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Jung shifts his attention from the Great Mother archetype to the Child archetype. He begins by reiterating his main concepts thus far, including that dreams are an important realm in which psychoses and mythological visions of archetypes emerge. They give insight into the experiences of both the personal and collective unconscious. He then argues that the pervasiveness of archetypes in different cultures, including that of the Child archetype, provides proof of the existence of the collective unconscious. For any individual, archetypes appear involuntarily, shaping both personal experience and mythological forms.
Jung declares that the unconscious realm is of great value to psychological study. The products of unconscious activity are visual representations that come in two forms: fantasies (including dreams) that are either personal or impersonal. The former is related directly to personal experience, while the latter derives from the deeper collective unconscious. The product of the collective unconscious is the archetype, and archetypes apply both positive and negative impacts on the psyche simultaneously and with great force. Jung says that “Archetypes were, and still are, living psychic forces that demand to be taken seriously” (157). The meaning of archetypes is complex, incorporating dualities into one vision of wholeness.
The Child archetype, sometimes referred to as the Child-God archetype, appears across many cultural and religious traditions. The Christ-Child of the Christian tradition and the childlike image of the Buddha in the Buddhist tradition both demonstrate its prevalence. Jung argues that each archetype serves a specific purpose, and the Child archetype represents a concept of wholeness, which is further symbolized through the image of the mandala. He traces the ways in which images of children in dreams, visions, and mythologies symbolize elements of past, present, and future. The convergence of past, present, and future within the Child archetype takes place when a patient embarks on the process of individuation.
After exploring the Child archetype, Jung examines the Greek myth of Demeter and her daughter Kore (later referred to as Persephone). In previous chapters, Jung discussed the relationship between Demeter and the archetype of the Great Mother; here, he explores Kore’s symbolic significance and her relationship with her mother.
The story details how Demeter’s daughter Kore was kidnapped by Hades, god of the underworld. Demeter’s grief causes a great famine as her focus on fertility is directed away from crops. Jung uses this myth to illustrate the relationship between the archetypes of the Great Mother and the Child God, or the Maiden. Both Demeter and Kore also reveal the duality of their archetypes. Demeter—goddess of fertility and maternity—denies humans these qualities in the Shadow side of her own archetype. Kore, meanwhile undergoes a transformation from the Child archetype to the goddess of the underworld, offering another duality.
Jung argues that Kore’s integration of the Animus archetype further emphasizes syzygy or the union of opposites, writing: “It is an essential characteristic of psychic figures that they are duplex or at least capable of duplication; at all events they are bipolar and oscillate between their positive and negative meanings” (183). As a symbolic manifestation of two archetypes—the Maiden and the Child-God—Kore exhibits qualities of both strength and helplessness.
To illustrates these archetypes’ psychological impact, Jung then provides case studies of how the Child-God and the Maiden archetypes have manifested in his patients’ psyches. Using the process of active imagination—which involves talk therapy or other therapeutic techniques, including drawing and painting—Jung elicited visionary representations of these archetypes from his patients. In many of his patients’ visions of these archetypes, expressions of the Maiden or the Child-God correspond with religious mythology and iconography.
The complex nature of the Child archetype reflects The Duality of Archetypes and underscores Jung’s assertion that individuation is the key to psychological healing. Jung links the Child archetype to past, present, and future. The Child represents the past as it connects to personal childhood experience. Jung argues that this is an extremely important element of the archetype in relation to the personal unconscious. The personal and collective unconscious realms contain associations to the Child archetype through repressed memories and experiences. The Child also connects to the present through childlike joy and in the reframing of present experiences. Finally, the Child connects to the future as children represent hope and are symbols of the future itself. According to Jung, this archetype’s ability to inhabit all three temporal realms makes it an important symbol of wholeness. He says: “It is therefore a symbol which unites the opposites; a mediator, bringer of healing, that is, one who makes whole” (164).
Jung further explores the ideas of wholeness as the unity of dualities through the myth of Demeter and Kore (who is also known as Persephone). This story from Greek mythology aligns with the process of wholeness, individuation, and the theme of Confronting the Self. The act of confronting the self, individuation, is a journey toward wholeness that occurs when the unconscious is integrated into consciousness. This is mirrored in Kore’s transition from the Child to queen of the underworld.
In the myth, Demeter, goddess of harvest and fertility, is devastated when her daughter Kore is abducted by Hades. In her search for her daughter, she neglects her duties, causing famine across the land. This reflects the dualities within the Great Mother archetype, showing how she is both nurturer and destroyer. In the meanwhile, Kore undergoes a transformation of her own. Though initially a passive figure, she becomes ruler of the underworld, signifying a shift from helplessness to empowerment. Jung uses this narrative to show how Kore is the archetype of the Maiden—an archetype with strong links to the Child-God—and possesses dualities. She is both victim and ruler.
The myth’s resolution reinforces the archetype of rebirth. After negotiating with Hades, Kore returns to the surface world for part of the year, representing a change of seasons and the renewal of life. Jung sees this as a metaphor for psychic rebirth: Immersion in the unconscious (which is represented by the underworld) is necessary for personal growth. Kore’s journey also reflects the process of individuation as a process of integrating opposites into a harmonious whole.



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