61 pages 2 hours read

Stone Yard Devotional

Fiction | Novel | Adult | Published in 2023

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Themes

The Pursuit of Redemption

Content Warning: This section of the guide includes discussion of bullying and death.


Throughout Stone Yard Devotional, the protagonist struggles with feelings of guilt and regret about her relationship with her mother and her treatment of Helen Parry. As a teenager, she viewed Helen with disdain. Like the community at large, she abandoned and abused her. As an adult, the protagonist recognizes how she hurt Helen and regrets her actions. When she first encounters Helen after high school, her wrongs come back to her, and she seeks forgiveness. Helen, who barely recognizes her, refuses to grant it, leaving the protagonist in an unsteady situation: “[She] left standing there in the wilderness with my regret and my remorse still around me, suspended in the air. Not denounced, not forgiven. It made me admire her, if I am honest, this refusal to alleviate my discomfort” (116-17). Helen’s refusal to forgive the protagonist for her past actions only amplifies the guilt the protagonist feels. She ignores the social expectation to grant forgiveness, and instead, she forces the protagonist to live with her guilt. With her apology rejected, the protagonist continues through life, preoccupied by the burden of her actions. She continues to seek forgiveness, wanting to be rid of it and move on. When Helen arrives at the abbey, the protagonist feels the need for redemption even more keenly.


The protagonist is not the only character to confront their guilt and pursue atonement. At various junctures of the novel, she sees her struggle reflected in the lives of others. Sister Bonaventure’s preoccupation with keeping vigil over Sister Jenny’s remains mystifies the protagonist. When Sister Bonaventure finally admits that her commitment to the bones stems from an intense argument she and Jenny once had, the protagonist believes that Sister Bonaventure suffers from persistent guilt. However, Sister Bonaventure reveals that she needs no forgiveness from Jenny, but rather seeks to forgive her: “Jenny was gone, and Bonaventure is left with the great mess and injustice of what happened, and her own anger refuses to subside. ‘I’m not praying for her forgiveness,’ she said. ‘I’m trying to find a shred of it in myself’” (223). Sister Bonaventure finds herself in the position of the forgiver, but cannot relinquish her anger toward Jenny. Through prayer, she seeks to find forgiveness within herself, but the tragic murder of Jenny only makes the anger more palpable as the possibility of it being resolved vanishes. Sister Bonaventure wants to find redemption but must find it alone.

The Importance of Empathy in Parent-Child Relationships

Much of the novel focuses on the protagonist’s memories of her deceased mother. The protagonist’s mother was a monumental influence in her life while she was younger as well as in the present, as she ages without her. When she was a girl, the protagonist found her mother’s unconventional habits embarrassing, but now she counts herself fortunate to have had a mother so confident in her own beliefs and desires. She and her mother had a strong bond, held together by trust. Her mother is a guide to her and, even posthumously, helps her to become the adult she is. As she grows older, though, the protagonist realizes that not all mother-daughter relationships are built on such mutual trust and respect: “[T]he complications and layers of hurt and mistrust, of envy and control, and about the confusion so many of my friends still carried about who was parent to whom—I began to understand how rare such a simple and powerful trust had been” (110). Many of her friends have tenuous relationships with their mothers and must become parents to those who raised them. Meanwhile, the protagonist’s mother was confident enough in herself to allow the protagonist independence and support without criticism. She was a woman who did not burden her daughter with her struggles and insecurities, and as an adult, the protagonist now worries that she should have done more to understand those struggles.


The protagonist often wishes that she had acted differently while her mother was alive. She comes to realize that her mother was secretive in many ways and that she, the protagonist, did not fully understand her. Of her many meditations on their relationship, this is among the protagonist’s profoundest regrets. Her lack of knowledge of who her mother was and what she needed results in moments when the protagonist looks back and wishes she had been more present. In the aftermath of her father’s death, the protagonist believes that her mother simply does not need to cry, and she discourages her from returning to a yoga class in which she began to sob. However, she comes to realize that she stopped her mother from reaching emotional release: “[M]y mother had been on the cusp of some new understanding of herself that day […] and it was I who held her back from that discovery. Once more I wish I was able to be a wiser daughter to her when she was alive” (186). The protagonist was not mature enough to see what her mother truly needed. Lacking a deeper understanding of her mother’s emotional complexity, she led her down the wrong path. Now older, the protagonist has the wisdom she wishes she had possessed while her mother was alive.

Isolation as a Catalyst for Self-Discovery

A need for isolation drives the protagonist to leave her life and marriage behind and seek a new beginning at the abbey. Her environmental work feels fruitless, a Sisyphean task as every aspect of the modern world seems designed to bring about environmental ruin. In despair, she makes the momentous decision to isolate herself from her previous life, including her husband, she begins a journey of self-discovery, in which she learns more about herself without the distractions that so often plague her. In her mind, this change in her life is natural and stems from within her. She describes it as a visceral and instinctive need: “But I’ve never heard a word to express what I felt and what my body knew, which was that I had a need, an animal need, to find a place I had never been but which was still, in some undeniable way, my home” (66). Her understanding of herself in this pivotal moment acknowledges competing needs. She needs to find home, a familiar and comfortable place or state of being, but in a place unfamiliar to her. She needs to begin again in order to find herself. She essentially starts over, isolating herself to gain a deeper understanding of who she is and what she wants from life.


Before the protagonist moves to the abbey permanently, she spends a lot of time alone in her apartment, her husband away on a different continent. This time alone, in which she begins the process of removing herself from her life, results in a permanent revelation. The protagonist becomes increasingly disheartened by the world around her, her work to protect the environment and endangered species amplifying her concerns. This stress is one of the factors that lead to her isolation and forces her to confront death: “[I]t felt as if I had glimpsed an opening into some other state that waits for all of us. I’ve never had that feeling again, but I’ve known since that night that what I used to believe—that I was unafraid of death—is false” (169). In this moment, the protagonist reassesses one of her core beliefs, that she is not afraid to die. While alone, without the world and others’ lives to distract her, she finds that she is scared. This fear contributes to her withdrawal from the world, as she begins a monastic life, away from the anxieties and horrors of the world. More aware than ever of her mortality, the protagonist recedes behind the abbey’s walls and considers what actually gives her purpose.

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