50 pages 1-hour read

The Arrangement

Fiction | Novel | Adult | Published in 2021

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Chapters 9-17Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death, graphic violence, self-harm, disordered eating, and sexual content.

Chapter 9 Summary: “Ainsley”

Ainsley hears a noise outside her house and suspects that Peter is home early from his date. However, the noise turns out to be her best friend, Glennon, ending a call with her mother on the porch. Ainsley invites Glennon inside for wine, lying and saying that Peter is at a “work thing” rather than revealing their arrangement.


In the kitchen, Ainsley gets a bottle of wine while Glennon retrieves glasses and cheddar popcorn. When Glennon notices that Ainsley seems troubled and inquires, Ainsley deflects, avoiding discussing the arrangement. Sensing evasion, Glennon opens a second bottle of wine and shares gossip about her husband Seth’s new assistant, Donna. They relax in the living room, watching TV and drinking wine for hours. Ainsley realizes that she enjoys Glennon’s company more than Peter’s.

Chapter 10 Summary: “Peter”

Peter arrives home after his date with Mallory feeling disheveled and guilty. Finding Ainsley and Glennon in the living room, he offers an awkward greeting when Ainsley, tipsy, asks if he had fun. He retreats to the shower, where he reflects on his pattern of serial infidelity and the associated guilt, noting that even with permission through their arrangement, he still feels just as guilty as he did in the past. After vigorously showering, Peter examines signs of aging in the mirror before joining Ainsley in their bedroom.


In the bedroom, Ainsley, very intoxicated, calls Peter sexy and initiates a passionate kiss. She removes her hot pink robe, revealing that she is naked, and they engage in passionate sex, reconnecting intimately for the first time in years. Peter feels unusually free of worry during this encounter and wonders if Ainsley’s plan to improve their marriage is working.

Chapter 11 Summary: “Ainsley”

The next morning, Ainsley and Peter experience awkwardness but positive feelings, avoiding discussion of their intimate night. After dropping their children off at school, Ainsley drives to work. She receives two insistent messages from Stefan on the Dater app and ponders how to deter Stefan’s interest. She also needs to find a new date for next Tuesday.


At the bank, Ainsley waits in her car until she sees the all-clear security signal from her coworker Brenda, who unlocks the bank. In her office, she reads Stefan’s messages. Rereading his second message, she freezes in shock, realizing that Stefan called her Ainsley—he knows her real name despite her using a pseudonym on the app.

Chapter 12 Summary: “Peter”

While Peter is on a call with a contractor, Gina enters his office. After the call ends, Gina flirts with Peter, asking why he hasn’t texted her after they matched on the dating app. When Peter explains that he seeks something casual, Gina insists that she can handle casual and persuades him to agree to one date.


Gina insists on having their date that night, despite the fact that Friday nights are family time under Peter’s arrangement with Ainsley. Peter impulsively agrees to the date, knowing that he is violating their family-night plans and making the wrong choice.

Chapter 13 Summary: “Ainsley”

During work hours, Ainsley receives a text from Peter claiming that he has to work late and canceling family night. Disappointed, she replies with a simple acknowledgment. She reflects on her feelings of powerlessness and how, in the past, she dealt with them through unhealthy coping mechanisms including disordered eating and self-harm like purging, cutting, and over-exercising.


Ainsley receives another message from Stefan saying that they need to talk. She opens the app and blocks Stefan. Though she resolves to move on and hopes that blocking him is sufficient, she worries that this action might not be enough to end his pursuit.

Chapter 14 Summary: “Peter”

During dinner with Gina, Peter receives a panicked call from Ainsley: Stefan is at their house and won’t leave. He knows her real name and address. Peter immediately leaves Gina and rushes home, talking to Ainsley on the phone as he drives. They agree to end their arrangement as Peter arrives home and sees Stefan’s truck in the driveway.


Ainsley, still on the phone, reminds Peter of the metal baseball bat that he keeps in his car trunk. He retrieves it and confronts Stefan, who is on the porch. Stefan demands to see Ainsley and reveals a gun. 


When Ainsley opens the door screaming, Stefan lunges for her. Peter hits Stefan with the bat three times, killing him. Peter searches Stefan’s pockets and finds handcuffs and a police badge identifying him as a police officer. He insists that they cannot call the police and must hide the body. Ainsley reluctantly agrees.

Chapter 15 Summary: “Ainsley”

Peter and Ainsley remove the lattice at the base of their porch. Peter crawls underneath and begins digging, planning to bury Stefan’s body, wallet, and gun there. Ainsley drives Stefan’s truck to the airport parking lot, wipes her fingerprints, and leaves his wiped phone in it. Peter picks her up, and they return home. Peter cleans blood from the porch with bleach while Ainsley scrubs blood from her fingernails and washes their bloody clothes with extra bleach.


