48 pages • 1-hour read
Kimberly LemmingA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section includes sexual content.
Traveling through the bayou, Cinnamon jumps at every noise until Fallon assures her he’s the most dangerous thing they’ll encounter and that he’ll kill anything that tries to harm her. Cinnamon is both pleased with and troubled by his easy commitment to violence and finally gets him to promise he won’t kill people for no reason. The first night, Cinnamon cooks a pot of crawfish, and after some heavy skepticism, Fallon devours them, understanding why Cinnamon packed so many spices for the journey. They settle into a traveling routine—dividing responsibilities during the day, and Fallon trying to scare Cinnamon with tales of dangerous things in the forest at night. Though Cinnamon tells herself she’s a strong, confident woman, she curls up close to Fallon every night for safety.
One night, Cinnamon wakes to the sound of her sister crying. She follows the noise to a stream, where she finds Cherry, drenched and cold. Fallon arrives, shouting for Cinnamon to back away from Cherry. At first, Cinnamon is annoyed by him, but then she sees the demonic creature forming Cherry’s image from its tail. The creature grabs Cinnamon and drags her under the water. Fallon kills it and rescues her, carrying her back to camp “with a gentleness [she] never expected from someone so terrifying” (75). Cinnamon tells him about Cherry and cries in his arms. Afterward, they bathe in the river, where Fallon washes Cinnamon’s hair. She leans into his touch, realizing she shouldn’t get closer to him but is unable to pull away until she sees an alligator in the water nearby. She kills the creature before it eats them and drags it ashore to cook it. Fallon is aroused and vows to take Cinnamon as his wife, leaving her stunned.
On the road the next day, Cinnamon questions Fallon about proclaiming she’ll be his wife. Fallon explains her physical and emotional strength won him over but that he must wait until their adventures are over to “claim” her because doing so will trigger weeks of nonstop lust for them both. Their discussion is interrupted by bandits. Fallon beats them up, and Cinnamon shoots one, whom Fallon sends flying into a nearby river. Fallon seems upset he might have killed a human after promising not to. Cinnamon comforts him because she’s sure the men would have done worse to her.
When she clarifies that her gratitude is not acquiescence to marriage, Fallon offers a deal. If he can win 1,000 points of Cinnamon’s affection before the end of the quest, she’ll marry him. Otherwise, he’ll return her home and leave her alone. Cinnamon agrees, and Fallon pulls her close, whispering sexual acts he wants to do with her and running his hand up under her skirts. Cinnamon begs him to stop, awards him 100 points, and recalls her grandmother saying: “[O]nly fools make deals with demons” (93).
The second temple is in the large city of Wandermere. Signs advertise local inns called The Worthless Gazelle and The Dramatic Hyena, and as Cinnamon and Fallon ride through town, hawkers for each establishment corner them, talking up their own place and badmouthing the other. Both also call Fallon a pet demon, with The Worthless Gazelle saying he’d have to sleep in the stables while The Dramatic Hyena would collar him. Cinnamon chooses The Dramatic Hyena and follows a woman named Usha to the inn.
The next morning, Fallon balks at wearing a collar while Cinnamon tries to convince both of them it’s only for the good of their quest. Usha overhears the entire argument, and Cinnamon explains the lie of Myva to her. Usha apologizes to Fallon for her city enslaving demons. She hates that she’s gone along with enslaving sentient creatures, and the simplicity of her statement makes “changing one’s entire worldview seem like a mundane occurrence” (109). With Usha’s help, Cinnamon and Fallon devise a plan to steal the local phylactery and destroy it while Usha and her pet hyena distract the members of the mage guild, who live next door to the temple.
With Fallon hidden in the back of the wagon, he and Usha go to the temple while Cinnamon procures a fake phylactery from a souvenir shop. As she makes her way through town, she encounters a man who’s whipping a werewolf to force it to transform so he can get its coat. Though it makes Cinnamon feel sick, she haggles to buy the werewolf, and as soon as the man sells him, she uses cinnamon to break Myva’s hold on the creature’s mind while cutting him free of his restraints. The man also sells Cinnamon a lamia—a creature with the top half of a man and bottom half of a snake.
Cinnamon brings her two new charges down an alley, where she gets food for the werewolf and uses cinnamon to free the lamia of Myva’s thrall. The lamia attacks Cinnamon before realizing she’s freed him, and both he and the werewolf volunteer to help her destroy the phylactery. The lamia introduces himself as Ambros, and the werewolf as Felix, leaving Cinnamon thinking: “[T]his is so much more than I signed up for” (125).
Cinnamon, Ambros, and Felix head to the temple, where Usha’s distraction allows her to slip inside unnoticed. As soon as she swaps the real cup for the fake one, blood pours from the phylactery, and Cinnamon runs outside as creatures grow out of the ooze. As she works to destroy the cup, Fallon, Felix, and Ambros attack the mages. Cinnamon finally destroys the phylactery just as a mage attacks her with painful magic. Fallon kills the mage and, vowing to repay all Cinnamon’s injuries, transforms into a dragon to lay waste to the city. Cinnamon is shocked, and Usha takes charge, sending her to stop Fallon while she, Ambros, and Felix find a ship the group can use to escape since they are all wanted criminals now.
