65 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of death.
The novel quickly establishes that in a world that is increasingly self-centered and hostile, any show of kindness, compassion, or “niceness” becomes more difficult and dangerous, and these displays also tend to disgust self-centered people—like the Better Kind—who cannot understand such benevolent sentiments. Notably, all the protagonists are categorized by their niceness, although Benny remains the most prominent example. The kindness of characters such as Benny, Clerkenwell, Jurgen, and Mengistu gives them a unique perspective of the world and allows them to positively impact the people around them. However, as Benny reflects in Chapter 2, kindness and substance are no longer rewarded in contemporary American society. Instead, he notes that “flash, filigree, and flimflam defeat substance almost every time” (12). Yet, just as the biblical Job retains his piety throughout his difficulties, Benny retains his niceness, as well as his trust that the world will eventually reward “merit and hustle” once again. In other words, he believes that the moral arc of the universe is inclined toward justice. This corresponds with his mantra, echoing Leibniz, that “all is well in this best of all possible worlds” (64).
Unfortunately, Benny’s naïve belief in the world’s undiluted goodness causes him to trust too easily, and he therefore becomes a perfect target for the unscrupulous people who view niceness as a threat. In this context, Benny’s niceness becomes a burden and even a curse, especially when he allows others to abuse him without complaint. His tutor, Dr. Liebhaber, remarks on this when she explains why she finds Benny’s niceness so unsettling. As she states, “I have seen what life does to those who are sort of nice but much less nice than you are. They suffer” (330). Thus, it becomes clear that Benny often invites this suffering and makes no effort to stop it. Even when he loses his job, his girlfriend, and his professional reputation in a single day, he merely shrugs and reassures himself that it must be for the best “in this best of all possible worlds” (64).
Only after he befriends Spike does he learn to balance his niceness with wisdom. As Spike advises him, “Niceness plus free will minus wisdom equals death” (256). Through Spike, Koontz argues that niceness alone is both ineffective and deadly, becoming a dangerous weakness unless it is properly tempered by wisdom and courage—both of which Benny initially lacks. Over the course of the novel, however, Benny comes to understand that niceness, or mercy, must be balanced with an active pursuit of justice. Thus, when Benny decides to turn Urnfield’s bullet back upon her, overriding his kind nature, this moment becomes his turning point, and he finally comes to understand the truth of the world. In other words, he has gained the wisdom necessary to survive his own “nice” and self-sacrificing inclinations, thereby transforming his burden into a blessing.
The second major theme ties the novel most closely to its inspiration in the Book of Job, and that is the contradictory presence of evil in a world created by a just God. Both the Book of Job and The Bad Weather Friend address the issue of theodicy, which asks difficult existential questions about why evil exists in the world and why good people are allowed to suffer. Rather than echoing the answer given in Job, however, the narrative offers a different response. Though evil and suffering are complex issues with many causes, the novel posits a single probable source: the corruption of the wealthy ruling class, which is represented by the shadowy conspiracy group calling themselves the Better Kind.
As Upton, Urnfield, and the other members of the Better Kind declare their belief in their own superiority and righteousness, it is clear that they proceed based on the arrogant assumption that their wealth and status give them the right to enforce their own callous vision of the world. For example, Urnfield explains that her wealth and intelligence allow her to contemplate the problems of humanity, which she believes to arise from a world that has been “misbuilt and grossly mismanaged” (336). She therefore intends to use her wealth and power to rebuild the world as she sees fit.
In a sharp contrast to her overblown hubris, Spike summarizes the self-centered blindness of Urnfield’s worldview by stating that some people are convinced of their own goodness even as they do great evil; likewise, they believe that they can change the world for the better when they are actually “shaping it to suite their preferences and to hell with everyone else” (313). Thus, the novel argues that evil does not arise from some vast, unknowable force or God. (The novel does not posit that God does not exist, merely that he cannot be blamed for the evil in the world). Evil, the novel suggests, comes from people like Upton and Urnfield—sometimes in the form of a vast conspiracy group, but just as often from individuals who use their “free will and creativity […] to acquire power to oppress others” (370). In this way, Koontz ultimately strips away the surface-level absurdism of his narrative to reveal the moralistic goals at its heart, assigning each character (or group of characters) a specific allegorical meaning that illustrates his broader philosophical stance on the issue of theodicy.
Most crucially, however, the novel also suggests that if evil comes from people, then it can also be combated by people (or, in some cases, magical craggles). As Benny and Spike’s efforts indicate, evil is not infallible, and it can be defeated with sustained, coordinated effort. At its most didactic, the narrative argues that people “possess the power to weave the lives” that will create happiness both for themselves and others (370). To achieve this end, they have the wisdom to be nice but not too nice, thereby tying together the themes of evil and virtue.
As the bonds between Benny, Spike, and Harper soon prove, friendship and support allow moral, “nice” individuals to survive the evils of the world and the dangers of succumbing to one’s own kind nature. This dynamic is represented through the guiding purpose of the craggles, who appear on Earth to support those who are too nice to survive on their own. Initially, Spike positions himself in the role of Benny’s guardian, and when he explains that he works on Benny’s behalf whether Benny agrees or not, he removes all choice and equality from the relationship. Benny, in his nice and accepting nature, does not initially object to this arrangement, but over time, he refuses to let Spike “nanny” him and takes ownership of his own choices (205). When he sets this boundary, the pair’s relationship shifts more firmly into the realm of friendship, allowing Spike to offer advice and support that Benny can either choose to accept or reject.
As the two characters find this newer, healthier balance, Benny’s own inner confidence grows, and the narrative implies that friendship is one of the best tools for dealing with life’s more serious problems. Throughout the narrative, Benny acquires a small number of genuine and supportive friends. Jurgen and Mengistu safeguard his welfare in the flashback chapters, while Spike and Harper support him in the present-day timeline. It is eminently clear that Benny would not survive many of his ordeals without the encouragement and support of these friends.
Additionally, Benny’s friendships motivate him and give him the courage that he needs to acquire greater wisdom and balance his “niceness” with a sense of justice and the courage to carry it out. This pattern becomes particularly apparent in the flashback chapters when Benny describes his determination to follow Jurgen and Mengistu through the Headmaster’s Hanging Ground in search of Prescott. Though his decision is also motivated by teenage bravado and a sense of adventure, his true desire is to support his friends in this dangerous endeavor. Together, the three boys show much greater bravery than they would on their own.
Likewise, in the present-day timeline, Benny’s romantic feelings for Harper fuel his drive to resist the evil that he and Spike witness; for this reason, he makes the difficult choice to kill Urnfield with her own bullet. This crucial decision is foreshadowed in Chapter 46 when Benny says that he does not possess courage but then changes his mind as soon as he looks at Harper. Thus, his feelings for her make him brave enough to “take the bullet for her” if necessary (288). This moment of foreshadowing is fulfilled when he kills Urnfield to save Harper’s life, thereby sacrificing his own sense of mercy and goodness for Harper’s sake. With this scene, Koontz makes it clear that friendship inspires the wisdom and courage necessary to balance out the self-destructive aspects of one’s own niceness.



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