64 pages 2-hour read

The Book of Lost Hours

Fiction | Novel | Adult | Published in 2025

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Chapters 19-24Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of bullying, gender discrimination, sexual harassment, sexual violence, rape, graphic violence, sexual content, and death.

Chapter 19 Summary: “1959, Washington, DC”

Moira begins helping Jack more frequently with interrogations of timekeepers, using her abilities to erase their memories. Ernest becomes suspicious, and he confronts Moira about it one night. He brings up the name Lisavet for the first time. Moira brushes him off, telling him to ask Jack.


The next morning, Moira gets to the office and can hear Jack and Ernest fighting in Jack’s office. One of the secretaries tells Moira that they are fighting about her. Jack was promoted to CIA director and plans to move Moira to New York to work. Because Ernest will take over Jack’s job, Ernest will have to stay in Washington. When Ernest leaves Jack’s office, he tries to talk to Moira. However, Jack interrupts them, calling Moira into his office. He tells her that Ernest asked about the timekeepers and Lisavet. He demands that Moira erase Ernest’s memories of it all. Moira then asks about New York, but Jack is adamant that she will be moving there.


That night, Moira goes to Ernest’s house. To her surprise, Amelia, who is nine years old, is there. Ernest invites her in to meet her, and Moira is overwhelmed by emotion. After Ernest sends Amelia to bed, he and Moira argue about New York. Moira insists that she needs to go. Seeing Ernest’s persistence, she decides that Jack is right. After Ernest goes to bed, she erases his memories. As Moira tries to leave the house, Amelia stops her and asks her to make tea. In Amelia’s bedroom, Moira notes the same poetry books that Ernest once brought to her. After Amelia falls asleep, Moira erases her memories, too.


The next day, Ernest brings Amelia into the office. To her surprise, Amelia remembers her. This confuses Ernest, so Jack sends him into a meeting. He and Moira then convince Amelia that she can’t talk about last night; they claim that they were planning a surprise party for Ernest and gave him a potion to forget.


Moira realizes that she has no choice but to break up with Ernest. She has to go to New York, which will only make their lives more difficult. Her primary motivation is that she wants to protect Amelia; to do so, she has to distance her and Ernest from Jack. When Ernest gets out of his meeting, Moira breaks up with him, telling him that she has been having sex with Jack.


That night after work, Jack approaches Moira. He invites her to have a drink. Moira thinks that she sees true sympathy in his eyes, so she agrees, going back to his apartment. After several drinks, Jack kisses Moira. He pins her to the couch, insisting that she needs to be with someone like him instead of Ernest. Moira relents, going into his bedroom and having sex with him.


The next morning, Jack flirts with Moira, and Moira smiles to herself at how predictable he is. She tells him that she looked into his memories and saw what he did in Okinawa during World War II, calling them “war crimes.” She threatens to tell the CIA what happened. He responds angrily, but she warns him that the secretaries saw her go home with him. Relenting, Jack asks what she wants. She tells him that she wants to be made the head of the TRP. She advises him to create a new department for Ernest to oversee. She also wants the TRP offices to be moved to New York so that she, Jack, and Ernest all work in separate cities. Eventually, Jack relents, impressed by her savoir.

Chapter 20 Summary: “1965, New York City, New York”

Moira’s plan works, and she spends the next five years working as the head of the TRP. She works desperately to stop the rebellion, erasing the memories of anyone who brings up Lisavet, but it only continues to grow.


One night, Moira comes home from work and finds Ernest standing on her doorstep. He is quiet and distant, so she invites him inside. He tells her that he saw her book and knows who she is, calling her “Lisavet.” He then shows her the watches that he stole from the TRP. He is angry at Moira not for erasing his memories but for fighting against the rebellion. He reveals that he has been orchestrating much of it. When Moira argues that nothing ever changes, Ernest insists that she is wrong. He tells her that even one idea, like Lisavet’s, has the power to change everything. Moira realizes that Jack’s primary goal over the years has been to change her, convincing her that she was wasting her time by preserving memories. When Ernest plays the song “Blue Moon” on the record player, they reconcile and have sex.


Afterward, Ernest explains that watches were stolen from countries across the world. The next stage of the rebels’ plan is to destroy all the watches, even their own, so that no one can ever enter the time space again.


The next morning, Ernest leaves Moira’s house. He is supposed to go to the apartment in New York City and wait. First, however, he goes to Boston to visit Amelia’s boarding school. As he watches her walk to her next class, he notes how much she looks like Lisavet. He wonders if he is making a mistake by trusting Moira; he knows that he can trust Lisavet, as she would never do anything to hurt him or Amelia, but he is unsure about Moira. In the end, he decides that he has no other choice but to trust her.