After meditating to regain composure, Ainsley faces their son Dylan, who returns home and notices the displaced porch lattice, the bleach smell, and her distress. She lies and says that she had a stomach bug, and Peter appears acting cheerfully normal. Dylan’s suspicions temporarily subside, and he goes to his bedroom. Ainsley tells Peter to fix the lattice while she showers.

Chapter 16 Summary: “Peter”

Unable to sleep due to guilt and fear, Peter and Ainsley discuss their next steps. They plan for Ainsley to dispose of the baseball bat in a dumpster and discuss whether they should move the body—Peter is worried that it will begin to smell under the porch. Peter worries that the police will trace Ainsley’s connection to Stefan through the app, but she reassures him, citing the Dater app’s privacy guarantees.


They speculate that Stefan used police resources to find Ainsley’s real identity and address. Ainsley feels responsible since she came up with the arrangement, but Peter insists that Stefan was a dangerous stalker. They agree to keep but not use the Dater app, effectively ending their arrangement. Ainsley expresses regret about the situation, and Peter apologizes while silently vowing to be a better husband, although he hides his date with Gina. They exchange “I love yous” before attempting to sleep.

Chapter 17 Summary: “Ainsley”

On Saturday morning, Ainsley drives to work, growing paranoid each time she sees a police car. She stops at a downtown alley and disposes of the bleached baseball bat in a dumpster. 


Glennon calls, wanting to meet for coffee after Ainsley gets off work. Ainsley lies to Glennon, saying that she can’t because they are having family photos taken. She notices that Glennon sounds strange and feels their friendship growing strained. Upon arriving at work, she discovers two police cars with flashing lights parked by the entrance, filling her with dread about the possible discovery of their crime.

Chapters 9-17 Analysis

The Performance of Domestic Normalcy as Survival becomes the central mechanism through which both Ainsley and Peter navigate the aftermath of Stefan’s murder, revealing how the maintenance of suburban respectability becomes more critical than genuine moral reckoning. When Dylan returns home and notices the displaced porch lattice and bleach smell, Ainsley immediately constructs an elaborate fiction about a stomach bug, transforming a crime-scene cleanup into a mundane domestic illness. Her ability to seamlessly shift into the role of concerned mother while concealing blood under her fingernails demonstrates the sophisticated performance skills that both characters have developed throughout their marriage. Peter’s overly enthusiastic greeting to Dylan illustrates how the couple instinctively amplifies their parental personas to mask their guilt, suggesting that their entire family dynamic has become a carefully orchestrated theater production. 


The theme of Control and Manipulation Disguised as Love emerges through Ainsley’s calculated selection of the Dater app and her retrospective justification of this choice as a protective measure. Her admission that she “[chose] that app for [them] to use” because she “didn’t want anyone to be able to find [them]” demonstrates a level of premeditation that contradicts her earlier presentation of their arrangement as a spontaneous solution to marital problems (107). This calculated approach extends to her response to Stefan’s stalking behavior, where she frames her decision to block him as a reasonable boundary rather than acknowledging her role in creating the dangerous situation. Her transformation from victim to strategist in the aftermath of the murder illustrates how she weaponizes the language of protection and problem-solving to maintain control over both the situation and Peter’s perception of her culpability. The way she positions herself as the rational planner while Peter spirals into panic allows her to dictate their cover-up strategy while simultaneously reinforcing her identity as the family’s problem solver.


The motif of blood and cleaning functions as literal evidence of Ainsley and Peter’s crime and as a physical manifestation of their internal thought processes. Ainsley’s obsessive attention to the blood under her fingernails becomes a recurring image that emphasizes the permanent nature of their transgression. Peter’s parallel experience of scrubbing the porch with bleach while Ainsley washes their clothes creates a ritualistic division of labor that mirrors their emotional processing of the crime. The pervasive smell of bleach that Dylan notices serves as an olfactory reminder that their attempts to sanitize their crime scene have paradoxically created new evidence of their guilt. This motif extends beyond the immediate aftermath of the murder to encompass their ongoing relationship with the truth, as each attempt to clean away evidence reveals new layers of deception that require additional concealment.


The transformation of their house and porch from symbols of domestic security into a literal burial ground represents the complete corruption of their family sanctuary and illustrates how violence fundamentally alters the meaning of intimate spaces. The elevated wraparound porch, traditionally a symbol of hospitality and openness in American domestic architecture, becomes the site of Stefan’s murder and subsequently his grave, inverting its symbolic function from welcome to concealment. The physical act of removing the lattice to access the crawl space beneath the porch transforms their home’s decorative elements into tools of criminality, while the burial itself converts the foundation of their domestic life into a crime scene they must navigate daily. The couple’s plan to eventually pour a new concrete patio over the burial site represents their intention to literally and figuratively bury their crime beneath a new foundation, yet this permanence also ensures that their home will forever be built upon their shared culpability.

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