52 pages • 1-hour read
Haruki MurakamiA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
At the age of 22, Sumire fell in love for the first time in her life. To her surprise, she fell for a woman, Miu, at a wedding. Miu was older and refined, having studied music before taking over her father’s business. Sumire, who dropped out of university to pursue a career in writing, spoke with Miu about Jack Kerouac at the wedding. She wanted to be like a character from one of his novels.
The narrator of the novel, K, is in love with Sumire. They met at university, and K graduated at the same time that Sumire dropped out. They became close friends and, though K often feels an uncontrollable desire for Sumire, she feels neither romantic love nor desire for him.
At the wedding, Sumire and Miu discussed Kerouac. Miu mistakenly called him a “sputnik” instead of a “beatnik.” Sumire corrected Miu, explaining that Sputnik was actually a Soviet satellite. After that day, Sumire adopted a secret name for Miu: Sputnik Sweetheart.
Sumire fell in love with Miu the instant she saw her at the wedding. Even K knew this was special, as Sumire never exhibited any romantic or sexual interest in others, and she had even told him she did not understand desire.
Sumire carved her own path through life. She spent much of her days writing, struggling to keep her apartment clean and feed herself, though she did have talent. The biggest hurdle to a career as a novelist was that Sumire could not finish a project. She wrote beginnings and endings, but never complete stories, and she was unable to edit any work, believing that every word was important.
On weekends, she visited K, bringing rough drafts of her work for him to read. Sumire doubted her ability as a writer, believing she did not have enough experience to write anything worthwhile. K encouraged her, explaining that despite her fragmented writing, she had a unique and clear voice.
At the wedding, Miu and Sumire discussed their families and their pasts. When Sumire pointed out her father, a handsome dentist, Miu complimented Sumire, saying she was attractive. Sumire blushed. They spoke of music and Miu’s job running a trading company. She traveled all over the world, mostly working with wine. Miu asked Sumire about her work experience and skills, learning that Sumire knew English. She also asked Sumire to explain the difference between a sign and a symbol. Before the night ended, Miu offered Sumire a job and asked her to lunch the following day.
Sumire told K that her desire for Miu was uncontrollable. She could not resist, and she worried that it would pull her in a dangerous direction. Eventually, K comes to realize that her instincts were correct.
Two weeks after Sumire met Miu, Sumire calls K before dawn, waking him up. She is calling from a phone booth in the park near her apartment and explains that nearby roosters woke her up early. She asks him to explain the difference between a sign and a symbol. He tries to explain to her that the emperor is a symbol of Japan, but that Japan cannot be a symbol for the emperor. After some confusion, Sumire understands.
After this conversation, Sumire reveals to K that she is falling in love. K teases her, asking if it is with someone other than him. She tells him that it is and asks if they can meet, as she wants to tell him about it. He agrees, and she thanks him for being a good enough friend to answer her call in the middle of the night.
When Sumire arrives, K nearly does not recognize her. Instead of her usual thrown-together look, she has a fashionable outfit and a new haircut. They decide to go for a walk, and as they make their way through Tokyo, Sumire tells K about Miu, beginning with how they met at the wedding.
The day after the wedding was a rainy day, and Sumire was excited to see Miu again. As she waited, Sumire sat down to write, but nothing came to her. For Sumire, this was new, as she was always able to write something.
Sumire met Miu at a fancy restaurant and was in awe of her elegance. Her clothes were fashionable, and she ordered for herself and Sumire. She ate little and enjoyed her wine.
Despite Sumire’s protests that she did not have professional experience or great organizational skills, Miu encouraged her to take the job. She was confident that Sumire could handle any tasks. Sumire explained that she was committed to writing, but Miu told her that she did not believe Sumire would write anything of importance at this stage in her life. She was confident of Sumire’s talent but believed she needed more experience to really succeed.
After some consideration, Sumire agreed with Miu and decided to put her writing aside for a while to work for Miu. She accepted the job, along with Miu’s requests that she work three days a week and attend Italian lessons to help with Miu’s travels. As she said yes, Sumire wondered if she could say anything other than that. She was drawn to Miu and, looking in her eyes, felt as though she was getting lost.
After they finished their meal and espresso, Miu invited Sumire to her home, wanting to show something to Sumire.
One summer during university, K took a trip by himself. While traveling, he met an older woman, and they spent the night together. K, who was not confident that he satisfied her, apologized. She told him not to apologize and advised him that he could do better by being alert. This advice stayed with K, and he even told Sumire the story once, as a way to advise her to be alert and open, and not assume anything.
At Miu’s apartment after lunch, Miu showed Sumire fancy clothes that a friend of hers would not wear. This friend was the same size as Sumire, and Miu offered the clothes to Sumire, saying she could wear them to work.
Sumire began her office job for Miu, acting as a secretary and doing simple office tasks. Miu only worked in the office for an hour or two every day, but the proximity to Miu thrilled Sumire. In her downtime at work, Sumire would practice her Italian and read over files related to Miu’s work.
