50 pages 1-hour read

Sweeney Todd: The Demon Barber of Fleet Street

Fiction | Play | Adult | Published in 1979

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Themes

The Revenge of the Working Class

Content Warning: This section of the guide includes discussion of death and death by suicide.


The play is set in 19th-century London when the Industrial Revolution is in full swing. Though Sweeney Todd and Mrs. Lovett live outside the factory complex that defined this era, various elements of the production point to their inability to escape its impact. Mrs. Lovett laments about the price of meat, highlighting the difficulty of affording ordinary goods for common people. These goods become luxuries that only people like Judge Turpin can enjoy. By contrast, Mrs. Lovett’s bakehouse looks like a factory, with its industrial tools and machines, including the meat grinder that she uses to churn people into products.


With this political subtext underpinning the setting of the play, the conflict between Todd and Turpin becomes an allegory for the wealthy classes’ exploitation of the working class. Todd’s quest for revenge is driven by Turpin leveraging his social power as a judge to incarcerate Barker and exploit Lucy. Turpin’s carnal desire transformed Lucy and Johanna into commodities and Barker into collateral damage. Turpin used his power to incarcerate Barker, though Barker committed no crime, speaking to the corruption of institutions during the Industrial Revolution. Turpin’s driving motivation is the accumulation of possessions, including Todd’s daughter, Johanna, whom Turpin has raised since her mother supposedly poisoned herself and whom he intends to marry once she is old enough.


Todd’s single-minded quest to kill Turpin and balance the scales further drives this theme. His failure to complete this objective at the end of Act I leads him to expand his target to all of humanity. Todd comes to believe that there are two kinds of people: those who stay in their “proper place” in society and those who step on the other kind of people to get what they want. He feels that death is necessary for both groups of people, albeit to differing effects. Killing becomes an act of vengeance against the wealthy people who exploit the labor of others, like Turpin and Pirelli. On the other hand, for people like himself, who stay in their “proper place,” death will free them from life’s impossible-to-escape systems of exploitation.


Todd’s partnership with Mrs. Lovett complicates his nihilistic worldview, transforming his desire for revenge into a business proposition. Through their partnership, the pair gain prosperity at the start of the second act, themselves becoming members of the exploitative class who benefit from killing others.

The Perils of Obsession

The musical is a parable on the trap of obsession, thanks to the various forms that obsession takes among the characters of the play. Wheeler and Sondheim’s plot suggests that obsession is the flaw that leads each of the characters to their respective downfalls.


Judge Turpin’s downfall, for instance, is the result of his lecherous obsession with beautiful women. Turpin set himself on the path to death when he first coveted Lucy and sent Barker to Australia to remove him as an obstruction. Realizing that Turpin’s obsession is his weakness, Todd leverages it to his advantage. Though Turpin swears off Todd’s barbershop in Act I, Todd convinces him that Johanna is coming to see him, luring Turpin in for a shave. Todd relitigates their shared admiration for pretty women as if to taunt Turpin for his weakness.


Mrs. Lovett, likewise, falls due to her obsession with Todd, which motivates her to withhold the truth about Todd’s wife, Lucy. Like Turpin, she isn’t interested in Todd’s happiness so much as she is in his beauty. She sees Todd as a piece of the life she wants for herself. As a result, she distracts Todd from his quest to kill Turpin, making him wait so that he forgets his anger. However, her plans are short-sighted, and her obsession paints a warmer, safer vision of Todd than the real man’s character merits. When Todd learns the truth about her willful omissions, he kills her, despite her claim that she only lied out of love for him.


Most significant is Todd’s obsession, pursuing a single-minded quest to take revenge on Turpin. His name change from Benjamin Barker to Sweeney Todd symbolizes this fixation, which literally changes him from a family man to a murderer. Todd’s obsession causes him to miss opportunities to regain the life he lost to Turpin. For instance, he doesn’t recognize the beggar woman on Fleet Street as Lucy, only realizing her true identity after he kills her when she trespasses into his parlor. Similarly, he nearly kills Johanna, not recognizing her beyond her disguise as a sailor. The fact that both of these acts of violence against his family occur after he kills Turpin suggests that his obsession is beyond his control and that he has lost sight of everything he cares about. Before Tobias kills him, Todd realizes that his obsession caused him to destroy the remains of his former life, implying that single-mindedness can lead to self-destruction.

Tenderness Versus Wrath

Wheeler and Sondheim build tension between wrath and tenderness throughout the play, sprinkling moments of kindness, hope, and community amid the cruel, violent, and furious actions that populate the bulk of the play. The moments of tenderness suggest that the characters don’t have to live in the cruel world that Todd envisions. Part of the play’s tragedy is that the major characters fail to realize a better world by the end of the narrative, using each other’s softer, gentler instincts against each other.


Todd shows tenderness to no one but his razors, whom he affectionately refers to as his “friends,” suggesting that he thinks of his razors as partners in fulfilling his greatest desires and illustrating his isolation from the rest of humanity. He only trusts the instruments of his work. This changes once he finds an ally in Mrs. Lovett, who accepts his bloodlust once she sees the business opportunity it presents. Mrs. Lovett’s offer to help Todd dispose of his customers’ bodies by using them for her meat pies charms Todd so much that he refers to her affectionately as “my love” and “my sweet.” This suggests that Todd is still able to trust other people, though that trust is ultimately misplaced, given Mrs. Lovett’s deception.


Todd’s routine of murder and prosperity allows him to relax his obsession with Turpin and begin to imagine a reunion with Johanna. Todd is wistful over the likelihood that Johanna will choose to escape with Anthony over a relationship with him. A subtle key moment in Act II features Todd choosing to spare the life of a customer who comes in accompanied by his wife and young child. Todd’s mercy is a sign that, more than seeking revenge, he longs to return to the kind of life that this customer has. To kill him, the narrative suggests, would make Todd no different from Turpin, destroying a family just because he can. However, Todd ultimately leverages Anthony’s tenderness toward Johanna and trust in Todd to fulfill his revenge against Turpin, though it risks Johanna’s continued institutionalization. This suggests that what remains of Barker is gone, leaving Todd free to pursue his vengeance. 


Tobias, who previously worked for the abusive Perelli, shares a tender dynamic with Mrs. Lovett, whom he sees as a mother figure, though she is his employer. Because Mrs. Lovett shows Tobias kindness, he declares that he will protect her from harm. The tenderness between the two characters underscores the scarcity of tenderness during this time period, when exploitation was a social norm. After Todd kills Mrs. Lovett, Tobias’s tender feelings toward her, despite everything, fill him with wrath that drives him to kill Todd, suggesting that wrath is the dark side of tenderness.

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