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Bailey goes to the library to look for information on Theodore and Sara. She reads through several books and plans to return. Afterward, she gets lunch and begins to sketch the Dakota from a bench outside. Kenneth finds her there, and she asks if he knows anything about Sara. Bailey tells him about the cottage sketch, and Kenneth says he’ll ask around. They go to his apartment because he wants to buy Bailey’s drawing, and he pays her $100 for it. Bailey goes to the basement, and Renzo helps her open Theodore’s trunk. Inside, they find tubes containing architectural plans, and many dates from the same month Camden was murdered: November 1885. Bailey tips one tube over, and a piece of metal and a small stick fall out. Renzo realizes it is the sheath that fits an old knife recently unearthed in the park across the street. The blade is now at the Met. Bailey realizes the small “stick” is Theodore’s finger bone.
In Minnie’s trunk, Bailey finds a purse containing a note addressed to Christopher from a woman claiming to be his mother, and she says that Theodore Camden is his father. The signature is illegible but starts with an “S.” Bailey shows Renzo, and he puts everything in his office safe. Bailey believes the note is proof that she is Camden’s descendant.
Sara awakens in a strange room, and a new doctor comes to see her. He promises to do all he can to help Sara, but a nurse drugs her, and Sara passes out again. When she wakes, the doctor tells her the baby died and that he was severely malformed. He says she needs to focus on recovery and tells her the baby was buried near the Charity Hospital. Sara enters a deep depression and contemplates death by suicide; she’s moved to a new room.
A few days later, she gets a roommate who introduces herself as Nellie Brown. Nellie can see Sara is not “insane,” and she prevails on Sara to open up. Several days later, Natalia tells Sara that Nellie was there for a few days but disappeared. The women discuss the improved quality of the food for the past several days and how they each received new bed linens. One of the nurses asks Sara to accompany her to the superintendent’s office; when she arrives, she sees Nellie. The superintendent tells Sara that she is free to go.
Nellie’s real name is Nellie Bly, and she’s an undercover journalist who cleared Sara’s name. Sara walks outside with Nellie, and Natalia comes to say goodbye. Sara promises she will not forget Natalia. On the ferry, Nellie shows Sara her article, exposing the conditions at the psychiatric hospital. She takes Sara to a hotel to get cleaned up and says everyone in the city knows Sara’s name. Daisy was arrested for theft a few months after Sara, and she admitted to stealing the emerald necklace and putting it on Sara’s desk. Though Daisy confessed, Mr. Douglas let Sara languish in the psychiatric hospital, telling everyone she chose to return to England. He was fired when the truth came out, and Sara has been offered her job back. After seven months away, Nellie tells her to relax, though Theodore wants to see her. He contacted Nellie the day she published Sara’s story.
The next day, Nellie takes Sara to Camden’s office. When Sara sees him, she cries, relieved that he didn’t forget her after all. He says that Mr. Douglas told him that she went back to England, and this is why he didn’t pursue her. Theo conveys his wife’s apologies; she grew ill and went to the country, though Sara still thinks Minnie was behind the “scheme” to incarcerate her. Mrs. Haines also reported that she saw Daisy walking in Central Park with the very man who broke into her room. Now, Sara thinks that “something had seemed off” the night he broke in (256), especially because Daisy avoided eye contact. Theo invites Sara to work for him, and he assures her that he and Minnie have come to “an understanding” that they have different priorities, and he is free to pursue his ambitions. He offers to get her an apartment in the building, and she accepts.
Bailey spends hours at the library reading Nellie Bly’s articles. She feels for Sara, especially because Christopher never received her letter. Bailey blames Minnie for hiding the truth. Bailey goes to lunch with Melinda and Tony and tells them about the letter. Bailey suggests she could be Theodore’s descendant, and Melinda impatiently demands that she “stop this” and “[l]et it go, already” (263). She tries to change the subject, but Tony is interested. Bailey tells him about the sheath she found with Renzo, which also annoys Melinda. However, when Tony suggests the sheath might be valuable, Melinda is all ears. She assumes that because the sheath was found with “[her] stuff,” it belongs to her. Bailey is disappointed that Melinda cares more about the value of the sheath than the possibility that they might be cousins.
