The Beet Queen

Louise Erdrich

61 pages 2-hour read

Louise Erdrich

The Beet Queen

Fiction | Novel | Adult | Published in 1986

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Part 2, Chapters 7-9Chapter Summaries & Analyses

Chapter 7 Summary: “1953: Celestine James”

Celestine takes stock of the state of everyone’s lives: Mary spends her time fantasizing about futuristic problems, such as “’killer robots’” (111), and ordering books on psychic abilities; Celestine’s half-brother, Russell Kashpaw, has been released from the VA hospital following his stint in the Korean War and now spends most of his time in the bars; and Wallace is a regular customer at the butcher shop, though he has not told Mary about his encounter with Karl. As for Mary’s cousin, “the bottom is falling out of Sita’s situation” (112). She and her husband, Jimmy, have a restaurant called The Poopdeck, which Jimmy runs as a theme restaurant while Sita wishes to make it a fine dining establishment. Soon, an invitation arrives for Celestine and Mary to attend the grand opening of Chez Sita. Sita and Jimmy have divorced.


Celestine attends the opening mainly to annoy Mary, who reluctantly agrees to attend at the last minute. They bring Russell along to give him a refined night out. The restaurant is so dark that they cannot read their menus, but when Russell lights a cigarette, he inadvertently sets his menu on fire, giving them a momentary light. Sita runs to their table, distressed, and informs them that her chef and staff have all gotten food poisoning; she needs someone to cook. So, Celestine, Mary, and Russell crank out food from what is available in the kitchen. Not knowing how to read the French menu, they cook what they know, serving overpriced home cooking to the crowd. Sita cannot even bring herself to thank them properly.


A few days later, Celestine returns to the shop after an errand. A man with oiled hair and red lips comes in, and Celestine quickly realizes he is Mary’s brother, Karl. Suddenly overwhelmed with a mutual, inexplicable attraction, they have sex in the back room. Within a couple of weeks, Karl’s work as a door-to-door knife salesman brings him to Celestine’s home. He ends up staying, running Russell off back to the reservation with his brother, Eli. Celestine grows weary of Karl’s presence—he does not work or help around the house—and asks him to leave. He says he cannot go because he is the father of her child. Celestine is amazed that he knows this, as she had not yet admitted even to herself that she is pregnant. Nonetheless, she makes Karl leave.

Interlude Summary: “Mary’s Night”

When Mary finds out that Celestine is pregnant with her brother’s child, she calls Sita to tell her that she has a sewing machine to give her. It is the sewing machine that Adelaide sent to her years ago. She then takes a walk, thinks of Karl, and falls into a kind of meditative trance. She knows that Celestine’s baby will be a girl.

Chapter 8 Summary: “1953: Sita Kozka”

Sita marries the state health inspector after he is summoned to investigate her restaurant. Louis Tappe is a scientific man, interested in examining insects and other specimens. He moves into her big house in Blue Mound.


One morning, she finds her cousin Karl sleeping in her garden. She is frightened, but since her husband, Louis, is nearby, she eventually invites him in. He is carrying a New Testament copy of the Bible. When Karl excuses himself to use the bathroom, Sita notices that the Bible is inscribed to Celestine James; she immediately becomes convinced that Karl has stolen it and is here to steal her jewelry. She calls the sheriff, who shows up as the three are eating sandwiches on the back porch. When she goes upstairs to prove that Karl has stolen her necklace, she finds it still there. There has been a misunderstanding. However, Sita seems to sink deeper into a kind of hysteria, imagining that Karl’s chair is sinking into the grass and covering him over. She begins to speak of judgment and guilt, and she seems to condemn Louis for his scientific ways.

Interlude Summary: “Russell’s Night”

Russell still prefers to stay on the reservation, even though Karl is gone from the house he and Celestine used to share. He constructs a fishing shack in the woods by the river, waiting for the water to freeze around it so he can ice fish in the winter. His work as a mechanic is irregular, which suits him fine: “What he liked about not working at a regular job was exactly this. He could lay here all afternoon if he felt like it and just get drunk” (154). Celestine occasionally came by the fishing shack, though Russell disapproves of her incursions; she tidies things and disrupts his privacy. He retreated from her once he discovered her pregnancy—though she and Karl did get married, at least for form’s sake—and spends most of his time alone.


He breaks through the thin film of ice covering the hole in the shack’s floor and catches a pike. He remembers the fullness of Celestine’s body the last time he saw her. He begins to feel a strange tingling and then a burst of pain; he has had a stroke. Celestine comes to check on him and rushes to get help.

Chapter 9 Summary: “1954: Wallace Pfef”

Wallace keeps a picture of his “’poor dead sweetheart’” hanging in his living room (159), though in fact he does not know the woman. The story of his dead sweetheart serves as an alibi, a way to dodge any awkward questions about why he has never married. He is busily invested in the town of Argus, serving on the Chamber of Commerce, overseeing the sugar beet fields, working with the park board, and serving as a member of the Knights of Columbus. Until he met Karl at the convention, Wallace was not clearly aware that he was gay. Though he knows Karl is Mary’s brother, he tells her nothing about having met him.


