50 pages 1-hour read

Sweeney Todd: The Demon Barber of Fleet Street

Fiction | Play | Adult | Published in 1979

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Act II, Page 145-EpilogueChapter Summaries & Analyses

Act II, Pages 145-187 Summary

Content Warning: This section of the guide includes discussion of death and graphic violence.


Todd disguises Anthony as a wigmaker, handing him money and a pistol to liberate Johanna. He instructs Anthony to bring Johanna back to the parlor so that Anthony can arrange for transport out of London. When Anthony leaves, Todd writes a letter to Judge Turpin, informing him of Anthony’s plan (“The Letter”). He urges Turpin to come to the parlor to reclaim Johanna.


Mrs. Lovett and Tobias close the pie shop for the day. Mrs. Lovett is knitting a muffler and hints that it is for Tobias. This moves Tobias, who was frequently abused by Pirelli. He earnestly declares his resolve to protect Mrs. Lovett from harm (“Not While I’m Around”). Mrs. Lovett expresses her surprise over Tobias’s promises since she does not feel that her life is under any particular threat. Tobias explains that he is skeptical of Todd, generally believing that men are less trustworthy than women. Mrs. Lovett offers Tobias a bonbon from her purse, though Tobias immediately recognizes it as Pirelli’s purse. This bolsters his theory that Todd did something to Pirelli, who was last seen at Todd’s parlor. Mrs. Lovett pretends that it was a gift from Todd, who bought the purse at a pawnshop. She attempts to reassure Tobias by returning his sentiment, promising to protect him from all threats. She dotes on him and finally offers to let him work in the bakehouse with her. This is enough to distract Tobias from his worries.


Mrs. Lovett tours Tobias around the bakehouse, guiding him to use the large ovens and the meat grinder. She then steps out and locks him inside the bakehouse, though Tobias is too preoccupied with the meat grinder to notice.


The Beadle arrives at Mrs. Lovett’s back parlor, looking for her. Noticing Mrs. Lovett’s harmonium, he plays a song, which draws Mrs. Lovett’s attention (“Parlor Song”). Finally, he informs her of complaints that a foul stench is coming from her bakehouse chimney. He asks to conduct a health and safety inspection of her bakehouse. Mrs. Lovett pretends that she cannot access the bakehouse because Todd has the key and is out. The Beadle plays another song on the harmonium, joined by Tobias. He wonders if Tobias can unlock the bakehouse for them, so Mrs. Lovett lies and says that Tobias has an intellectual disability to explain why he is locked in the bakehouse. When the Beadle suggests waiting for Todd to return, Mrs. Lovett provides another alibi, explaining that Todd went out of town for the day. Not long after, Todd arrives.


Mrs. Lovett suggests that Todd should shave the Beadle. The Beadle indulges the offer, and the two men ascend to the barbershop. Nervous that Todd and the Beadle will cause a commotion, Mrs. Lovett plays a song on the harmonium. Down in the bakehouse, Tobias is eating a pie when he finds a fingernail in it. The Beadle’s corpse then comes through the trapdoor chute, shocking Tobias. He begs to be set free from the bakehouse. When Mrs. Lovett doesn’t come, Tobias finds his way to the cellar steps and searches for a way out. Todd returns to Mrs. Lovett, who decides that they must deal with Tobias next. Todd points out that Turpin is on his way to the parlor, but Mrs. Lovett disregards this.


The company sings of the plans set in motion, hinting that they are beginning to twist. They continue singing the ballad until they transform into the inmates of Fogg’s Asylum, shifting the scene. Anthony convinces Mr. Fogg that he is interested in a business partnership, and Mr. Fogg leads him to the room where Johanna is being kept. Anthony identifies her by her hair, and Johanna recognizes him immediately. Anthony holds Mr. Fogg at gunpoint to facilitate their escape but loses his nerve at the last second. Johanna takes the gun and shoots Mr. Fogg. This provokes the inmates’ escape from the asylum. The inmates echo the beggar woman’s earlier song of alarm, claiming that it is the end of the world (“City on Fire!”). During their escape, Johanna urges Anthony to affirm his promise to marry her over the weekend, even though some time has passed since their first meeting.


Todd and Mrs. Lovett enter the bakehouse, searching for Tobias. Mrs. Lovett tries to draw Tobias by promising that no harm will come to him. Outside, the beggar woman peers into the windows of the pie shop, looking for the Beadle. Upstairs in the parlor, Anthony and Johanna arrive, looking for Todd (“Searching”). Johanna is wearing Anthony’s sailing uniform as a disguise. Anthony promises to come back for Johanna while he looks for a coach to hire. Afraid of being left alone, Johanna asks to come with him. Anthony worries that it will be less safe for her and reassures her that they are close to fulfilling their plans of escaping London.


Johanna hears the beggar woman calling for the Beadle. This scares her into hiding in Todd’s chest. The beggar woman enters Todd’s parlor and imagines herself cradling an infant. Todd suddenly appears, outraged that the beggar woman trespassed into his parlor. He orders her to leave, but the beggar woman urges him to beware Mrs. Lovett. She briefly recognizes Todd once again. Todd hears Turpin coming, so he kills the beggar woman and throws her down the chute to the bakehouse.


