53 pages • 1-hour read
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Content Warning: This section of the guide contains discussion of racism, child abuse, physical abuse, graphic violence, bullying, and death.
Diamond has saved $250 for driving lessons and hides it from her mother, all the while knowing that her mother needs $250 to file the petition in court. However, Diamond is nervous about seeing her classmates at driver’s ed; it is midsummer, and she typically forgets during the break how much she stands out among them. A girl named Shelly Ostrowksi sits next to her. Shelly has failed driver’s ed twice before and flirts with the instructor, Mr. Jimmy.
Despite not having her license, Shelly offers to drive Diamond home. As they drive, Shelly explains that she sleeps in her car or outside because her house is full up to the windows with things. She tells Diamond that she plans to leave Swift River and go live with her mother in Florida. Diamond says she too wants to leave town, although she does not have a destination in mind.
The girls stop for snacks, and some boys at the store watch Shelly. As the girls come out of the store, they see that there are two dead deer in the back of a pickup truck. Shelly dabs some of the deer’s blood on her eyebrows and does the same to Diamond, claiming that this will curse the hunters.
At home, Ma asks about the blood. She also rubs Vaseline into the cracks in Diamond’s feet, but when Ma asks about where Diamond was that day, Diamond says she was out with a friend and adds, “I know it’s been a while since you had one of those […] Friends’” (78). The chapter ends with Diamond reading and rereading the letters from Aunt Lena.
This chapter contains the first letter from Clara to Sweetie that Lena sends to Diamond. In it, Clara recounts delivering a baby for the first time by herself. The umbilical cord was wrapped around the baby’s neck, but Clara was able to free it and the baby was born safely.
The birth reminded Clara of when Sweetie was born. Clara wishes she had paid more attention to her grandmother when she talked about how to be a midwife. The doctor (“Doctor”) tells Clara that she has a “special talent” for midwifery; he has not lost a baby since Clara started joining him on his rounds.
When Doctor takes Clara through town, townspeople grumble, “[W]ho does she think she is, and what makes her so good she didn’t have to leave town with the rest of ‘em?” (81). Doctor reminds them that Clara helps with the babies; he also promises to help Clara get into Howard University to study medicine if she works well for him. The sheriff, however, warns Clara not to be in town alone after dark.
A second letter, dated September 30, 1915, reports that Doctor’s wife, Miss Rose, has left. Miss Rose confided in Clara that she was in love with Gerald, a Black man, and asked Clara questions about what it was like to be with a Black man—questions Clara could not answer. Clara knows that Miss Rose’s interest in Gerald endangers his life. Nevertheless, Gerald wrote that he would take Miss Rose to Mexico so that they could be together. While Doctor and Clara were away for several days on a call, Miss Rose left.
Police cars circle Diamond’s house after Pop loses his mill job, and Diamond is not allowed to play outside anymore. One day, Diamond decides to follow a police car on her bike to find out what is going on. When she catches up to the cops, they ask if she has “sticky fingers like [her] daddy” and question who gave her the bike (93). That evening, she asks Pop why the cops are after them and he gets angry.
Diamond has had a falling out with her best friend, Champei, a Cambodian refugee whom a local family adopted. Diamond researched her culture and language and befriended her, as Champei is the only other person of color in school. Lately, however, Diamond found herself screaming at Champei, who refuses to play with Diamond anymore. Pop twists Diamond’s arm when she starts screaming about Champei’s refusal to come over.
Diamond’s family attend a barbecue at Tom and Mindy Campbell’s house. Tom was a coworker of Pop’s at the mill. In preparation, Pop goes out to the garden to pick fresh vegetables to make a salad to bring to the barbecue. He’s angry when he sees the neighbor’s basketball has crushed some of the plants.
The Campbell’s house is large, with signs of disposable income like a sports car and motorcycles in the driveway. Tom calls Pop “B.R.” which is a nickname for “Black Rob,” something that Pop hates being called. However, Tom says he might have some work for Pop.
The children play tag, and Diamond hides in the grass, prompting the boys to accuse her of cheating. Tommy Jr. pushes Diamond and she starts to scream. Pop responds by grabbing Tommy by the arm and lifting him into the air. As the family leaves, Pop swears under his breath, knowing that there will be consequences.
On their way home, Pop insists on catching fireflies, saying that it is important to make a good memory. He also urges Diamond not to scream like that again.
Lena writes to Diamond, responding to Diamond’s news and affirming that there was a law in Swift River “saying no ‘Negroes’ were allowed to live in Swift River” (113-14). She gives context for The Leaving: Black workers were paid half the salary of their white counterparts and had no other employment options. With talk of unions, the mill bosses cut pay and raised rent while the townspeople passed laws that reverted the property of Black families to white people. Lena describes the strange tension between the town’s need for the Black community’s labor versus its racism and poor treatment of the workers. The Black residents decided to all leave at once, while the white townspeople followed them and protested.
Instead of blaming Clara for staying behind, Lena is beginning to see her as brave to have stayed while the rest of her people left.
