35 pages • 1-hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
“The Convert” by G. K. Chesterton
This lyric poem is told in the first person by Lazarus, the man whom Jesus raised from the dead, according to the Gospels. He says he has no interest in what any of the “sages” say about life, in spite of all their learning. All intellectual discussion about the nature of life is meaningless to him because the simple fact that he came back from the dead dwarfs everything else. Nothing else could ever be as significant as that.
“Lepanto” by G. K. Chesterton (1915)
As in The Ballad of the White Horse, this poem depicts a military conflict in which the forces of Christianity defeat non-Christian forces. The Battle of Lepanto, in 1571, was a naval battle in which a Christian Catholic fleet known as the Holy League defeated an Ottoman Empire (that is, Turkish Moslem) fleet in the Gulf of Patras, in the Ionian Sea.
Written in rhyming couplets, the Christian hero Don John of Austria, commander of the fleet, sails into battle. Written during World War I, when the Ottoman Empire was part of the Quadruple Alliance that fought against Britain, France, and their allies, “Lepanto” had a contemporary reference for Chesterton and his early readers.
“The Donkey” by G. K. Chesterton (1900)
This short poem is narrated in the first person by a donkey, who well understands that he is not beautiful, with “monstrous head and sickening cry / And ears like errant wings.” Donkeys have never been much admired and the word itself has come to mean a stupid person (and an adult male donkey is also known as a jackass). Nevertheless, the donkey in the poem had his special moment, because Christ rode into Jerusalem on his back as a sign of humility.
“White Horse Hill” by The National Trust (n.d.)
This site is maintained by the UK National Trust. It describes the history of the Uffington White Horse as well as the work the Trust does in maintaining (“scouring”) it regularly. The Trust recently worked to widen the head and neck of the horse, which had narrowed as grass and topsoil had encroached on it. The photograph showing workers filling the outline with white chalk is very illuminating (see the page “Our Work at White House Hill.”)
“Scour the Horse Anew: An Analysis of G. K. Chesterton’s Epic Poem ‘The Ballad of the White Horse’” by Avellina Balestri (n.d.)
This is a blog entry from a Catholic journal and expresses a Catholic point of view. Balestri admires Chesterton’s portrayal of Alfred, which includes his flaws as well as his virtues. In his “heart-felt repentance” he resembles the biblical King David. The author also appreciates the “complexity of the British identity” in the portrayals of Roman, Celt, and Saxon, who all join together in the Christian cause. Balestri also notes that “feminine intuition and spiritual power” play an important role in the poem.
“Chesterton’s Ballad of the White Horse: From Conception to Critical Reception” by Nicholas Milne (2016)
In this scholarly article that was published in the journal Mythlore, the author examines many topics, including Chesterton’s development of the idea of using Alfred and the Battle of Ethandune as the central part of a long poem “on England and Englishness”; how the poem was received by Chesterton’s contemporaries, and how it has since been regarded, including how it influenced later writers.
Joshua Christensen reads The Ballad of the White Horse by G. K. Chesterton
There is a LibriVox recording of The Ballad of the White Horse, uploaded to the YouTube channel of Chesterton Radio in 2021. The running time is 1 hour and 55 minutes. The reader is Joshua Christensen, recorded in 2007.



Unlock all 35 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.