After Karl’s accident in the hotel room, Wallace stays with him for several days, visiting him in the hospital. Karl’s apparent indifference eventually drives Wallace away, and then one evening, Wallace receives a phone call from Karl, who wants to see him. He shows up at the house—Wallace has no idea how Karl knows where he lives—and stays for two weeks, before abruptly leaving. Wallace follows the stray dog Karl feeds, thinking it might lead him somewhere, only to find Karl at Celestine James’s house. He hides in the foliage, overhearing their conversation, and realizes they are lovers. When Celestine steps off the porch to retrieve the dog, Wallace pops up long enough for Karl to know he is there.


Several months later, Wallace is at home during a difficult winter blizzard. The dog has returned to him and sleeps inside on his bed. She begins to whine and bark, and when Wallace finally gets up to see what has disturbed her, he finds Celestine. She is in labor and could not make it to the hospital on her own. Wallace helps her deliver the baby on his couch. She names the baby Wallacette.


Mary nicknames the baby Dot. Celestine chooses Mary and Wallace to be Dot’s godparents. Mary and Wallace compete to be the loudest at the baptismal ceremony, but Dot is the one who actually wins out: “Wallacette roared on and on as if she’d never stop” (174).

Interlude Summary: “Celestine’s Night”

Celestine is enamored by her baby. Dot accompanies her to work at the butcher shop, and her love for Dot is unparalleled. One evening, while feeding the child, Celestine notices that a tiny spider has been making a web in Dot’s hair. Celestine decides not to destroy the delicate creation.

Part 2, Chapters 7-9 Analysis

Celestine and Mary have been combative friends for so long that it is as if they are locked in a dysfunctional marriage. From Celestine’s point of view, Mary has “grown heavier in the past few years, not stouter, just more unshakeable in deed and word. What she doesn’t like, she doesn’t hear” (113). However, Celestine also acknowledges—perhaps sarcastically, but with grudging fondness—that “Mary is ahead of her time” (111). Though Mary’s dealings with fortune telling and palm reading start out as an outlet for her frustrations—she is no longer the kid who created the miracle at the Catholic school—they seem to have taken on greater significance for her, and some of her predictions end up panning out (see Symbols & Motifs).


Celestine and Karl make an odd couple, not least because Karl has always preferred intimate relationships with men. He seems to be drawn to Celestine because of her masculine features: She is very tall, especially for a woman, and has a substantial figure (often referred to as “big-boned”). On the night they meet, Karl says to her, “You’re not pretty” (125), but he clarifies that “pretty’s not the only thing” (125). The attraction between them is immediate and passionate, though neither of them understand it perfectly. As soon as Celestine decides that she “now ha[s] seen what love is about,” she asks him to leave (125). Having come to her house by mistake, she thinks, he means to take advantage of the situation: “Sitting at the table in his underwear is something Karl starts doing once he feels at home. He never makes himself useful” (134). Once she realizes she is pregnant, she also immediately understands that Karl will not be capable of providing or caring for the baby. He must go.


Mary, for her part, has grown cold toward Celestine during this time. As Celestine puts it, “[S]he says I’ve turned against her” (135). However, the baby at least temporarily alleviates the tensions in their friendship. Mary’s first act after hearing that Celestine is pregnant is to give Adelaide’s sewing machine to Sita. In keeping with the novel’s exploration of Generational Inheritance, she does not want anything connected with her wayward mother to be anywhere near another child. Celestine’s baby will be Mary’s chance to redeem herself for losing her unnamed infant brother. Meanwhile, Karl’s presence in town touches all their lives. Not only does he further alienate the two friends and impregnate Celestine, but he also shows up at Sita’s house and stirs trouble. Sita has always struggled with her desire to be cared for, and she marries Louis as soon as her divorce from Jimmy is finished. Louis, however, is a distant man, more interested in earthworms than in his wife.


Few of the characters escape misfortune in these chapters: Russell suffers a stroke, and Wallace loses Karl to Celestine. He is alone because he represses his true desires, presenting a false image of himself and his life to gain the acceptance of his community. Argus in the early 1950s is in many ways a repressive environment, hostile to anyone who deviates from heteronormative expectations. He is angry at Mary, blaming her for Sita’s poor mental health and claiming that “she [is] ruthless” as a child (161). However, it’s just as plausible that he keeps the secret from her to avoid being exposed as gay; Mary is so blunt and unempathetic that she might reveal his secret. Still, Wallace gets drawn into an already sprawling and dysfunctional family when Celestine shows up on his porch the night of the blizzard and gives birth to Wallacette/Dot on his couch. Needless to say, Mary is not pleased that Wallace considers Dot “[their] baby” (173). The nickname “Dot” is her attempt to erase Wallace’s claim on the child. Mary and Wallace are rivals for the baby’s attention and affection from the start. At the baptismal ceremony, they both compete to see who can say their lines the loudest. Celestine herself is enraptured by the baby: “She stole time to be with Dot as if they were lovers” (175). This all foreshadows Dot’s future as a child smothered with perhaps too much attention, pulled in different directions by her very different caretakers.

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