Chapter 21 Summary: “1965, Somewhere in the Time Space”

After Anton and Amelia finish looking through Lisavet’s memories, Anton is unsure how to feel, knowing that Lisavet killed his father. He apologizes to Amelia and then leaves to think things over. Amelia sits by the chasm alone.


In the apartment, things are uncomfortable between Moira and Ernest. She can tell that he doesn’t trust her fully but does not blame him. When he goes into the bedroom, he locks the door, leaving Moira alone. In the middle of the night, Moira goes onto the balcony. She thinks of how they are going to close off the time space, unsure where that will leave her, Amelia, and Ernest. Eventually, Ernest joins her on the balcony. He expresses his regret over not having tried harder to get her to leave with him back when Jack first discovered her existence. However, Moira is adamant that they never would have been able to escape, especially given the difficulty she had coming out of the time space in the hospital.


Later, while Ernest is showering, Moira checks over his notes. She sees that he is planning to use himself to destroy the time space, effectively ending his existence. When he gets out of the shower, she begs him not to go through with his plan. However, he is adamant that it is the only way to ensure its destruction. Moira wonders what will happen to her memories of him. Ernest insists that she and Amelia can finally be happy together. Moira begs Ernest to consider his other options before acting, and he agrees. The two then have sex.


In the middle of the night, Moira wakes up and finds that Ernest is gone. She sees that one of the watches is missing from the box. She takes her own watch and her gun.


In the time space, Ernest finds Amelia by the chasm. They embrace, with Amelia telling him that she saw all the memories. Ernest then asks where Anton is.

Chapter 22 Summary: “1965, Somewhere in the Time Space”

When Lisavet enters the time space for the first time in 13 years, she feels a sense of welcome and comfort. Azrael greets her, telling her that Amelia and Anton have seen her book of memories. Lisavet thanks him and asks him to stay nearby; he drifts away.


Lisavet walks through the time space, looking at the shelves and the stars in the sky. Suddenly, Anton attacks her, confronting her about killing his father. Lisavet is calm, telling him that she had no choice, as Vasily would have killed her to protect his children. When Anton asks why he should trust her, Lisavet disarms him but then gives him his gun back, offering to let him kill her for revenge. She realizes that Anton is disappointed and angered by who she actually is, as she does not live up to the myth. When she tells him that they need to find Ernest, Anton agrees but insists that he is only doing it for Ernest and Amelia.


Lisavet finds Amelia and Ernest. Lisavet accuses Ernest of lying to her, but he continues to insist that he is doing what is best for everyone. Seeing Amelia’s confusion, Lisavet explains what Ernest is planning. When Ernest gets distracted, Anton appears. With Lisavet’s pocket watch, he creates a door and then pulls Ernest through it, leaving Amelia and Lisavet alone.


Amelia angrily confronts Lisavet about her lies and actions. Lisavet admits that her actions were wrong but is adamant that she would do it all again—and more—to protect Amelia. Amelia relents, acknowledging that she understands. As they embrace, Lisavet takes Amelia’s watch, turns the dial, and pushes the crown. She then apologizes to Amelia and pushes her into the chasm, with the hole acting as a doorway back to the real world.


Azrael appears next to Lisavet. She explains that she needs to go back to the memories of the man who first discovered the time space. Azrael willingly lets her pull out his memories, and she steps into them, finding Azrael standing on the edge of a cliff. He is initially surprised, though not panicked, to see her there. She does not understand his words. She asks for his forgiveness and then pushes him over the cliff into the ocean below.


Back in the time space, Lisavet sees it crumbling around her. The book dissolves in her hand as the shelves collapse. She looks up at the stars.

Chapter 23 Summary: “1965, Boston, Massachusetts”

Amelia lands on the floor of an unfamiliar room. It is like Ernest’s office in his home, yet somehow different. She looks out the window and sees a garden. She realizes that she is in her grandmother’s home, which Ernest sold in her childhood. Ernest comes into the room, scolding her for being awake so late. He offers her tea as Amelia pushes aside her confusion.


Alone in her bedroom, Amelia tries to figure out how she will live her life if she has no memory of it. Remembering that Azrael told her she was “untethered,” she closes her eyes and focuses on the sound of time.


When Ernest returns to his bedroom, Lisavet is there and asks where he was. He explains that Amelia was out of bed. He thinks back to how they met: When they were children, Ernest’s father owned a watch company. In 1938, he reached out to Lisavet’s father, whom he had trained with in Switzerland. Ezekiel came to Boston to work with Ernest’s father, bringing Lisavet and her brother with him. Ernest later took over his father’s company, with Lisavet becoming his best watchmaker. Eventually, they married.


