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Content Warning: This section of the guide includes discussion of death.
Six months later, Uncle Paul gets ready to present the aquanaut (or so everyone thinks) to the world. Instead, he has hired a man to play the aquanaut while the real sea creatures attempt an escape in a new suit. Paul wears a red beanie with his suit in homage to Jacques Cousteau and manages to get Mr. Lula and some other people to go away by telling them he needs to check the animals’ health. Unfortunately, the man in the suit trips over his boot on the stage, and his helmet falls off. This exposes Paul as a fraud, and Mr. Lula is irate. He demands to know where the real aquanaut is, but the real one has already gone to find Sophia. Inside her father’s journal is an escape plan for Aqualand, and Sophia and the aquanaut use it to get past the guards.
Paul sits in an office with the angry Mr. Lula, who demands to have the aquanaut back. Paul doesn’t care if he loses his job anymore because he can always go back to being a marine biologist in the ocean. When Mr. Lula realizes that the aquanaut must be in the squid exhibit, he sends all the guards there. Sophia and the aquanaut run past the massive black squid tank, and Sodapop is terrified but works through his fear. They reach the control room, and Sophia looks for a water valve that will flush out the squid tank. The plan is for the aquanaut to jump in the water with the squid and go back out to sea. The guards approach, and the aquanaut tries to hold them off, but Mr. Lula grabs Carlos and breaks off one of his tentacles. Carlos is hurt, but his tentacle will grow back. Sophia opens the valve, and all four sea creatures agree that they must take the risk of swimming with the squid. The aquanaut grabs an axe and heads for the tank. Before they leave, Sophia gives them her dad’s last shell, and they give her Sodapop’s can. Sophia hugs the aquanaut with tears in her eyes and then pushes them into the water. They plunge into the deep as the water grows darker and darker.
The aquanaut is alone with the giant squid in the darkness of the tank. They can see nothing but blackness at first, and Sodapop panics as the others try to calm him down. The squid grabs the axe out of the aquanaut’s hand, breaks it instantly, and then grabs the aquanaut. As it holds on tighter and tighter, the aquanaut stares into the massive squid’s deep, black eyes. The squid’s barbs start breaking through the aquanaut’s suit and helmet, and the space gets tighter and tighter. Sodapop decides that he has no choice but to confront the squid, believing it is scared. The top of the diving helmet opens, and Sodapop drifts out toward the squid. He gasps at its size but tries to take it by the tentacle to help it find its way out. Sodapop leads the squid down the drain, and the other animals follow.
Six months later, Paul closes Aqualand and decides to go back to working in the ocean. He knows now that as long as he is surrounded by people he loves, like Sophia, he is home wherever he goes. He takes Sophia on his new boat, which he names Michel Revoy, and they set out to explore and discover. Sophia carries the can around her neck on a necklace as she anticipates what is ahead. Paul takes his submarine down to the depths of the ocean to see the aquanaut and finally explore the wreckage of the boat on which his brother died.
Another six months pass, and everyone’s lives are changing yet again. Paul risks his career trying to help the aquanaut escape by using a fake one instead and ends up exposed. However, after months of reflection, Paul has realized that he doesn’t need Aqualand or investors to do what he truly loves, understanding that he will always have his reputation as a renowned researcher. While Paul is technically exposed as a “fraud,” in reality, it is the first time he is living with truth as his main priority. Before Sophia helps the aquanaut escape, they exchange their shell and can with one another, symbolizing Finding Home in Family and the fact that they will always be friends. They each helped each other in different ways, and there is gratitude in Sophia’s eyes as she accepts the can. This time, Sophia knows that she isn’t saying goodbye forever and that no matter what happens, the people (and sea creatures) she loves will always be with her.
The novel’s climax is an emotional moment, which Santat visually reflects with heavily inked panels and an emphasis on the size and power of the giant squid. When the aquanaut takes the plunge into the squid tank, it is a pivotal moment, especially for Sodapop, who has long since had a strong fear of giant squids. Sodapop relies on his biggest talent, which is empathizing with other animals, to connect with the squid and guide it to safety. The squid is larger than the pages themselves, and Sodapop appears like an ant next to it. However, he does not let their difference in size stop a connection from forming. When he leaves the diving suit, Santat depicts the emergence in slow-motion frames, signifying how much Sodapop has grown and found The Courage to Face Fears.
The sea creatures came to Aqualand to find safety and what they thought would be their new home, but instead, they ended up craving a return to the ocean from where they came. At the same time, they learned that home is always wherever they are together, whether that is on land or in the sea, and solidified their commitment to The Right of All Creatures to Live Freely. Paul and Sophia learn to find support in one another and solidify themselves as a new family unit, and Sophia even accompanies Paul on his first expedition. Like the sea creatures, Paul learns that home is where the people he loves are, and he knows now that that means Sophia. The novel’s final scene, in which Paul returns to the shipwreck that took Michel’s life, demonstrates that Paul is finally willing to confront his loss and do what is necessary to process it and move on healthily. In this way, Paul goes through his journey of discovering the courage to face fears, though his fears are different than Sodapop’s. Both lost someone dear to them, and both responded by emotionally protecting themselves from the world. All this changed, however, when they came into each other’s lives. As the narrative ends, both have confronted their fears and emerged on the other side, ready to live alongside their processed grief.



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