69 pages 2-hour read

Tell Me What You Did

Fiction | Novel | Adult | Published in 2025

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Part 1, Chapter 21-Part 2, Chapter 40Chapter Summaries & Analyses

Part 1, Chapter 21 Summary

Content Warning: This section contains descriptions of violence (including violence against children and sexually motivated violence), death, emotional abuse, stalking, and substance abuse.


As Poe waits for Kip, she tries to recall Hutchins’ face, but the details of her memory are indistinct. There is a chance Hindley might be Hutchins, but Poe reassures herself he’s likely just an internet troll trying to frighten her.


Kip arrives, and Poe tells him about her conversation with Hindley. She says that she wants to go ahead with the live show. Kip is incredulous but agrees to set it up. Poe confesses that she has been keeping a secret. She begins telling Kip the story of her mother’s murder.

Part 1, Chapter 22 Summary

On the live stream, Hindley asks Poe to contextualize the events leading up to her mother’s murder. Poe states that her parents were always close, but their relationship was focused on her and not one another. As she grew up and began to push them away, their relationship struggled. Poe’s mother began an affair at 37.


Poe knew her parents’ email credentials and regularly read through their inboxes. One day, she discovered an email from lhutchins20@aol.com, referencing a meeting happening the following day. Hutchins detailed his excitement for the upcoming sexual encounter and asked Margaret to come up with a safe word. Margaret chose the word gentle.

Part 1, Chapter 23 Summary

At Muddy Waters, Poe pauses her retelling, overwhelmed. She wants to tell Kip the rest of the story but feels that her father should be the first to know. Poe leaves the coffee shop to visit her father, feeling that Hindley could be hiding in plain sight, watching her.

Part 1, Chapter 24 Summary

This chapter is a continuation of the live-streamed conversation between Hindley and Poe. Hindley tells Poe to walk her audience through July 12th, the day Hutchins and her mother were scheduled to meet. Poe recalls that she tried to convince her father to take off from work, but he refused. He didn’t kiss Margaret goodbye on his way out. Poe was home with her mother all day but was too nervous to confront her, feeling helpless to stop the encounter.


At 3 p.m., Margaret suggested that Poe go to her friend Effia’s house. Poe considered refusing, but she wanted to make her mother happy, so she went. Poe stayed at Effia’s for about an hour, then headed home early. She had decided to catch her mother with Hutchins, imagining that the shame of being discovered would end the affair.


Poe says that she often feels sorry for herself and the trauma she’s gone through, which remains on her like “an unwashable stain” (82). This feeling of self-pity only lasts until she thinks of what her parents have endured.

Part 1, Chapter 25 Summary

Poe drives to Manchester to speak to her father, who lives alone with his cat Grimm in a house he bought after the McMillian home was burned down. Upon seeing him, she feels a mixture of “happiness and despair” (87).

Part 1, Chapter 26 Summary

Poe enters her father’s house, which has been “frozen in time” (88) for the past 17 years. She notes that her father looks older than his 66 years because of his eyes, “eyes that look like they’ve seen too much” (88). She agrees to spend the night and promises to cook dinner for her father.

Part 1, Chapter 27 Summary

Over dinner, Poe and her father drink two bottles of red wine, with Poe noting that they both use drinking as a coping mechanism. She asks him to move out to be closer to her, and he counters by asking her to move back home. Poe says she doesn’t want to be back in Manchester.


Poe steels herself, then tells her father that she has been keeping a secret. Before she begins to confess, she closes her eyes to avoid seeing his pain.

Part 2, Chapter 28 Summary

This chapter is a continuation of the live-streamed conversation between Hindley and Poe. Hindley instructs her to revisit the scene of her mother’s death in vivid sensory detail, threatening to cut off his hostage’s other little finger if she doesn’t comply. Poe shakily describes how she entered her house just after four, sensing an “electric thickness” in the air. As she made her way toward her parents’ bedroom, her resolve to intervene weakened as she thought of her mother’s reaction. Poe convinced herself that her mother’s “heart [had] to break” (98) to bring their family back together.


Outside the bedroom door, Poe heard her mother and Hutchins having sex. As she rested her hand on the doorknob, preparing to open it, her mother began screaming. Opening the door, Poe witnessed a naked Hutchins kneeling over her mother on the bed, stabbing her over and over. Poe watched, frozen, as her mother died.


Hutchins turned and saw Poe in the doorway. He approached her, covered in blood. Poe took note of his “cold, fierce, jaded” (100) eyes. Hutchins whispered, “she didn’t say the safe word” (102).

