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The next morning, Peter again tries to comfort Clara, who remains distraught. She calms down as he invites her to recall her belief that Jane is with God. Seeing her relief, Peter cries and holds her. After taking a shower, Peter finds Clara curled up around Lucy, Jane’s dog. Peter and Clara eat breakfast then visit Ben. They find him cooking, which is uncharacteristic of him, his home smelling freshly cleaned.
Gamache’s team meets in Montreal. Beauvoir reports that Yolande’s husband, André Malenfant, and her son, Bernard Malenfant, have a history of reckless behavior and that André recently received a bow-hunting permit.
During the meeting, Nichol again remains aloof from other team members. Afterward, Gamache approaches her and asks her to consider how she learns. He stresses the importance of choice and encourages Nichol to see her team members as colleagues, not competitors. He mentions four statements that “lead to wisdom”: “I don’t know. I need help. I’m sorry” (82). He momentarily forgets the fourth statement, leading Nichol to mistakenly conclude that “I forget” is the final statement.
Later, Gamache holds a community meeting in Three Pines. After explaining his team’s intent to investigate Jane’s death thoroughly, whether it was an accident or a murder, he encourages the villagers to be careful. The discussion turns to the particulars of Jane’s death. Gamache wonders why Jane would leave her dog, Lucy, at home the morning she died. Someone suggests that maybe Jane thought there were hunters in the woods. Gamache learns that Jane found Matthew Croft, Philippe Croft’s father, hunting illegally a few years earlier, but Croft denies trespassing since then. The villagers also share their knowledge of archery, which leads Gamache to the conclusion that Jane was killed by an old-fashioned, wooden arrow with a hunting tip (rather than a duller target-practice tip) shot by a recurve bow, rather than a modern, compound bow. As the meeting concludes, Ruth, who is head of the volunteer fire department, offers the fire hall for Gamache to use as headquarters for his investigation.
Clara and Myrna stand in line for lunch at the bistro and watch as Nellie, a woman who runs a housecleaning service, takes food to her husband, Wayne, who is ill; Nellie and Wayne leave together. Clara notices a package in Myrna’s floral arrangement, which she opens at Myrna’s bidding. Inside, she finds a bundle of herbs, which she correctly interprets as Myrna’s suggestion that the time has come for an unspecified “ritual.” Ben, Ruth, Gabri, and Olivier join them in reminiscing about the last such ritual and teasing one another about its effects. Clara, Myrna, and Ruth decide this next ritual should be just for women.
The bistro goes silent as Clara approaches Yolande and offers her condolences. Pretending that she is grief-stricken, Yolande insinuates that Clara “took [Jane] away from her real family” (104); Clara remains silent, and André laughs as she returns to her table. Ruth later writes a poem inspired by the moment.
Agent Isabelle Lacoste, whose team searched the archery clubhouse during Gamache’s community meeting, presents Gamache with hunting-tip arrowheads she found in a drawer at the back of the clubhouse. Lacoste speculates that the arrowheads were taken from old wooden hunting arrows when the tips were switched out for target-practice tips.
Gamache asks Nichol what time their appointment with a local notary is set for. Even though she knows the time, Nichol responds, “I forget,” wanting to demonstrate that she remembers Gamache’s four statements. She is embarrassed when he doesn’t seem to recognize the statement.
After making more assignments, Gamache goes for a walk with Beauvoir and asks his opinion of Nichol. Beauvoir, who considers Gamache too compassionate, shares his low opinion of her work. Clara appears, accompanied by Peter, and calls out to Gamache. She tells him of a “strange coincidence” that just occurred to her—that Jane died so soon after deciding to reveal her art for the first time.
Gamache, Beauvoir, and Nichol visit the notary who drew up Jane’s will 10 years prior. The will leaves her entire estate to Yolande. Dissatisfied, Gamache assigns Nichol to find out whether Jane made another will.
They make their way to the local art society, where Clara greets them. Beauvoir receives a call and learns that Timmer’s doctor attributes her death to cancer. Gamache asks Clara her opinion, and she tells him that Ruth was watching Timmer that day. Timmer seemed fine, so Ruth went to the county fair parade. She was surprised to find Timmer dead afterward. There was no autopsy.