Melinda and Tony accompany Bailey to Renzo’s office, and he shows them the sheath and bone. The couple are “crass” and “careless,” insisting that since she found the sheath in Theodore’s trunk, it belongs to Melinda. However, the trunk was in the building’s storage area, not Melinda’s, so Renzo insists they go through the management company. Tony suggests they might be able to prove the sheath and bone were Theodore’s because they can get the DNA tested to see if it matches Melinda’s. Bailey would like to have her DNA tested too, but Melinda refuses.
Sara is allowed to live for free at the Dakota for one year. Theo’s new firm doesn’t get much business because he hasn’t yet made a name for himself, and Sara encourages him to do so during an upcoming speech he is scheduled to give. They work on it together. He talks about the city of the future: what it could be like and how space could benefit everyone, including the poorer tenants who typically live in overcrowded, squalid tenements. The speech is a resounding success, and Theo tells Sara he loves her; she returns the sentiment, determined to hold onto happiness.
Sara and Theo renew their intimacy that night, and, a few days later, she accompanies him to a client meeting. He forgot some papers, so she returns to his apartment for them. When she arrives, Mrs. Haines is there to oversee the delivery of a crib. Sara now wonders if Mrs. Camden was moved upstate because she was pregnant, not sick.
That night, Sara asks Theo about the crib. He explains that his wife befriended an ill but pregnant young woman who asked her to care for the baby after her death. Mrs. Camden agrees against Theo’s wishes, but he says this is his agreement: his wife can keep the baby, and he can keep Sara. The baby’s name is Christopher. Sara doesn’t feel she can agree to carry on sleeping with Theo while his wife is here.
One weekend, Theo leaves town, but he promises to stop at Sara’s apartment when he returns. While he’s gone, though, Sara has an overwhelming urge to walk to see the Camdens’ apartment, but when she reaches the hallway, she finds Lula crying. Lula says her mother is ill, so Sara enters. She immediately calls for the doctor for Mrs. Camden, and she hears the baby wailing. With the nanny gone, Sara tries to comfort the child. Though Mrs. Camden’s expression reveals no emotion, Sara can tell she knows everything about Theo and Sara’s relationship.
Melinda’s apartment is rapidly changing, and Bailey goes to AA every morning. Melinda warns her to keep away from Renzo, but Bailey decides to visit Fred Osborn, the family’s financial advisor. She tells him of her suspicion that Christopher is the son of Sara Smythe and Theo Camden, but if she wants her DNA tested, she’ll have to pay for it. Further, though the trust was set up to benefit Theodore Camden’s blood descendants, only men’s DNA can be tested. Therefore, Manvel, rather than Melinda, submitted a blood sample. Bailey confirms that her father could be tested to see if he’s a match.
Later, Bailey calls Jack, but he’s out, so she goes to Kenneth’s apartment. Renzo is there, and Bailey updates him on the DNA testing. He doesn’t like how Melinda and Tony treat Bailey, and he accuses her of maintaining a toxic relationship because she lacks courage. Kenneth introduces Bailey to a slew of friends who all want to buy her sketches of the Dakota. She makes enough money to pay for the DNA testing. When she finally reaches Jack, though, he doesn’t want to provide a blood sample. He doesn’t want her to “unravel” the past, saying it won’t lead to anything good. When she tells him that he hasn’t escaped his past, he hangs up on her.
The text continues to depict The Resilience of Women through the experiences of protagonists, Bailey and Sara, and minor female characters, Nelly Bly and Minnie Camden. It is Nellie who reveals the truth about the psychiatric hospital and fights for Sara’s freedom. Nellie even submits to horrifying treatment herself to learn about the hospital’s abuse and mistreatment of patients. Then, after seven months of abuse and imprisonment, Sara returns to work, assisting Theo in his new business, even buoying him up when he begins to despair of becoming successful. She also confronts the uncomfortable presence of Minnie Camden and assists the bedridden woman, though Sara believes that Minnie is responsible for her incarceration. Minnie, for her part, endures prolonged illnesses and, according to Sara, knows of her husband’s infidelity and must live with the daily possibility and humiliation of meeting his lover. Though Melinda and Jack throw out Bailey’s hopes of discovering her ancestry, she continues to try to find ways to uncover her past and learn her heritage because it means so much to her. The persistence of these female characters underscores the strength and resilience it takes to overcome the challenges of patriarchal structures.
