53 pages • 1-hour read
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Rosie reflects on recent events, chagrined by her vulnerability (her crying out of frustration) in front of Lucas; her tendency to rely on him is a stark departure from her usual role as a source of support to others. As she struggles to write, she is interrupted by a call from Lina. Despite Lina’s assurance that sharing problems won’t diminish her enjoyment of her honeymoon, Rosie does not reveal her living situation with Lucas. She does share her writer’s block, openly pondering a return to engineering. Lina reminds Rosie that she is talented and that her entire family loved Rosie’s first book, especially Lucas’s sister, Charo; the second book involves the heroine’s best friend from the first book exploring modern dating. Lina suggests Rosie do the same, despite Rosie failing to find men who truly value her. She then suggests approaching dates as research—“Field work. As if you were running an experiment” (115)—until Rosie finds genuine romance.
Rosie’s anxiety increases when she realizes Lucas likely overheard her conversation, due to being on speaker. Lucas presents her with a box of Cronuts, which she regretfully recalls mentioning “after [she’d] informed him [she] was on [her] period, and right before [she’d] covered his sweatshirt in snot” (118). He insists he is happy to help, and the two agree on “cronut you” as an alternative phrase for “thank you” (118). He then asks Rosie about her dating history and struggle with writing.
Lucas confesses to eavesdropping on Rosie’s call. He asks her to trust him with her problems as she would Lina. He again asks about her dating history. Rosie launches into tales of woe, including a date who was volatile with her to test his prospective screenplay. Lucas is horrified and offers to be Rosie’s partner in a dating experiment. He is delighted to learn that she is the author of the book his sister loves, under the pen name Rosalyn Sage (with her real first name being Rosalyn). He voices wanting to spend time with her and gestures to his leg as an indication he should stay close to home. Rosie is curious but does not press him about the nature of his injury.
Rosie is concerned about a simulated romance interfering with their living situation, but Lucas assures her that he can compartmentalize: “I promise I will not fall in love with you and make things awkward, Rosalyn Sage” (129). She agrees to four experimental dates to help her writer’s block, despite her disappointment with Lucas’s promise of a fake romance (rather than a real one). They embrace as confirmation of their deal, and Lucas plans dinner.
Rosie writes Lucas instructions for meeting the four key phases of romance. She is worried that the experimental dates will confuse her emotions. As Lucas plans a date for the evening, Lina texts her that Lucas is in town but that she is under no obligation to entertain him. This adds to Rosie’s guilt for not mentioning their living situation. That evening, Lucas knocks on the door as if arriving to pick Rosie up and flirts with her. Rosie is both anxious and delighted, as this act is a departure from the casual Lucas. He also presents her with an “I <3 NYC” cap to match the one he bought for himself. He quotes Rosie’s instruction manual about first dates and reminds her that their meet-cute already happened when she mistook him for a burglar.
Rosie and Lucas arrive at a record store, where Lucas instructs her to pick an album: “[W]hatever you choose will be our soundtrack” (142). She accuses him of being overly sentimental, and he tickles her. She struggles to pick an album, as one reminds her of her high school prom date throwing up on her. Lucas talks about his family walking in on him during an intimate moment with his high school girlfriend; his grandmother punished him for this awkward moment by insisting he learn how to bake. Rosie is flattered when Lucas says, “I don’t go putting on an apron for just anybody” (148).
Back at the apartment, Lucas is curious why Rosie selected ABBA’s hit single, “Dancing Queen.” Rosie admits she knows the lyrics are sad, but every personal memory she has of the song is joyful. Lucas teases her about being a fan of the musical Mamma Mia and hints that her choice of song will feature in their next activity. He stops by Adele’s apartment to pick up a record player he left with her. Rosie is stunned by the gift but chagrined to learn he helped a stranger move furniture to acquire it.
Lucas plays the song and dances; Rosie is clearly charmed. They dance joyfully, suddenly caught up in the chemistry between them. Suddenly, the record stops and Rosie hears squeaking: The box that contained the record player contains a rat. Rosie, terrified of rodents, jumps into Lucas’s arms, and he sets her atop the kitchen counter. She calms down and expresses concern about his leg, but he does his best to ignore the pain.
As Lucas shepherds the rat into a box, there is a knock at the door. A middle-aged woman arrives, introducing herself as Adele’s daughter, Alexia. She thanks Lucas for regularly spending time with her mother, as she and her wife have struggled to find care workers to keep her safe during the day. She explains that Lucas resembles her late father, Mateo, explaining why Adele is drawn to him and often calls him by this name. After Alexia leaves, Lucas takes the rat outside, reminding himself of his obligation to Rosie.
In this section, Armas focuses on Rosie’s creative predicament in order to deepen the romantic tension between her and Lucas and furthers the theme of Imposter Syndrome and Authenticity through Rosie’s conversation with Lina. Lina assures her friend that her recent marriage has not changed their friendship and offers reassurances about her writing talent. The friends’ conversation harkens back to The Spanish Love Deception, in which Rosie serves as Lina’s source of support in her relationship with coworker-turned-husband Aaron. Now, their roles are reversed, with Rosie feeling uncomfortable about expressing her own vulnerability. Like Rosie’s concealment of her career change from her family, her hiding Lucas’s presence (as part of their shared living) exacerbates her imposter syndrome, as she claims to value Lina’s friendship yet struggles to confide in her.
However, Lucas’s offer to act as a confidant to Rosie in Lina’s absence is more than platonic. His horror at Rosie’s dating history and eagerness to be her partner in a dating experiment suggest he will not keep his promise to avoid romantic attachment. Rosie agrees to the experiment out of her desire for Lucas and her desire to solve her creative predicament. She persuades herself that she can enact a love story without risks to overcome her writer’s block. Lucas further persuades her by alluding to his recent injury, suggesting that for him, simulated romance is a way to end his isolation yet avoid lasting attachment. At this point, Rosie has explained much of her life to Lucas, bar her longtime interest in him as a possible partner. For all his banter and flirting, Lucas still remains guarded about his own life, preferring to cast himself as Rosie’s pretend boyfriend, the hero of their experimental narrative.
However, Lucas finds this heroic role at odds with reality—as per the Tensions Between Romantic Narratives and Reality—not due to lack of commitment, but random chance. On their first date at a record store, Rosie selects a song she loves, but it is not, strictly speaking, ideal for romance. Lucas’s handling of the song choice ends in a mishap, as a rat makes its way into the apartment and interrupts the pair’s dance. Despite her desire for belonging and order, Rosie accepts the risks of the dating experiment, while Lucas unexpectedly reveals a similar perfectionism as her; he has trouble maneuvering Rosie and trapping the rat. He is frustrated by any reminder of his physical limitations (due to his injury), underlining that he is, to an extent, trapped in the mindset that men must physically protect and support women—and to do less is somehow emasculating. Rosie is drawn to Lucas despite these mishaps, but his own struggle to accept vulnerability will define much of their efforts to truly understand each other.



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