69 pages 2-hour read

Tell Me What You Did

Fiction | Novel | Adult | Published in 2025

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Themes

The Impact of True Crime Media

Content Warning: This section contains descriptions of violence (including violence against children), death, emotional abuse, stalking, and substance abuse.


Much of the confrontation between Poe and Hindley plays out during two live-streamed episodes of her popular true crime podcast. By having Poe serve as both the host and the subject of a true crime podcast, Wilson critically examines both the positive and negative consequences of true-crime media.


Poe is a largely neutral presence on her own podcast, allowing callers to speak freely about crimes they have committed. Though she disallows discussion of sexual assault and violence against animals, all other violence, including murder, is allowed. The stories are shared without the consent of the victims involved.


Wilson explores how the popularity of true crime media can assist in bringing criminals to justice. In Chapter 4, Poe notes, “my listeners have led cops to arrest three murders and one arsonist from my show” (13). Poe’s audience is relentless in tracking down criminals whose confessions evoke a strong emotional response. This fervor parallels real-world instances of podcasts assisting in solving criminal cases. For example, the podcast Your Own Backyard, hosted by Chris Lambert, covered the cold case disappearance of college student Kristin Smart. Additional research done by Lambert, as well as several new witnesses who came forward thanks to the increased public attention on the case, contributed to the identification and conviction of Paul Flores for Smart’s murder. The potential to bring violent criminals to justice is a major positive of true crime. Poe is aware of this possibility, and as Hindley stalks her, she engages her audience to help her discover his identity.


Though Poe’s audience helps her find Hindley, Wilson probes their motivations. After Poe’s confrontation with Hindley is live streamed, Poe becomes the subject of speculation and gossip. Watching her listeners dissect her mother’s murder in casual Facebook posts, Poe realizes that “one person’s existential crisis is another person’s headline, a moment to consider before swiping to the next one” (301). In the fast-moving news cycle, even the most disturbing of stories are consumed for surface-level entertainment. Poe’s listeners are essentially playing detective with her real-life trauma. Though Poe is both a creator and consumer of true crime, the feeling is entirely different “when the transient news story is about [her]” (301). This shift in Poe’s position leads her to reconsider the ethics of her work. By casting Poe as a creator, consumer, and subject of true crime media, Wilson explores the morality of the genre from multiple perspectives.


Tell Me What You Did also touches on how publicizing the stories of living victims can lead to re-victimization. The re-opening of Poe’s mother’s case makes her a local celebrity, and she is harassed by paparazzi who flagrantly invade her privacy. Alice Hill’s story provides a more extreme example of the harm public attention can bring: After a resurgence of interest in her case—something she explicitly tells Poe she wants to avoid—she is targeted and stabbed by an obsessive stalker. Putting one’s personal life in front of so many strangers risks drawing the attention of malicious people.


The mystery of Hindley’s identity is ultimately uncovered by a member of Poe’s audience, enabling Poe to find and kill him. After Poe is tried and imprisoned for the murder, she continues to run her podcast from prison, recording confessions from her fellow inmates. Ultimately, the narrative doesn’t condemn people who create or enjoy true crime—instead, Wilson encourages fans of true crime to consider both the positive and negative aspects of the genre, engaging in thoughtful and critical consumption.

Vulnerability and the Weight of Secrets

A key plot point of Tell Me What You Did is Poe’s struggle to keep several major secrets. At 13, she witnessed the brutal murder of her mother. At 23, she tracked down and killed the man she believed responsible. No one in Poe’s life knows about these experiences, not even the two people she holds closest, her father and her boyfriend Kip. Tell Me What You Did explores how carrying these secrets weighs heavily on Poe, to the point of destroying her life. By chronicling Poe’s transformation into a more open and honest person, Wilson highlights that a willingness to be vulnerable is key to forming close relationships and healing trauma.


At the start of the novel, Poe has high walls up, admitting: “[S]ometimes I even lie to my dog” (52). She keeps most people at a distance with her sardonic personality. She lies to Kip about her mother’s death, telling him that Margaret died in a car accident, and conceals from her father the truth about witnessing the murder. She hides the murder she committed at 23 from everyone. Poe perceives herself as fundamentally different from everyone around her. The only time Poe allows herself to be vulnerable is when she converses with the people who call into her podcast—speaking to other people who have committed a violent crime makes her feel more comfortable with herself.


Poe’s guardedness leaves her isolated both physically and mentally. The trauma she experienced at the hands of Hutchins has left her terrified that exposing any part of her true self to the world will lead to further harm. As she states, “I live a life purposefully isolated, just to minimize the chances of being caught in a vulnerable moment” (52). Poe lives in an out-of-the-way farmhouse and has almost no close relationships. Kip is aware that Poe is holding something back from him. Her secrecy damages the relationship, leading Kip to give her an ultimatum; If she can’t be honest with him, he will end their relationship.


Poe’s reticence to tell anyone about her past means that she copes with her trauma alone, often self-medicating by drinking heavily. She is haunted by nightmares she cannot share with anyone, and she has no one to speak to about the fear she experiences daily. Poe’s isolation leaves her vulnerable to Hindley, who preys on her fear of having her past exposed. He uses his knowledge of her life as leverage to emotionally torture and manipulate her. Poe refuses to go to the police until late in the novel, unwilling to expose herself to scrutiny that might uncover her murder of Hutchins. Her hesitance to involve law enforcement allows Hindley to escalate his threatening behavior, going as far as attempting to kidnap Poe’s father and successfully abducting Kip.


