26 pages 52 minutes read

Sultana's Dream

Fiction | Short Story | Adult | Published in 1905

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Literary Devices

Allusion

An allusion is a literary device in which a writer refers to another work of literature, historical event, person, or cultural artifact within their own writing. Allusions are often used to add depth and complexity to a text by connecting it to a broader literary or cultural context.


While talking to Sultana, the Queen of Ladyland alludes to the glory of the Mughal Empire by mentioning the Koh-i-Noor and the Peacock Throne. These two priceless objects signify great wealth and royal power, so much so that every other ruler during that time coveted them. The Queen is neither interested in expanding her territory through invasion nor is she interested in the kind of progress achieved through immense wealth and power. She does not want to emulate these rich and powerful male monarchs and believes science and innovation is the way forward for Ladyland. Here, both the Queen and Begum Rokeya critique the lust for wealth and power that hinders progressive measures toward a better future.

Irony

Irony is a literary device characterized by a contradiction between what is expected and what occurs, or between what is said and what is meant. It involves an incongruity that may be humorous, poignant, or thought-provoking.


Rokeya uses situational irony throughout “Sultana’s Dream” by reversing Indian gender roles in Ladyland. In this utopia, women take on men’s characteristics and roles, and vice versa. For example, when passersby describe Sultana as “mannish,” Sister Sara explains the women think that she is “shy and timid like men” (8). The attribution of these qualities to men directly conflicts with Indian stereotypes of masculinity. By ironically reversing gender expectations, the author draws attention to the rigid ideals of masculinity and femininity as patriarchal social constructs.

Metaphor

A metaphor is a figure of speech that makes a comparison between two unlike things by stating that one thing is another thing. Metaphors are used to create vivid imagery, evoke emotions, convey abstract concepts, and enhance the reader’s understanding by providing a fresh perspective.


Sister Sara uses several metaphors when explaining the logic behind Ladyland’s societal structure to Sultana. For example, when Sultana states that women have to accept the authority of men since men are physically stronger, Sister Sara responds that though “a lion is stronger than a man,” men are not submissive to lions (9). Sister Sara uses a similar metaphor when Sultana points out that men’s brains are “bigger and heavier than women’s” (12). In reply, she states that men “enchain” elephants who have a “bigger and heavier brain than a man” (12). Sister Sara uses these animal metaphors to persuade Sultana that women are not inferior to men.

Setting

The subject of Rokeya’s story is the state of India. However, the story, except for a few lines at the beginning and end of the narrative, is set in Ladyland. In her dream, Sultana is transported from her bedroom in Calcutta to Ladyland, where she tours the foreign country. The utopian nature of Ladyland is emphasized in Sultana’s feeling that everything there is perfectly arranged, from the “velvet cushion”-like grass lawn, to Sister Sara’s home, which is “cooler and nicer than any of our rich buildings” (10). Rokeya uses the idealized setting of Ladyland to critique and satirize the failings of India’s patriarchal society.

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