48 pages • 1-hour read
Kimberly LemmingA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Throughout That Time I Got Drunk and Saved a Demon, the characters grapple with doing what feels right to them in moments of conflict. By embedding ethical dilemmas within a fantasy setting, the novel explores real-world questions about morality, justice, and how misinformation shapes behavior. As seen by how attitudes are changed as a result of demons themselves and learning the truth about Myva, the novel explores the choices inherent in doing what feels right. When Cinnamon and Fallon arrive in Wandermere and learn how demons are treated in the city, Cinnamon feels conflicted because she has learned that demons are not mindless, violent creatures. Thus, she struggles to reconcile collaring Fallon so they can accomplish their mission (doing something wrong for a good reason) and refusing to collar Fallon but risking the mission (doing what feels right but putting the task in jeopardy). Ultimately, Fallon decides that wearing a collar (a temporary injustice) to destroy the phylactery (breaking a greater injustice) is worthwhile, which shows the complex nature of right and wrong. Neither Cinnamon nor Fallon is comfortable with Fallon being forced to wear a collar that marks him as inferior when he is not. However, they both also understand that refusing to comply would have worse consequences for Fallon and potentially ruin their ability to destroy the phylactery and free demons.
While Cinnamon and Fallon’s struggles in Wandermere symbolize the challenges of doing the right thing, Usha’s character development represents how easy making the right choice can be. Prior to meeting Fallon, Usha believed demons were mindless beasts because she was raised to believe this and never received information to the contrary. While this does not excuse her support of treating demons as inferior beings, it does show how misinformation prevents Usha from doing the right thing by making it more difficult for her to question what she believes is true. In Chapter 7, upon learning Fallon possesses humanity despite being a demon, Usha immediately drops her false beliefs, which shows the power of encountering information that questions her worldview. In doing so, Usha acknowledges that demons are equal to humans, and she apologizes to Fallon for her city enslaving demons, saying: “[I]f it were me at the end of a chain, I couldn’t imagine the kind of monster that would walk past me and do nothing if they knew the truth” (109). Usha’s ability to make this decision without reservations or second-thoughts reveals how learning the truth allows the right thing to be done.
Usha and the people of Wandermere show how the suppression of truth leads to wrong-minded actions being taken toward demons. In conjunction with Myva’s greater religion, the two reveal how injustice is perpetrated by the alteration of history. After making an enemy of demons, Myva used her power to imprison them and make humanity believe demons are the enemy. In doing so, Myva misdirected human fear and loathing from herself to demons, which influenced human history against demons. Thus, it takes meeting and understanding Fallon for Cinnamon and Usha to realize they have lived lies and, more importantly, to change the course of understanding moving forward. By uncovering Myva’s misinformation, Cinnamon and Usha both do better by the demons they know and also start to create a world where future generations of demons won’t have to know the mistreatment their ancestors received. Thus, by spreading the truth, Cinnamon and Usha symbolize the lasting consequences of doing the right thing and how rightness grows over time.
In a broader sense, the novel suggests that doing what’s right is not always about grand heroic gestures but about small acts of clarity, empathy, and resistance against inherited falsehoods. Whether it’s Cinnamon buying and freeing Felix and Ambros or Fallon agreeing to wear a collar for the greater good, these moments underscore that moral action often happens in the murky middle—between belief and doubt, fear and love, comfort and courage.
Whether blood relations or found family, That Time I Got Drunk and Saved a Demon shows how individuals are more powerful when they band together. Through the support system of Cinnamon’s family and the demon family she creates on her quest, the novel shows how such experiences and realizations offer strength. Cinnamon was raised in a close-knit and loving family. The support from her parents and siblings means she’s grown into a strong, independent woman who isn’t afraid to ask for help when she needs it. Following her initial encounter with Fallon (before the cinnamon breaks Myva’s control), Cinnamon runs to her parents’ house, where her dad and brothers offer to accompany her to ask Myva for protection against the demons, no questions asked. Then, when Fallon reveals himself, Cinnamon’s family defends her against his perceived threat, even though they know they are no match for him. These events, while small, show the undying loyalty of Cinnamon’s family. In turn, showing the support Cinnamon experiences at home defines the type of person she is and shows how such support makes her the kind of person who extends aid to those in need (particularly the demons of Wandermere), thus revealing how her family makes her powerful. Fallon, by contrast, lacks a traditional family, which makes him more desperate to create lasting bonds—and explains his fierce protectiveness toward Cinnamon once he falls in love with her.
