scenic imagery in this passage enacts Sophia’s feelings of entrapment and hopelessness. She is “locked in a room” which she compares to a prison. Sophia is familiar with prisons, as she spent much of Part 1 searching for William during his captivity. Sophia feels as if she is in a similar situation as her brother was, because she is passionately committed to her cause (much as William was) but can do nothing to free herself or change her circumstances.

“Two were rowing. One sat in the stern, one the bow. I wanted the one in the bow to be André. Wanted him to know I was close, watching. What would he think? Would he be frightened of me? I must confess, I felt a kind of elation.”


(Part 2, Chapter 60, Page 245)

Sophia’s internal monologue while studying the rowboat and the Vulture convey her desire to hurt John André for hurting her. She wants him to see and recognize her, because she wants to prove to him that she is strong and cunning. She also wants to feel powerful in his presence, because of how weak and humiliated he made her feel.

“When he said nothing—suggesting that he too did not think what I said was true—I went on.


‘Mr. Paulding, I know the affection you have for my family, and my brother. I presume you care for me, too. But you don’t believe me either, do you?’”


(Part 2, Chapter 63, Page 265)

Sophia faces yet another conflict in her pursuit of revenge when her late brother’s friend John Paulding doubts her reports of Benedict Arnold’s planned treason. In this scene of dialogue, she is imploring her friend to listen to and believe in her. She invokes her brother, in hopes that Paulding will be moved to help her. Her words reiterate her cleverness, wit, and tenacity.

“Did I feel guilty that I might be the means by which he might die? Or—was I guilty of wishing to spare him? But—was not John André the enemy? Did he not refuse to help William and therefore bring on my brother’s ghastly death? Had I so forgotten the nightmare of the sugarhouse and the Good Intent? Had John André not taken up arms and used them to kill my countrymen?”


(Part 2, Chapter 65, Page 277)

The Conflict Between Personal Emotions and Patriotic Duty intensifies when Sophia realizes the consequences of exposing André. Sophia is trying to remind herself that André is indeed the enemy, because she wants to justify her tangential involvement in his death. She is also trying to dismiss her lingering affection for André by reminding herself of his involvement in her own brother’s death. The passage has an interrogative, worried tone which reflects Sophia’s conflicted state of mind.

“I was of two minds. I was relieved that no personal harm would come to André, at least no harm by my hand. West Point, I told myself, could still be saved and Arnold exposed. It was everything I desired.”


(Part 2, Chapter 68, Page 290)

As Sophia’s story comes to an end, she works to accept the events she has brought about and make peace with her conflicting emotions. She has wanted to save West Point and expose Arnold, yet she is still making sense of what fulfilling these desires really means. This is a vital aspect of Sophia’s personal growth journey, as she is learning that fighting for a worthy cause requires personal sacrifice.

“In 1824, some time, after John André was laid to his final rest in England, I crossed the ocean and visited the abbey. Kneeling, I placed on his grave the faded blue ribbon he once gave me. For I knew two things: that I had caused his hanging death and that I adored him. You see, I no longer wish to be at war with myself.”


(Part 2, Chapter 70, Page 302)

Sophia’s journey to John André’s grave captures her newfound ability to resolve her inner conflict. The passage clarifies the metaphor in the novel’s title, confirming that the war Sophia has been waging has been both external and internal. Once Sophia is able to pay her respects to André and to lay the ribbon he gave her on his grave, she is able to let go of him while accepting the feelings she did have for him. This closing scene offers a neat resolution to Sophia’s story and The Conflict Between Personal Emotions and Patriotic Duty.

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