The encounter with the water demon in Chapter 5 is a turning point for Cinnamon and Fallon’s relationship. Up until now, the two have danced around each other as Fallon’s attraction grew and Cinnamon’s reluctance lessened. Fallon’s tales of scary creatures in the forest are a mildly manipulative tactic to draw Cinnamon closer, but with the story told from Cinnamon’s perspective, the reader sees that she is not against the closeness and enjoys cuddling at night for safety. However, seeing Cherry’s form in Chapter 5 prompts Cinnamon to share her past and fears with Fallon, bringing them closer. Fallon’s caring, understanding response makes it clear there is more to him than violence and teasing. While he has used manipulative tactics to get close to Cinnamon, this moment shows that he truly does care about her and that his methods, if questionable, come from a place of genuine interest and affection. Fallon’s tenderness here softens his previously brutal edge, rounding out his character and showing that emotional vulnerability—not just brute strength—defines heroism in this story. This encounter also digs further into Cinnamon’s fear of quests, calling to The Importance of Doing What’s Right. For years, Cinnamon believed she lost Cherry because Cinnamon did something wrong, which led to her sister being put at risk outside Myva’s protection. Learning Myva is a lich, not a goddess, has allowed Cinnamon to begin reconciling her past with her current feelings. She realizes that Myva didn’t punish Cinnamon or Cherry for doing something wrong. Rather, Cherry was in the wrong place at the wrong time, and while Cinnamon still feels guilty for having been present, she starts to see that she isn’t to blame for what happened. This realization is not just a personal catharsis but a narrative pivot point: It enables Cinnamon to break from guilt-driven passivity and begin actively shaping the outcome of her quest.
The bandits in Chapter 6 call to The Importance of Doing What’s Right and explore the inherent conflict behind reciprocal violence. The bandits attack Cinnamon and Fallon unprovoked. Thus, Cinnamon and Fallon defend themselves, and their actions call into question the line between defense and unnecessary force. Fallon is much stronger than all four bandits combined, and he uses his strength to gain the upper hand quickly, physically wounding the men past any harm the men brought upon him or Cinnamon. Fallon responds to the threat the men pose rather than the actions the men take, presenting the question of whether a threat constitutes a violent response. In the aftermath of the fight, Fallon feels ashamed that he might have killed someone when he promised he would not, showing that he is not needlessly violent and meant his promise to Cinnamon. Cinnamon’s comfort includes telling Fallon that it is okay to kill in situations where your opponent would do worse harm if given the chance. Fallon takes this as approval for his actions and permission to repeat them, which means he views violence as a way to stop violence and questions whether violence is more acceptable when it’s backed by a desire to protect rather than harm. This moment foreshadows how the ethical gray area surrounding violence will escalate in future chapters, particularly when Fallon lays waste to Wandermere. It also complicates the reader’s ability to fully condemn or endorse Fallon’s actions—inviting moral ambiguity into a story that initially appears black and white.
The events within Wandermere highlight The Importance of Doing What’s Right and Acceptance is a Choice. Cinnamon is shocked to find that the people of Wandermere both enslave demons and keep them as pets, showing how traveling introduces her to concepts and situations she’s never encountered before. Having gotten to know Fallon away from Wandermere, Cinnamon finds this practice demeaning and cruel because the city treats demons like animals when they are simply a different race of sentient beings who look different from humans. The competing inns reveal varying levels of discrimination and abuse. While one inn would stable Fallon and the other would only collar him, neither is right, which shows that better treatment under unfair conditions is still poor treatment. Cinnamon’s struggle with Fallon wearing a collar symbolizes the struggle between fitting into society and holding true to one’s beliefs. Cinnamon knows it’s wrong to force Fallon into a collar, but she also realizes that he will be a target without a collar in place. Neither solution is good, and until Usha offers to help, Cinnamon’s decision boils down to doing the wrong thing for the right reason. This dilemma reveals a core discussion within the book: the difference between complicity and survival. The system forces Cinnamon to navigate unjust compromises, highlighting how individuals must weigh their ideals against real-world consequences in the pursuit of justice.
The introduction of Felix and Ambros turns Cinnamon’s mission into a group affair and introduces the concept of found family. It also represents how Cinnamon’s quest has branched far from its original purpose. Initially, Cinnamon set out to destroy the phylacteries, thus allowing the demons to free themselves. However, she has now become a direct force for change in how demons live and are treated, and this causes the demons to trust her and follow her into battle, showing the power of kindness and The Importance of Doing What’s Right. Thanks to Cinnamon’s actions, she is able to destroy the second phylactery because the demons fight against the mages who would have otherwise overwhelmed her efforts. Cinnamon’s actions also show how the system can be used against itself. Within Wandermere, demons are enslaved by humans and by rules stating such treatment is acceptable. By purchasing Felix and Ambros so she can free them, Cinnamon uses the rules to her advantage and, by doing so, gains allies she would not have otherwise had. This also suggests that outward support of the system doesn’t necessarily translate to following its rules. Cinnamon’s ability to dismantle Wandermere’s system from within shows the power all people have against unfairness and cruelty. Her defiance, couched in seemingly small acts like a purchase or a rescue, grows into systemic rebellion—illustrating how meaningful resistance often begins at the interpersonal level before scaling up to institutional change.



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