56 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of rape and graphic violence.
Monsters are pervasive in the book as symbols of chaos and disorder, representing the challenges heroes must navigate and overcome, thus developing The Significance of Heroism in Greek Mythology. Throughout the narrative, Green references famous mythical monsters like the Gorgons, the Sirens, and dragons. These creatures often have both animal and human characteristics, symbolizing a primordial state that poses a threat to the cosmic order.
For example, Green immediately establishes the giants as an enemy that threatens the Olympian gods, describing them as “terrible ogres” ready to destroy the world. Green discusses the story of Typhon, known as the father of all monsters and the deadliest: “Of all creatures ever known upon the earth, he was the biggest and most frightful” (59). Typhon’s defeat by Zeus (with Cadmus’s help) foreshadows the gods’ ultimate victory over the giants, which solidifies their moral and cosmic authorities over the monsters with their victory over the giants in the final battle. Meanwhile, heroes fight various lesser monsters in conflicts that symbolize the importance of facing fears and restoring social order. However, not all monsters are destroyed, making them an ongoing threat to humanity. This reflects ancient Greek anxieties about life’s dangers, the darker sides of nature, and human vulnerability.
Despite Green’s framing of monsters as heroes’ enemies, the original stories are often more complex. For example, Green frames Medusa merely as Perseus’s foe, but in myth, Medusa’s monstrosity is often attributed to Poseidon’s abuse and Athena’s punishment and curse, thus complicating the source of the evil she apparently embodies. Beyond simplifying the myths’ moral framework, Green’s revisions frequently serve to make the stories more appropriate for children, omitting references to things like rape.
Violence is a pervasive motif in Greek mythology, manifesting not only in heroic feats but also in human and divine interactions. Gods freely exercise violence. For instance, the creation of the world is premised on violence, as all immortals are the children of Cronos, a “horrible” Titan who “cut pieces off his father” and swallowed his children to prevent his downfall (10). Thus, violence is depicted as integral and inescapable.
In many cases, violence operates according to a moral code. Violence serves as a form of divine punishment, symbolizing the gods’ anger against humans in stories like that of Prometheus. Violence is also glorified in war and battle, testing the hero’s endurance: Heroes must typically kill their enemies to achieve their goals. Like the gods, heroes also use violence to deliver justice. For example, Heracles’s killing of Laomedon is presented as justified because Laomedon broke his oath. However, the gods do not excuse random violence. Meleager’s killing of his uncles leads to his tragic death, while Medea’s crimes against innocent people lead to Jason’s ruin and despair. The motives and consequences of such violence reflect the social and moral values of ancient Greek society.
The motif of good versus evil emerges in Green’s narrative as a means of exploring heroism and uniting otherwise diverse stories. For example, Green juxtaposes the “good” gods and the heroes against the “evil” giants and the monsters. This creates a moral framework within which the mythical stories unfold, helping Green emphasize the virtues of courage, perseverance, and strength. For instance, Green’s focus on Heracles’s story paints the legendary hero as a benevolent force setting out to battle evils and save humanity from ruin.
Despite Green’s simplified approach, the myths he draws on frequently delineate the complex aspects of human life by blurring the boundaries between good and evil. Gods and heroes’ acts are often ambiguous, as they are capable of both benevolence and brutality. Elements of this ambiguity remain in Green’s portrayal; for example, Heracles kills his innocent music teacher early in life, but also wrestles with Death and resurrects Alcestis. Jason is another example of a hero embodying both virtue and vice. While he performs heroic acts and exploits, he also struggles with ambition that leads him to dishonorable acts. Hera’s persecution of Heracles, meanwhile, reflects the jealousy and pettiness that motivate her in many traditional myths, underscoring that the Greek gods are not wholly moral guides and benefactors.



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