While Cinnamon’s blood family sets her up to be a heroic figure on her journey, Cinnamon’s actions and acceptance of demons in Wandermere and beyond reveal how the power her family gives her translates to her ability to build a support system. After destroying the phylactery in Wandermere and freeing the demons from the city, Cinnamon earns the loyalty of the demons because she treats them well—as her family has taught her to treat others. As a result, Cinnamon finds herself welcomed by the demons, and while she is initially uncomfortable with some of their behaviors and preferences, she quickly realizes these differences don’t matter. In Chapter 10, when Cinnamon gets put in charge of the kitchen orcs, she finds herself moderating arguments over who gets the rawest pig intestines to eat. Despite this, the group reminds her of her brothers, and she thinks it’s “nice to have people around again—even if their eating habits were fucking gross” (170). By admitting this, Cinnamon acknowledges that she and the orcs are a team, if one she has never experienced before, and that she is able to work with them just as effectively as she can work with her brothers. By building a family of humans and demons that works as a unit to destroy Myva, Cinnamon reveals the power of a strong family foundation, as well as what can be accomplished when different groups band together with a family-like bond.
Throughout That Time I Got Drunk and Saved a Demon, the characters are faced with situations they can either accept or reject. Both options come with consequences, and the exploration of Cinnamon and Fallon’s relationship, as well as Myva’s deceit, show the complex nature of acceptance. From the moment Fallon sees Cinnamon, he accepts she is his one fated mate. While this ready acceptance is just part of Fallon’s makeup as a dragon, Cinnamon, as a human, is not made the same way, and throughout the book, she grapples with what it means for her to accept Fallon’s morally questionable way of declaring his love. After the fight against Myva, Fallon deals with his desire to kill anyone who thought about hurting Cinnamon by bringing her back to the island from Chapter 12 and doting on her. While Cinnamon loves him and appreciates his actions, “The fact that this man could go from cutting someone in half to cooking me one of my favorite dishes after building me a fucking beach house was too much to handle (249-50). Cinnamon struggles to accept Fallon’s affection because, while she understands it comes from his fear of losing her, she refuses to let his fear put everyone around her in danger. Thus, her suggestion of a protective shield is a compromise that allows her to accept Fallon’s fear without belittling his emotions. Since the shield will keep Cinnamon safe, Fallon accepts it as a way to get what he wants without depriving Cinnamon of things that make her happy, such as being around her family. This compromise is a choice for both characters, thus showing how their acceptance of the others’ wishes is a decision they make together. In this way, the novel underscores the idea that acceptance isn’t submission, but mutual understanding—offering an important angle on consent and emotional negotiation.
While Fallon and Cinnamon’s relationship shows how choosing to accept allows for compromise and positive outcomes, Myva’s lies symbolize what happens when people are not given the opportunity to choose what they will accept. At the beginning of the book, Cinnamon (among other humans) accepts what she believes is true—that Myva is a goddess who protects her from demons—because she has no evidence to suggest she should not accept this truth. In doing so, Cinnamon reveals that acceptance is the same as not asking questions, seen by how she chooses to accept a lie rather than ask questions to get to the truth. When Cinnamon encounters information that suggests what she knows is false, she then chooses to seek new information so she can make an informed choice about what to believe. She could have done this before, but Myva’s lies combined with how she passed herself off as a trustworthy source kept Cinnamon from believing there was anything to question. Myva’s actions and lies reveal the problem with omitting the choice of what to accept. By choosing to believe Myva, the humans of the story world do untold harm to demons. By finally choosing to question what she thinks she knows, Cinnamon does her part to start undoing this harm, representing the power she holds with her choices.



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