Throughout the conversation, Nichol makes insensitive comments about the case in front of Clara. Gamache pulls Nichol aside and scolds her, instructing her to remain silent. Clara shows Fair Day to them, and Gamache begins to recognize people from the village. Clara admits that, after seeing something magical in the painting the day she judged it, she fails to see it quite the same way. Gamache asks who knew that the painting was accepted, and Clara lists the guests who attended her dinner party.
Gamache, who asked Matthew Croft to give him a practical demonstration of archery tactics during the community meeting, arrives at the Croft family home, accompanied by Beauvoir and Nichol. Before going in, Gamache instructs Nichol to listen and take notes. Beauvoir leads the discussion and learns that Mr. Croft was once Jane’s student. His wife, Suzanne, emerges from the basement, looking scared. During a moment of silence, Gamache feels sure that Mrs. Croft is about to reveal something. To Gamache’s disappointment, Nichol interrupts the silence to offer Mrs. Croft a glass of water, and the moment passes.
Beauvoir resumes his questions. The Crofts grow tense as Beauvoir asks about their son, Philippe, and they refuse to say where he is. Switching tactics, Beauvoir asks them to show him their bows and arrows. The agents watch as Mr. and Mrs. Croft unstring and then restring their recurve bow. Mr. Croft fires an arrow, then hands the bow to Gamache, who offers it to Beauvoir. Beauvoir fires but bruises himself in the process, to Mr. Croft’s amusement. At Gamache’s request, Mr. Croft helps him fire without injuring himself. Beauvoir and Gamache both miss the target. Gamache asks Mrs. Croft to shoot the bow, and she begins to do so, but then collapses, overcome with emotion.
Convinced that something significant is hidden in their basement, Gamache instructs Beauvoir to offer the Crofts a deal: They won’t arrest Philippe if the Crofts allow them to examine their basement. The Crofts accept the deal, and Gamache and Beauvoir search the basement. They find a quiver of arrows that appear to have been used recently. Near the wood-burning furnace, they find a recurve bow and an ax. After obtaining a search warrant, they search the rest of the property and find a metal arrowhead under the furnace. Philippe is in his bedroom.
Gamache’s team meets to discuss their findings. They decide that Mr. Croft didn’t kill Jane, since he appeared relaxed at the community meeting. Mrs. Croft appeared stressed at the meeting, but if she killed Jane, she would have destroyed the evidence much sooner rather than wait until that afternoon. Following some sharp analysis by Nichol, they conclude that Philippe must have gone hunting and accidentally killed Jane, leaving his mother to discover the truth around the time of the community meeting.
Peter and Clara take Lucy for a walk. Peter asks Clara why she approached Yolande, knowing that Yolande would humiliate her. Clara explains that she wanted to hear André’s laugh. She tells Peter that Jane described the laugh of one of the boys who threw manure, and Clara believes that it belonged to André’s son, Bernard, who was not among the boys Jane named.
These chapters foreground Gamache’s methods and attitudes, as well as Nichol’s resistance to them. For Gamache, each investigation involves an empathetic quest to understand the people involved in the case, including suspects. His personable approach, on full display during the community meeting, wins him the support of Ruth, who is initially skeptical, among others. Nichol, on the other hand, seems to lack judgment in interpersonal matters, as when she interrupts the silence at the Crofts’ home. Her mistaking “I forget” for a wise saying is funny, but it also reveals her tendency toward literalism, a trait that resurfaces in her seeming inability to relate to artists and their work. Her mistakes aren’t so much the problem as is her attitude toward those mistakes, as she deflects blame, minimizes fault, and fails to seek help when she needs it. Even though her intellectual capacities prove more than adequate, she struggles to fit into Gamache’s team.
As is characteristic of mystery fiction, these chapters also include a number of seemingly insignificant details that take on importance later. They also see Gamache expend significant energy following leads that turn out to be dead ends. Penny takes care to make these detours more than mere red herrings. For instance, Gamache investigates two families that are dysfunctional in different ways, the Crofts and the Malenfants (though Yolande, apparently, goes by a different surname), making them suitable for comparison as foils. Just as the Crofts try, but fail, to hide what they think is a terrible secret, Yolande and her family put up a front to preserve an idealized image of themselves. Both families struggle to approach authenticity.



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