43 pages 1-hour read

The Acorn People

Nonfiction | Autobiography / Memoir | Middle Grade | Published in 1976

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Literary Devices

Content Warning: This section of the guide includes discussion of ableism and cursing.

Humor

Ron Jones often uses humor in his narration to help lighten the tone of a book that describes many frustrating or upsetting scenes, as it recounts numerous examples of individual and structural ableism. When he first sees the campers being dropped off, discovering for the first time the sheer breadth and severity of their disabilities, he thinks, “Oh shit,” lending wry levity to his moment of panic. In addition, he makes several cultural references that would have appealed to audiences at the time, and he frequently expresses amusement at some of the children’s behaviors—not because of their disabilities but because they act in the same youthful (and sometimes silly) ways as other children.


The kids’ sense of humor in the narrative is likewise constant, alleviating stress as they encourage each other not to become disheartened. The Acorn Society is full of jokes, such as when the group becomes overwhelmed on Lookout Mountain and Martin begins pretending they are part of a 19th-century group of explorers navigating a remote jungle. He begins naming the features of the mountain after Benny B. to make him laugh, understanding that the campers in wheelchairs face different and sometimes more limiting difficulties than he does as a blind boy. Their sense of humor when facing adversity continues throughout the book, allowing them to maintain their will to continue even when circumstances seem overwhelming. The use of humor allows for a more sincere, complex tone, rather than allowing the memoir to be sad or impersonal by focusing solely on the negative interactions that those with disabilities experience. It also makes the characters (both Ron and the children) more rounded.

Hyperbole

The bulk of the first chapter consists of Ron’s detailed descriptions of the many disabilities he sees in the children arriving at camp and how those disabilities make settling in incredibly difficult, for them and himself. He uses similes and metaphors and often resorts to hyperbole to help illustrate how unfamiliar he finds the disabilities at first, emphasizing the difference between himself and the campers to a degree that is, by many standards, dehumanizing. For example, he calls them “[b]eings without visible life” (2), removing their personhood and reducing them to the descriptions of their bodies, which is likely how many people in society viewed them during this time when people were fighting for disability rights. He questions how to deal with “hydrocephalic children with heads that look[] like melons about to burst” and campers “pallid in color and spirit” (2), dramatic language that emphasizes the divide between him and them, before the children themselves later break down that divide.


Through hyperbole, Ron chronicles his journey from overtly ableist to understanding the plight of children with disabilities and seeking to support them, clearly defining both his starting point and his upward trajectory from there. The language is uncomfortable, inappropriate, and offensive, and while he says none of it out loud, his attitude noticeably impacts his actions, as he is frustrated and snappish with the children by the end of the first night. In the memoir, Ron chooses not to soften his initial perspective of disability and perhaps intentionally chooses inflammatory language to be open about how he internalized values from the society-wide oppression of people with disabilities. This sharply contrasts with the extremely sympathetic, appreciative, and humanizing language he uses to describe his experience once his perspective changes.

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