Occasionally, Miu invited Sumire out to dinner. As a part of her job, Miu would visit certain restaurants to maintain relationships. While out, Miu would order a full bottle of wine for her and Sumire. When Sumire asked why, knowing they could not finish it, Miu explained that this way, with the bottle already opened, more people could try it. At these dinners, Sumire watched as Miu drank her wine, shocked by her elegance. Miu even taught Sumire how to properly taste wine, continuing to cultivate Sumire’s new life.
One night, in her excitement, Sumire told Miu that she wished to be like her. Miu grew silent, with a troubled look on her face. Miu told Sumire that she was not a whole person, as something happened to her 14 years ago. She wished that she had met Sumire before she changed. Sumire pieced together details, learning that Miu was an incredibly talented pianist when she was younger, even studying abroad. However, while she was abroad, Miu’s father died. She moved back to Japan to take over his company and never played piano again.
On the phone one night, Sumire tells K that she quit smoking because Miu does not allow it in her office. She struggles not to smoke and tells him that this is not the only problem she has. She finds that she can no longer write. She loses all confidence and will to do so, a stark departure from who she was before she met Miu. K tries to convince her that she is a good writer, crediting her style for its vividness. Sumire feels as though she wasted time, and she is confused, unable to see the difference between what is real and not.
She also has vivid dreams, often waking in the middle of the night. When this happens, she calls K. Sumire considers her love for Miu, telling K that she read an article that said lesbians have a special bone in their ear. She believes she has this bone because her ear rings whenever she thinks of Miu. K tells her not to trust such an easy explanation. After they hang up, K looks at the clock. It is past three o’clock in the morning, and he knows he won’t be able to sleep again.
In Sputnik Sweetheart, Sumire’s writing is a defining feature of her character and a window into who she is. Sumire commits to writing, dropping out of school and risking stability to achieve her dream of being a novelist. Despite her struggles to complete work, her writing is important to her character and her growth. K understands this, believing that Sumire uses Writing as a Representation of State of Mind. K reads much of Sumire’s writing and feels as though it is the primary way in which he learns about who she is: “Sumire’s writing had a remarkable freshness about it, an attempt to honestly portray what was important to her. On the plus side, she didn’t try to imitate anyone else’s style, and she didn’t attempt to distill everything into some precious, clever little pieces” (14). Sumire’s writing style reflects who she is, and it also helps her discover who she is and what she thinks. She cultivates a unique voice that allows her to explore her interests and values. She does not emulate any other writer, giving her work a personal style that establishes her individuality in K’s mind. K values Sumire’s writing as an extension of herself, allowing him to be in conversation with Sumire, even after she disappears.
Haruki Murakami’s narrative style uses figurative language and imagery to capture the world around his characters as well as reflect the characters’ growth. The most common mode of figurative language in Sputnik Sweetheart is the use of similes, which are used in the narrative to provide a concrete connection to the characters’ reality, balancing the more abstract and unreal elements of the text. For Sumire, Murakami uses a simile to characterize how her writing reflects her as a person: “The novels—or fragments of novels, really—that Sumire wrote weren’t as terrible as she thought. True, at times her style resembled a patchwork quilt sewn by a group of stubborn old ladies, each with her own tastes and complaints, working in grim silence” (14). K’s perspective of Sumire’s writing demonstrates how Sumire’s style is a disparate collection of the various parts of her identity. The simile that compares her writing style to that of a quilt creates an association between her fragmented writing and the fragments of a quilt. Just as a quilt is made up of diverse and unconnected pieces, so too is Sumire’s writing. This creates a sense that she is lost, searching in different directions for inspiration in her writing. The other aspect of the simile, describing the quilt as made by “stubborn old ladies” (14), further creates an association between Sumire’s writing and her own uncertainty, as though she is being pulled in various directions, with no control. Just as each woman has a different vision for the quilt, so, too, does Sumire have various visions that prevent her from committing to one. Through the development of metaphors through the specifics of simile, the narrative offers a quick, specific connection that illustrates the fragmentation of Sumire’s identity.
This fragmentation, exemplified by Sumire’s indecision in her writing, is also reflected in the turmoil of her unrequited desire for Miu, developing the theme of Personal Growth Due to Unrequited Desire. When Sumire meets Miu at a wedding, she is immediately in love and feels no control over her desire and what it will lead her to. She recognizes that the turmoil of unrequited love is not only painful but dangerous. Sumire feels as though this desire prevents her from utilizing her own agency, as she is driven not by rationality but emotion. When she discusses this with K, she describes her feelings of love as a strong current: “I’m in love. And this love is about to carry me off somewhere. The current’s too overpowering; I don’t have any choice […] Danger may be lurking there, something that may end up wounding me deeply, fatally. I might end up losing everything” (25). Despite Sumire recognizing that her desire for Miu may end disastrously, she cannot help but feel as though she must follow her emotions, regardless of the risk. The comparison of her love to a current further reflects the notion that Sumire loses her agency because of desire. She must allow it to lead her, even if by doing so, she loses herself. Her reaction to this overwhelming desire stands in contrast to K’s; he seeks to retain his friendship with Sumire above all else, and he fears the loss of control that Sumire is experiencing in her feelings for Miu. K doesn’t act on his feelings. Instead, he restrains himself as Sumire does not, refusing to be swept away by the current she describes.



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