Diamond notes the stark contrast between the amount of memorabilia and family history on her mother’s side of the family and the virtual absence of such things on her father’s side. Now that Lena has sent Clara’s letters, Diamond is starting to feel connected to her Black roots again.
Pop’s death notice runs in the paper for a month. However, there continues to be speculation that Pop is alive but hiding. Jerry, the lawyer, encourages Ma to get a job so that she does not appear desperate for the insurance money. She manages to secure a paper route, but she struggles to do the work.
Diamond spends a day at the Tee Pee Motel with Shelly, swimming in the pool and staying in one of the rooms. While they work together to finish the cleaning so Diamond will be free to swim, they discuss the poor taste of the Tee Pee Motel: “‘Yeah, this whole thing,’ I swept my arms around, ‘is disrespectful.’ Before the Black people were chased out of Swift River, there was a massacre of hundreds of Native American women and children and elders—it happened while they slept. This ridiculous motel is meant to be some kind of tribute” (123-24). Diamond and Shelly discuss leaving together for Florida.
The racist environment in which Diamond lives continues to strain her relationship with her mother, contributing to The Pain of Family Secrets. In her desperation to leave, Diamond plans to take the $250 she has earned from working at the Tee Pee Motel and purchase driver’s education classes. However, she sees the irony in the $250 she plans to spend on classes being the same amount her mother needs to file the court petition: “It’s not lost on me that Ma needs two hundred and fifty dollars to file our court petition, and I’m about to have two hundred and fifty in my hand that I won’t give her” (65). Ma would expect Diamond to prioritize the insurance money in any case, but she would also disapprove of Diamond getting her driver’s license. Though she knows that eventually, Ma will find out about the money, Diamond prioritizes her survival over the relationship and lies.
Ironically, even the driver’s education classes, which Diamond views as her ticket to freedom, remind her that she is an outsider. She remarks, “Summer always pulls me far enough away that I forget this thing: me in the sea of them. The shock of my dark summer skin against theirs. My body squeezing itself through the narrow rows of chair-desks, ass-plowing into people even when I shimmy down sideways” (66). The reference to both the color of her skin and the size of her body shows how out of place Diamond feels, as if she could never belong among her classmates, and this sense of isolation contributes to her desire to leave Swift River and meet more Black people.
In the meantime, letters from Diamond’s great-aunt Clara to Clara’s younger sister, Sweetie, serve as a point of connection to her father’s side of the family and to her Blackness generally. Lena includes these letters to help Diamond better understand how her family came to live in Swift River, and the story gives Diamond further insight into The Intergenerational Harm of Racism. Before receiving these letters, Diamond understood that the town was racist but did not know exactly how it came to be so overwhelmingly white. All she knew was that there used to be a Black community in the town and that all of them left, seemingly without explanation—a fact that, if anything, exacerbated her sense of isolation by causing her to feel left behind. Clara, however, writes in detail about the distrust and the racist attitudes she faced in the town even as she helped ensure healthy deliveries. Learning how entrenched racism in Swift River truly is—that even usefulness would not persuade the townspeople to accept Clara as part of their community—affirms Diamond’s desire to leave, but it also contextualizes her own experiences within those of the town’s former Black residents, allowing her to feel connected to rather than abandoned by them.
The 1980 storyline further illustrates the racial dynamics of Swift River while underscoring that Diamond has been aware of the community’s racism from an early age. After watching Pop lose his job and struggle to get gainful employment, Diamond began screaming periodically—a behavior that neither she nor her parents understand but that is a wordless protest against the stress of her environment. In other instances, Diamond can voice the injustice of what she sees. When she, Pop, and Ma visit the Campbells for a barbecue, Diamond recognizes how much wealthier the other family is, in large part due to accumulated generational wealth. Diamond notes, “The Campbells live in a two-story house, set apart from the others, with a huge deck and a fixed-up basement. Pop says it was a mill owner’s house—the kind that’s passed from father to son, father to son” (102). While the Swift River branch of the Newberry family could not generate any wealth while living there, white families prospered, exploiting Black residents’ labor and ultimately acquiring the property they took from the Black residents whom they forced to leave the town.
This power dynamic continues as Pop tries to convince Tom Campbell to help him find a job to provide for his family. Pop has to practically beg Tom for his assistance:
‘You know it wasn’t me.’ His voice is high and whiny; he sounds like a young boy. ‘I don’t steal. I wasn’t raised like that.’
‘Let’s just keep the past in the past,’ Tom says.
‘But see, that’s just the point—’
‘Listen, I’ll throw you some work.’
‘I appreciate that, I really do, I need it, but—’
‘Let me think about it,’ Tom says (107).
Tom does not give Pop his full attention or support at any point, even though Pop is desperate for Tom’s help and it would not cost Tom much to help Pop. His remark about leaving the past alone is particularly telling, as it signals a broader unwillingness (in both Swift River and, implicitly, the US) to confront the legacy of racism, including its material effects. His use of the racist nickname Pop hates, B. R., which stands for “Black Rob,” also underscores the ongoing racism that tilts the balance of power in favor of Tom Campbell. Using the nickname reminds Pop of where he stands in the social order and absolves Tom of any responsibility for Pop’s well-being.



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