52 pages • 1-hour read
Haruki MurakamiA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of sexual content.
The repeated references to the Soviet satellite Sputnik in the novel are a motif that reflects the theme of Personal Growth Due to Unrequited Desire. As Sumire evaluates her unrequited desire for Miu, she creates a connection between her own feelings and experiences and those of Sputnik: “Sometimes I feel so—I don’t know—lonely. The kind of helpless feeling when everything you’re used to has been ripped away. Like there’s no gravity, and I’m left to drift in outer space. With no idea where I’m headed” (63). The suddenness of her desire for Miu, almost instantaneous, changes her life, and she feels as though she is launched into space like Sputnik, banished from the life she knew. Sumire’s loneliness, a result of her unrequited desire for Miu, is one she associates with the satellite, floating in space, disconnected and alone. She feels unmoored and lost, on a course she cannot control, led by her desire. For much of the novel, her desire for Miu leads her forward with no clear destination in sight, just orbiting around the object of her desire.
When Sumire first mentions the satellite idea to K, he finds it odd, but over time, he sees a connection between it and his own relationship with Sumire. K takes this reference and deepens it through his research into the actual Sputnik satellite: “Do you know what ‘Sputnik’ means in Russian? ‘Traveling companion.’ I looked it up in a dictionary not long ago. Kind of a strange coincidence if you think about it. I wonder why the Russians gave their satellite that strange name” (98). The word gives K another way to look at his relationship with Sumire, and he begins to think of the two of them as companions traveling through life. On another level, just as Sputnik drifted through space, alone, so too does K feel unmoored. And yet, satellites occasionally pass close to each other. K feels as though he, Sumire, and Miu are all traveling companions on their own journeys, and yet, their unconnected desires often draw them close together, creating these brief moments they share, as though they are satellites passing in orbit. As a result of this metaphor, K is able to understand his own unrequited desire for Sumire from a new angle, leading to his growth as a character.
Miu’s white hair is a motif that reflects the theme of Disconnection From Reality in the Wake of Loss. As K reads Sumire’s writing on the Greek island, he learns that Miu’s hair changed after a disturbing and traumatic night. When Miu sees, from the top of a Ferris wheel, her doppelgänger having sex in her apartment, she feels immense shock and violation. Afterward, Miu’s sense that some part of her is missing after this encounter is reflected in the loss of color in her hair: “Every single hair on her head was white. Pure white, like freshly driven snow. At first she thought it was somebody else in the mirror […] the reality of it all came crashing down on her in that instant. The white-haired woman staring back at her was herself” (157). This moment, in which Miu sees her new hair for the first time, is disorienting for her, creating a sense of unease and confusion. She does not recognize herself, believing a stranger is looking back at her, illustrating her disconnection from herself and her reality. When she realizes that her reflection is actually herself, she realizes that some part of her is on the other side of reality. Miu believes that she is split between reality and unreality, no longer feeling like herself and struggling to forge connections with others, illustrating how loss can result in detachment from one’s self and even reality itself.
Near the end of the novel, when Carrot steals a key from the security office and gives it to K, K must decide what to do with it. He can either return it to the office or bury Carrot’s wrongdoing. When K drops the key into a river, committing to moving on from Carrot’s misdeed, the key becomes a symbol of acceptance. After K’s stressful and confusing few weeks adjusting to Sumire’s disappearance, his relinquishing of the key symbolizes his acceptance of his new, though still unclear, reality: “I ended up dropping the key into the river […] the water was cloudy, and the key disappeared from sight. Side by side on the bridge, Carrot and I gazed at the water for a time. Somehow it made me feel cheerful, my body lighter” (196). K feels immediate physical relief after dropping the key, demonstrating how he releases the tension that plagues him after his time on the Greek island. He accepts that reality is not constant or firm and is at peace knowing that Sumire’s disappearance is ambiguous and unanswerable, situated between reality and unreality. This action is a defining moment for K, as he begins to move on to a new life, one in which he has recognized and accepted that reality isn’t always clear.



Unlock the meaning behind every key symbol & motif
See how recurring imagery, objects, and ideas shape the narrative.