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Content Warning: This section of the guide includes discussion of racism, sexual violence, illness, and death.
Gabriel García Márquez (1927-2014) is widely considered one of the most important authors of the 20th century. He was born in Aracataca, a village in the Caribbean region of Colombia, and was raised there primarily by his maternal grandparents until 1936, when his father took back custody. García Márquez was profoundly influenced by his grandparents’ values. His grandfather was a former colonel and a hero to the Colombian Liberals. He taught García Márquez to value human life and intellectual growth and planted the seeds of the leftist political views García Márquez would hold all of his life. His grandmother taught him to believe in the miraculous and to leave room for the possibility of the supernatural in everyday life. Her ability to tell fantastical stories as if they were absolutely factual significantly influenced García Márquez’s later writing style.
García Márquez studied law for a time, but eventually his love for writing won out, and he began working as a journalist. He joined a writer’s group known as the Barranquilla Group, the members of which inspired García Márquez greatly and spurred him to consider a serious literary career. He began working on a novella, Leaf Storm, which was eventually published in 1955. The next year, he moved to Europe, where he stayed for just over two years, living in Paris and traveling widely. This is the period that García Márquez refers to in the Prologue of Strange Pilgrims, where he notes how Europe has changed since he lived there as a young man.
When he returned to Colombia, he married Mercedes Barcha; afterward, the couple moved around Latin America—Venezuela, Cuba, and Mexico. Their two sons were born in this period, and García Márquez met and befriended several influential figures, such as Fidel Castro and Carlos Fuentes. As the years went on, García Márquez divided his time between Mexico and Colombia. His career as a novelist and short story author flourished. His many works include seminal novels such as One Hundred Years of Solitude (1967), The Autumn of the Patriarch (1975), and Love in the Time of Cholera (1985), novellas such as Chronicle of a Death Foretold (1981), short stories such as “The Handsomest Drowned Man in the World” (1968) and “A Very Old Man With Enormous Wings” (1968), and more than two dozen films. He is also the recipient of many prestigious awards, including the 1982 Nobel Prize in Literature, the 1972 Rómulo Gallegos International Novel Prize, the 1972 Neustadt International Prize for Literature, and the 1980 Common Wealth Award of Distinguished Service for Literature.
García Márquez’s works have had a significant impact on the world of literature. They helped bring Latin American fiction to a global audience; García Márquez is among the most-translated Spanish-language authors in literary history. His works also helped introduce the world to magical realism, a style of writing originating in Latin America that blends realistic settings with mythic and supernatural elements that convey the spiritual and cultural realities that underpin these settings. Strange Pilgrims contains many such elements—such as the incorruptible body of a deceased child, ghosts, prophetic dreams and visions, and light that functions like water.
Latin America and Europe’s long and often fraught relationship renders travel and migration between these regions complex. Before the European colonization of the Americas, the peoples in the region now referred to as “Latin America” did not see themselves as having a single collective identity. They were Maya, Taíno, Olmec, Pueblo, Aztec, Zapotec, Ciboney, Moche, and so on. The arrival of Europeans changed these groups forever, killing many Indigenous people while imposing new cultural values and new languages on those who survived. Meanwhile, both intermarriage and sexual violence created large numbers of mestizo peoples with heritage in both Indigenous and European communities. It also created a new collective identity: “Latin American,” or people in the Americas who speak Romance languages because of the history of colonization by Romance-language speakers. The term thus encompasses not only Indigenous Americans, mestizo peoples, and Spanish and Portuguese colonists (or their descendants) but also people from around the world who have migrated to the region, whether voluntarily (e.g., from other European countries) or involuntarily (as in the case of enslaved African peoples). While this diversity means that there is no single “Latin American” experience, broadly speaking, “Latin Americans” who travel in Europe are encountering the origin place of both a historical trauma and their own collective identity.
Depending on one’s definition, the first “Latin Americans” in Europe were Indigenous people forced to accompany their European captors to Europe as exhibits; they were treated as curiosities, more like zoo animals than human beings. In the early years of colonization, Indigenous peoples were commonly enslaved and brought to Europe, where they often died of diseases to which they lacked immunity. In modern times, many Latin Americans travel voluntarily to Europe and even settle there permanently, but they often encounter racism based on skin color, ethnicity, and/or stereotypes about their countries of origin being “primitive” or “backward.” In Strange Pilgrims, Latin American characters in Europe often band together into small expatriate communities, relying on one another to ease the cultural transition. They are frequently marginalized, working low-paying jobs and struggling to survive financially, which reflects the real-world difficulties Latin American people still face in Europe.
Most contemporary Latin American immigrants to Europe settle in Southern Europe, reflecting longstanding cultural and linguistic ties between the two regions (Padrilla, Beatriz and João Peixoto. “Latin American Immigration to Southern Europe.” Migration Policy Institute, 28 Jun. 2007). This reality informs the settings of the stories in the collection, a preponderance of which take place in either Spain or Italy.



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