Hindley’s threats ultimately encourage Poe to tell Kip and her father the truth, motivated by a desire to reveal her secrets on her own terms rather than waiting for Hindley to expose them. The confessions are difficult; Her father is deeply upset to learn that she witnessed her mother’s murder, and Kip struggles to accept that the woman he loves committed and concealed a murder. Poe tells Kip “we are who we are…we either move forward together or separately” (318).


As the narrative progresses, Poe slowly comes to terms with the violence she has endured as well as the violence she has committed. Her journey toward vulnerability is aided by her loved ones. Both Poe’s father and Kip confess their own secrets to her, reassuring her that she is the only one with flaws and secrets. Poe’s friendship with fellow survivor Alice Hill helps her let her guard down further, confiding in someone who has gone through a similar trauma. Alice teaches Poe that “happiness is a choice” (285) she can still make, despite what has happened to her.


In the final chapters of Tell Me What You Did, Poe decides that she is “done running.” She has confessed her full truth to everyone she cares about, and Hindley has publicized her story to the world at large. No longer able to bury her past, Poe instead embraces it. At trial, she claims the murder of Hutchins with pride, proud to have stopped a serial killer. Though Poe ends the novel in prison, she is in a far better state emotionally. Her newfound ability to be vulnerable has brought her closer to her loved ones and freed her from the weight of her secrets. For the first time, she can imagine a happy future.

Accepting Moral Ambiguity

Many crime thrillers portray their central conflict as one between good and evil—with a wholly corrupt perpetrator pitted against a wholly innocent victim. Tell Me What You Did offers a more nuanced take on this dynamic, exploring the moral gray area of a victimized person who goes on to victimize others. As Poe’s character blurs the line between victim and perpetrator, Wilson explores the nuances of violence, guilt, and morality.


As a child, Poe is victimized by Hutchins, leaving her with intense trauma. As an adult, she is stalked and harassed relentlessly by Hindley. In Hutchins’ case, Poe is unquestionably an innocent victim. Yet Wilson reveals early on that Poe committed premeditated murder seven years prior to the events of the novel. This revelation alters the reader’s perception of Poe as she interacts with Hindley, changing her from a hapless innocent into someone who is equally capable of violence.


Poe has no remorse about murdering Hutchins, stating multiple times that he deserved to die for what he did to her mother. She states unequivocally, “I’m a good person” (199), but the narrative casts doubt on her morality, in part by casting doubt on the identity of the man she killed. Hindley’s claim to be Hutchins introduces the possibility that Poe mistakenly killed an innocent man in New York. Hindley forces Poe to detail the pain Hutchins suffered after she fed him rat poison, a scene rendered even more tense by the fact that it’s unclear whether the agonized man is a ruthless murderer or an innocent. By leaving the question of Hutchins’ guilt open, Wilson asks readers to consider what, if anything, justifies an act of murder.


Other characters in the novel act as a reflection of the qualms readers may feel about Poe. Both her father and Kip are horrified to learn that the woman they love and see as a good person has committed what, in their eyes, is a profoundly immoral act. Poe’s father worries that she is “a budding serial killer” who feels “a need to kill” (325). Poe admits to him that she would kill again if she needed to. She feels no guilt about the murder, stating repeatedly that Hutchins deserved to die for his crimes. Despite this proclamation, she fears judgment and prosecution if her actions are discovered. In Poe, Wilson constructs a deeply flawed victim who challenges the simplistic framing that links victimhood with innocence.


When Poe finally learns Hindley’s identity, it is confirmed that the man she killed in New York was Hutchins, who was a serial killer of women. Poe believes this revelation absolves her fully and finally of all guilt: In her worldview, Hutchins’s status as a murderer means that he has no moral right to life. Hindley challenges this view, arguing that no one has any more right to live than anyone else and that all murders are morally equal, regardless of motivation. Though his status as the novel’s antagonist—along with his unambiguously malevolent actions—casts doubt on his moral authority, his view aligns more closely with the law. After subduing Hindley, Poe debates whether to kill him or call the police. Realizing that her only qualms about killing him come from her fear of judgment, speaks directly to those who would judge her for her actions. She lambasts audiences who watch from the outside, “[expecting] their heroes to do the right thing in the end” (393) without knowing what it feels like to be in her position. Poe states, “I embrace who I am and what I’m about to do” (393) before executing Hindley.


The novel ends with Poe proudly claiming the murder of Hutchins and receiving a light sentence. She is at peace with her actions and no longer cares what the world thinks of her. By serving out her prison sentence, she is arguably doing penance to society, but Poe’s status as both a victim and an unrepentant double murderer leaves readers to contemplate her morality even after the narrative ends.

blurred text
blurred text
blurred text

Unlock every key theme and why it matters

Get in-depth breakdowns of the book’s main ideas and how they connect and evolve.

  • Explore how themes develop throughout the text
  • Connect themes to characters, events, and symbols
  • Support essays and discussions with thematic evidence