By the next morning, Amelia has visited all her memories from this world. She learns of the life her parents built, never having worked for the CIA. She knows that she is happy in this life. She finds her father in the kitchen, and he asks her to take coffee out to her mother in the garden. When Amelia sees her mother, she sees traces of both Lisavet and Moira. However, she knows that this version of her will just be “mother.” Lisavet greets her, and they look down at the forget-me-not flowers blooming beneath them. When Lisavet comments on them, Amelia gets the sense that Lisavet remembers everything, too. She asks if this is real, voicing her fears that it may just be a dream. In response, Lisavet comments that, regardless, it is a good place to be.


Overwhelmed by curiosity, Amelia takes Ezekiel’s watch. She spins the dial and pushes the crown, but nothing happens. She concentrates on the whispers of time, picturing the time space. She then spins the watch again, and, this time, the time space opens before her. She steps through and sees that it is empty, with no books or shelves. Instead, memories fly free in the sky as stars. Content, she closes the door and never opens it again.


At school, Lisavet sees boys picking on an exchange student. She picks up his Russian-English dictionary and realizes that he is Anton. He is hostile toward her, but she gives him his dictionary back, and he begrudgingly thanks her. They sit together at lunch that day and then each day moving forward, eventually becoming friends.

Chapter 24 Summary: “Somewhere and Nowhere All at Once”

Lisavet continues to exist, living in memories. She relives her life over and over again in various ways, happier than she has ever been and unconcerned with what is truly real. She lives among the stars of memories in the time space, shining brightly.

Chapters 19-24 Analysis

Moira’s sexual encounter with Jack marks an inversion of their power dynamic but is ethically fraught. While Moira appears to reclaim agency by exploiting Jack and confronting him regarding his war crimes, the tone is not triumphant. Instead, it emphasizes how deeply The Destructive Nature of War has reshaped Moira’s worldview. While Jack’s fate is a consequence of his actions as the text’s primary antagonist, it nonetheless highlights Moira’s change, as well. Where Lisavet once preserved memories to honor humanity, Moira now wields them as weapons. Her character has split along moral lines into Lisavet, who believed memory could save the world, and Moira, who has learned that survival requires corruption and manipulation.


The final section of the text explores the resolution of Moira’s internal conflict as she confronts the cost of survival predicated on the erasure of both her own past and the pasts of those whose memories she erases. History repeats (itself a sign that such erasure is futile) as Moira again erases Ernest’s memories of her, believing that it is easier to hide the truth than confront it. This moment articulates the theme of The Importance of Accepting Grief and Loss. Instead of accepting the possibility of loss and suffering, Moira chooses control, sacrificing intimacy and the potential for a new life in exchange for safety. That it is Jack who voices her motivation in such moments—the desire to avoid pain—underscores the danger of her choices: “It all could vanish in a heartbeat […] It makes you want to hold everything as you can, but at the same time…it’s impossible to want to hold on to anything at all. So you push it all away” (331). However, the novel’s final pages witness a shift in her character. While Ernest being in danger contributes to Moira’s ultimate choice to sacrifice herself, this time, she acts to destroy the very thing that she has previously used to avoid grief and loss: the time space. The result is not death but a fate that crystallizes her character growth: She becomes a witness to time, rather than a ruler of it, finally accepting history, loss, and grief for what they are.


Central to Moira’s moral reckoning is her reconnection with Ernest, a fact that underscores the theme of The Value of Human Connection. Ernest’s argument that one idea can change everything directly challenges the fatalism that Moira has learned from Jack and her time in the CIA. Moreover, his willingness to sacrifice himself contrasts sharply with Moira’s earlier choices, forcing her to acknowledge that she has been complicit in the very manipulation of history that she tried to fight. His playing of “Blue Moon,” which they danced to when they visited Ernest’s memory of the nightclub, bridges past and present, facilitating Moira’s reconnection with her past as Lisavet: The song serves as an emotional constant that survives erasure and betrayal. 


When Moira returns to the time space, the narrative again refers to her as “Lisavet,” which emphasizes the collapse of the Moira/Lisavet divide. Her subsequent interactions underscore her growth. During her confrontation with Anton, she calmly acknowledges killing Vasily, neither providing excuses nor denying guilt. By offering Anton her life, Lisavet demonstrates true acceptance of consequences. The subsequent destruction of the time space reaffirms the idea that healing requires relinquishment, as she sees the preservation of history as more important than self-protection.


The conclusion of Amelia’s arc reaffirms the dangers of both war and the manipulation of truth. She, Ernest, and Moira are all happier after they destroy access to the time space, thereby accepting history for what it is and allowing their lives to follow their natural courses. Forget-me-nots blooming in the garden remind the reader of the importance of this moment, as their individual memories have been able to grow and bloom in the absence of the forces that once dominated them. Amelia chooses to open the time space one last time to acknowledge its existence while also refusing to be governed by it. As she questions whether the events are “real,” Lisavet’s insistence that it doesn’t matter reaffirms the importance of being happy and accepting life for what it is.

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