Todd entertains the judge, indicating that Johanna is in Mrs. Lovett’s care (“The Judge’s Return”). He acts as though Johanna is already on her way up, prompting Turpin to ask Todd to apply some cologne on him. Todd reminds him of their shared admiration for pretty women, eventually alluding to their desire for the same woman. When Todd declares that Turpin doesn’t remember his face from his incarceration all those years ago, Turpin finally recognizes him as Benjamin Barker. Todd slashes Turpin’s throat and sends his body down the trapdoor chute. Relieved, he tells his razor that it is time to rest forever. He is about to return downstairs to deal with Tobias when he sees Johanna climbing out of the chest. Todd is convinced that Johanna is a sailor who came for a shave. Johanna promises not to tell anyone what she saw. Todd sits her down, preparing to kill her. Suddenly, Mrs. Lovett screams, “Die! Die!” This distracts Todd and allows Johanna to escape. Todd descends to the bakehouse.


Mrs. Lovett screamed because Turpin is still alive and is reaching for her. He eventually dies, and when Mrs. Lovett backs away, she sees the corpse of the beggar woman, recognizing her. Mrs. Lovett is preparing to burn the beggar woman’s corpse in the oven when Todd arrives. Against Mrs. Lovett’s wishes, Todd picks up the beggar woman’s corpse to bring it to the oven. It is only then that he realizes that the beggar woman was his wife, Lucy, all along, and that Mrs. Lovett had lied to him about her fate.


Mrs. Lovett clarifies that she never lied because she only said that Lucy took poison. She withheld the fact that Lucy survived and only meant to protect Todd because she believed that he wouldn’t want her anymore in her present state. Mrs. Lovett affirms her love for Todd, claiming that she will care for him twice as much as Lucy did. Todd puts on a face to show that he is satisfied with her explanation. He waltzes with her, reassuring her that he will put the past behind him. Todd claims that the history of the world is all about forgiving and forgetting, evoking Mrs. Lovett’s fantasies of a seaside life once again. When they reach the oven, Todd throws Mrs. Lovett inside, killing her.


Todd takes the corpse of his wife and remembers the brief history of their relationship. He acknowledges once again that he was naive back then. At that point, Tobias, his hair having turned fully white, returns from the cellar, singing nursery rhymes. He rebukes Todd for harming so many people. Todd pushes him aside, giving Tobias a chance to reach for Todd’s razor on the ground. Singing another rhyme, Tobias kills Todd with the razor. Anthony and Johanna arrive at the bakehouse with several policemen. Tobias urges them to get away because they are unauthorized to enter his and Mrs. Lovett’s place of work. He turns the meat grinder. Johanna weeps, and Anthony tries to console her.

Epilogue Summary

The cast sings a reprise of Sweeney Todd’s ballad, recalling the legend around him as sung in the Prologue (“The Ballad of Sweeney Todd”). The company joins them, hoping that the audience gives “a nod” to Todd. They sing that Todd keeps weeping for the past, stalking various halls for his next victim. They point to the grave where Todd is buried. Todd and Mrs. Lovett emerge from the grave to end the reprise, pointing out that although Todd’s quest for vengeance condemned his soul, everyone is guilty of pursuing revenge at some point in their lives. The only difference is that Todd seeks vengeance better than most.

Act II, Page 145-Epilogue Analysis

This section resolves the thematic conflict of Tenderness Versus Wrath, with Todd sacrificing Johanna’s potential future happiness by using her to lure Turpin back to his parlor. He uses the tenderness of the other characters as fuel for his wrath. For example, he leverages his friendship with Anthony and Anthony’s love for Johanna in order to fulfill his wrathful fantasies against Turpin, though it may mean leaving Johanna in an asylum. This suggests that Anthony and Johanna’s happiness is no longer a goal of Todd’s but a means to the end he pursues. Todd has given up on the trust that fosters human relationships, favoring the promises of his “dark god”: revenge. The chain of murders at the play’s climax also reinforces the interplay between tenderness and wrath. For example, Lucy becomes collateral damage in Todd’s quest for revenge, further suggesting that by pursuing his obsession, Todd chose to give up the one thing he wanted: a return to life before his incarceration. Todd’s desire for revenge blinded him to Lucy’s plight. Todd’s wrath against Turpin drives him to kill the beggar woman, unaware that she is his wife, Lucy. The revelation of what he’s done also pushes him to kill Mrs. Lovett, using false tenderness to lure her to him so that he can kill her, as well. Finally, despite everything, Tobias’s tender feelings toward Mrs. Lovett turn to wrath toward Todd after Todd kills her. That wrath also drives him to murder, suggesting that wrath is the dark side of tenderness.


Todd’s choice of revenge over community also completes his transformation from family man Benjamin Barker to murderer Sweeney Todd, illustrating the theme of The Perils of Obsession; the cost is his humanity. Further, Todd’s revenge is not satisfying. In fact, Turpin’s death is anticlimactic, as Todd does not come to an epiphany similar to the one at the end of the previous act. Instead, he encourages his friend, the razor, to rest, just moments before his unexpected reunion with Johanna interrupts him. Ironically, Todd does not see through Johanna’s disguise, implying that he has forgotten her in his obsession with revenge. This suggests that Todd is so far from his identity as Barker that he no longer recognizes her. This underscores the theme of the perils of obsession. Todd fails to recognize the remainders of his former life, both of whom were in front of him all along. Todd’s failure to recognize Johanna foreshadows a larger plot twist, namely his failure to recognize that the beggar woman was Lucy.

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