As they gain more experience and become more resilient, Sara and Bailey begin to learn hard truths about who they can trust and who is less deserving, demonstrating the text’s continued exploration of The Fragile Nature of Trust and Betrayal. Melinda’s rejection of Bailey’s desire to have her DNA tested reveals how little Melinda cares for her. As a result, Bailey begins to respect Melinda’s authority less and less, just like Sara, who, “after Blackwell’s, […] no longer accepted another’s authority so easily” (273). Both Sara and Bailey have trusted most people around them, which is part of what makes the revelation of Daisy’s crimes so shocking. However, when Sara looks back, she can identify clues that might have alerted her to Daisy’s duplicity if she’d been mindful of them rather than trusting her implicitly from the beginning. The evolving realizations of Sara and Bailey regarding trust and betrayal emphasize the novel’s focus on their precarious nature.
The text further explores The Fragile Nature of Trust and Betrayal, as it becomes harder to discern who is trustworthy and who is not. Mr. Douglas was untrustworthy, despite his appearance of reliability. Sara and Bailey both suspect Minnie of deception though Mrs. Camden has done nothing to warrant such suspicion. Daisy seemed innocent, while Sara suspected Mrs. Haines of deceit; however, Sara was wrong on both counts. Kenneth tells Bailey, “The building is chock-full of misfits and betrayal, wealthy people using their assets to control their loved ones. That’s true anywhere, of course, but at the Dakota, it’s amplified a thousand times” (227). He’s referring to people like Melinda, though he acknowledges that the pattern is widespread and could include people like Theodore Camden. This deepening sense of mistrust continues to emphasize the fraught nature of trust, foreshadowing the sheer scale of the deceptions to come.
Like Melinda, Theodore usually says the right thing, but he does not attempt to contact Sara after Mr. Douglas tells him that she returned to England. He claims to love her, yet he fails to contact her or try to exonerate her before Daisy’s confession. In addition, his casual attitude and infidelity, despite his wife’s illness, make him look unfeeling. Even the appearance of the sheath in his trunk is suspicious; only he and Sara were in the room with the knife at the Rutherfords’ ball. It is not likely to have ended up in his things unless he took it. Despite Sara’s belief that she can tell a good man from a bad, her track record of judgment doesn’t support it. The inconsistencies in Theodore’s behavior further highlight The Fragile Nature of Trust and Betrayal.
The author continues to advance The Inescapability of the Past in these chapters, especially as it seems more and more likely that Bailey is a Camden by blood. The death of Bailey’s mother puts her on a dangerous path, and she believes that if she figures out her family history, navigating the future may be less difficult. She has long sought to avoid pain, self-medicating with drugs and alcohol and Melinda’s approval, but she begins to realize that understanding her past could help to alleviate this pain by providing her with a sense of belonging, something she never got from her emotionally withholding father. Bailey’s recognition of her past’s influence on her present highlights her continued desire to reckon with her identity and sense of belonging.
Like his father before him, Jack sought to sever ties with the Camdens to escape the painfulness of Christopher’s apparent exclusion and betrayal. Bailey points out that Jack hasn’t succeeded in shedding his past because his life choices and persona are responses to it; he’s prided himself in being what the Camdens aren’t: hardworking, unfussy, and austere. To Bailey, Jack tries to hide from the past, and he fails, making himself and those around him unhappy too. Conversely, if she tries to uncover the past and learn its truths—the good and the bad—she believes she might find belonging and peace. While she cannot avoid the past’s influence on the present, Bailey believes she might be able to improve on her current circumstances if she faces it. This commitment toward reconciling with her past illustrates the novel’s exploration of confronting history to achieve personal growth and find belonging.



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