Part 2, Chapter 29 Summary

Poe recalls how Hutchins threatened to come back and kill her remaining family if she told anyone what she had seen. He zip-tied her and locked her in the bedroom closet, then poured gasoline onto the bed and set the house on fire. After starting the fire, Hutchins released Poe and told her to go outside and pretend she’d just arrived to a burning house. Terrified, Poe complied. Hutchins washed himself off, changed into Poe’s father’s clothes, and fled on foot.

Part 2, Chapter 30 Summary

Hindley and Poe continue their live-streamed conversation. Hindley thanks Poe for her detailed recollection. He says that she must have nightmares about the crime, and Poe replies that she has only had one pleasant dream in the past 17 years. She recounts the dream, in which she walked through an endless green field under a blue sky. In the middle of the field she found a large oak tree, where she sat for hours. Poe usually wakes with a feeling of dread in her chest, but when she awoke from this dream, that feeling was briefly gone.

Part 2, Chapter 31 Summary

The morning after Poe confesses to her father, the two of them discuss Hindley. Poe’s father wants to contact the police, but Poe refuses, afraid that getting the police involved might unearth her own crime. She agrees to stay another night in Manchester.


Poe drives to Pine Grove cemetery but decides not to visit her mother’s grave. Instead she heads to the Stone Rose, a local coffee shop. The Stone Rose is owned by a woman named Alice Hill, who is famous for surviving a stabbing at the age of 14. While living in the UK, she was attacked by two other teenagers. The assailants were motivated by their obsession with the popular graphic novel character “Mister Tender,” a creation of Alice’s own father. Alice’s family moved to Manchester to start anew.


Poe recounts that six or seven years ago, there was a resurgence of interest in Alice’s case, which led a man named Jack to obsessively stalk Alice. On Halloween night, Jack tracked Alice down and stabbed her. He escaped, making Alice’s attempted murder the second largest cold case in Manchester, behind the murder of Poe’s mother.


Poe spots Alice sitting at a nearby table and feels compelled to introduce herself. Alice says that she’s a fan of Poe’s podcast but warns her that she would not be willing to appear on an episode, as she does not wish to bring more attention to her case. Poe tells Alice that she admires her strength in surviving two murder attempts and admits that she is dealing with some “bad stuff” of her own. As she turns to go, Alice asks how bad Poe’s “bad stuff” is. Poe invites her to listen to next week’s live episode.

Part 2, Chapter 32 Summary

This chapter continues the live-streamed conversation between Hindley and Poe. Hindley tells Poe to walk him through how she tracked down and killed Leopold Hutchins. Poe recounts moving to Queens after college, eking out a living as a freelance writer and renting a tiny apartment with a roommate. She searched for Hutchins for a year to no avail. After a year, Poe realized that she needed to change her mindset. She began working out to get into fighting shape and started thinking of Hutchins differently—rather than the boogeyman who haunted her childhood, she began to see him “as [her] prey” (119).

Part 2, Chapter 33 Summary

At the Manchester house, Poe’s father proposes that he move in with her until Hindley’s campaign of harassment ends. Poe initially resists, but when he breaks down, telling her that he feels obligated to protect his child, she relents. Deep down, Poe knows that she doesn’t want to be alone, but being vulnerable continues to be difficult for her.

Part 2, Chapter 34 Summary

Poe, her father, and Grimm drive back to Burlington. They have dinner out, then return to the farmhouse, where Poe arms the house security system and disables Bailey’s automatic dog door so that Grimm can’t slip outside after her. Before her father goes to bed, Poe hugs him goodnight. Though physical affection is unusual for them, Poe states that “the deep grooves of the past don’t have to chart the course of the future” (127).


Alone in the kitchen, Poe opens her old laptop, which has a VPN attached. She only ever uses this device to research Leopold Hutchins. When Poe met Hutchins in New York, he went by the moniker Leonard Avery. Now, she googles Leonard Avery but finds only the same short article in the New York Post that has existed for the past seven years. As Poe puts the laptop away, she notices that the framed photo of her mother, which she always keeps perfectly straight, is turned 90 degrees.

Part 2, Chapter 35 Summary

Poe walks through the farmhouse in a panic, checking for signs of a break-in, but finds nothing. Her security system hasn’t alerted her to any suspicious persons in the past several days, and video footage turns up nothing unusual.

Part 2, Chapter 36 Summary

On the transcribed live stream, Poe describes how she spent months learning self-defense and taking fitness classes. She made profiles on several dating websites to search for Hutchins but found nothing. As she contemplated Hutchins’ predatory nature, she realized that rather than searching for him, she should let him find her.

Part 2, Chapter 37 Summary

The narrative returns to the week before the first live stream. Five days pass with no word from Hindley, though the planned episode is only two days away. On October 23rd, Poe reflects on the approaching Halloween holiday. She loved Halloween as a child, but after her mother’s murder, fake gore and danger longer appealed to her. She spent every Halloween inside with her father, ignoring the world outside.

Part 2, Chapter 38 Summary

Poe and her father sit down to dinner together. Poe pours herself a glass of vodka and him a glass of bourbon in preparation for another confession.

Part 2, Chapter 39 Summary

As she drinks, Poe tells her father that she created fake dating profiles in New York after seeing her roommate use dating apps. She uploaded a picture of her mother, the same one that is framed in her office, and used the nickname “Maggie.” It only took three days for the man she believed to be Hutchins to message her.

Part 2, Chapter 40 Summary

With Hindley’s prompting, Poe recounts how a man named Leonard Avery messaged her: “Hello, Margaret McMillian” (143). Poe believed that he was Hutchins using a pseudonym, but when she checked his profile, the photo looked nothing like her recollection of Hutchins. Poe reserve image-searched his profile picture and found it was a photo of a serial killer named Randy Steven Craft. With a renewed conviction that this must be Hutchins, Poe agreed to a date.

Part 1, Chapter 21-Part 2, Chapter 40 Analysis

Poe’s conversation with Alice further develops the theme of The Impact of True Crime Media. The second attack on Alice was presumably provoked by the renewed interest in, and media coverage of, the stabbing she survived at 14. As a result, Alice is wary of Poe’s job as a true crime podcast host and preemptively declines to be on the podcast. Wilson’s inclusion of Alice highlights how true crime can facilitate additional exploitation and harm of living victims. It also foreshadows the possibility that bringing her mother’s murder into the public spotlight will have similar consequences for Poe.


Hindley and Poe’s dynamic is also affected by The Impact of True Crime Media. On the transcribed live stream, Hindley gradually forces Poe to reveal her deepest past and relive her traumas, culminating in her giving a detailed description of the day she witnessed her mother’s murder. The visceral, emotional description Poe establishes an emotional intimacy that contrasts with the depersonalized manner in which the podcast is consumed by its vast audience. While the live stream is a matter of life for death for Poe and for the unnamed loved one Hindley is holding hostage, it is passive entertainment for listeners. This experience is deeply uncomfortable for Poe, and as such it forces her to confront the realization that she has allowed many other people’s most painful experiences to be similarly consumed as entertainment. In her role as a podcast host, Poe has freely allowed the stories of other victims to be broadcast without their consent, but now that her story is in the spotlight, she is experiencing the consequences of having her private traumas and secrets exposed to the world. By reversing the dynamic that existed at the start of the novel, Wilson encourages true crime consumers to consider the real people and stories that make up their entertainment.


Poe’s description of her mother’s murder also provides more information about Hutchins. The fact that the murder was committed mid-coitus implies a thrill-seeking or sexual motivation. This appears to align with Hindley’s personality; he often makes suggestive remarks to Poe while threatening her. This similarity strengthens the possibility that Hindley is Hutchins. Poe’s growing doubts about Hindley’s identity bring the theme of Accepting Moral Ambiguity into focus, exploring the ethics of vigilantism. In this section of the novel, Poe begins to reveal how she hunted down the man she believed to be Leopold Hutchins. She notes that she began to see him as “[her] prey,” casting herself in the role of predator. The reader knows that this story will culminate in a murder, but the narrative leaves the victim’s identity ambiguous. It is as-yet unclear whether Poe killed a sadistic murderer or an innocent man. This uncertainty leaves the moral impact of her actions unclear.


Wilson explores Vulnerability and the Weight of Secrets as Poe opens up to both her father and Kip. Though she initially does so because she wants to beat Hindley to the punch, Poe is beginning to realize that the people she loves deserve to know her in her entirety. She feels relief after each of her confessions, though she notably has not yet told either man about the murder she committed. If Poe keeps this crime a secret, Hindley can use it as leverage to manipulate her. Poe’s decision to be vulnerable with individuals in her life parallels the live-streamed conversation between Hindley and Poe, in which Hindley forces her to confess everything to her audience. Hindley demonstrates how vulnerability can be weaponized by people with bad intentions. As their cat-and-mouse game continues, Hindley’s harassment escalates into breaking and entering. The narrative tension heightens as Hindley stalks Poe, trying to find cracks in her physical and emotional armor.


Chapter 30 introduces the symbol of Poe’s dream. She is often plagued by nightmares and can only recall one good dream since her mother’s murder. The dream is simple; Rather than a reunion with her mother or absolution from her crime, Poe dreams of quietly walking through a field and resting under an oak tree. Poe has spent 17 years constantly on edge. The simplicity of her dream highlights how desperately she wants to feel safe.


These chapters also highlight Poe’s reliance on alcohol as a coping mechanism during times of stress. She is aware that this is a destructive habit but is unable to stop herself from indulging in it. Poe’s evolving relationship to alcohol will remain a key motif throughout the novel.

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