64 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of racism, gender discrimination, graphic violence, sexual content, and death.
That night, bothered by seeing Anton, Amelia distances herself from Moira. Unable to sleep, she begins reading poetry by Elizabeth Barrett Browning that Moira left for her.
The next morning, Moira takes Amelia to see James Gravel. On the way, Moira explains that James is an independent timekeeper who refuses to join the CIA because his views on the time space differ from the agency’s. Moira is nervous about how he will treat them, as the CIA believes he is part of the rebellion and has been investigating him.
When they get to James’s house, he is cold with them. However, when Moira explains that Amelia is Ernest’s niece and leaves them alone together, James opens up. He tells Amelia that the CIA does not like him because he is interested in conserving Black history, focusing on things the CIA deems unimportant. He is not aligned with the rebels but knows of their history. They followed Lisavet, who worked to save the timekeepers from destroying memories. In 1952, Lisavet vanished without a trace.
James warns Amelia not to trust Moira, revealing that Ernest was on his way to see her when he disappeared. Ernest was also supposed to be the next head of the TRP after Jack was promoted to CIA director, but Moira instead got the job, and Ernest was sent to the new department. He is sure that it is all tied to Lisavet’s disappearance, as Ernest was the first to find her in the time space and refused to talk about her after she disappeared. He tells Amelia that, if she is ever in trouble, she should look for “the timekeepers with blue flowers” (106), which are forget-me-nots in honor of Lisavet.
Amelia reaches into her pockets and realizes that there is a listening device in there. James gets angry as Moira comes back into the room. He begs Moira not to pursue the rebel timekeepers and tries to stop them from leaving. However, Moira pulls out her gun and threatens to kill him.
In the car, Moira is angry at Jack for pushing the meeting with James, believing that Jack knew that James would try to turn Amelia against her. She takes a detour, driving to a bridge. She takes the tape recorder out and gives Amelia the tape, which she reveals Jack insisted on planting. She explains that Jack will kill James and all the rebel timekeepers, so destroying the tape would protect them. However, Jack also does not know that Moira saw Ernest the night he died. She insists that she knows nothing about his death but says that she can’t explain why they met; however, Jack cannot find out. She promises Amelia that they will tell Jack that James is innocent and knows nothing about the rebels if Amelia protects her secret. Amelia hesitates and then throws the tape into the river.
Over the next few months, Ernest falls in love with Lisavet. He visits every day, traveling through memories. He lies to Jack, insisting that he is struggling to find her.
One day after returning home, Ernest checks his notes. He has been trying to track down what happened to Lisavet in the real world. He knows that Ezekiel and his son died, but there is no record of Lisavet. He also found letters from Ezekiel in his father’s papers. After Ernest’s father received watches from Ezekiel for the newly founded TRP, he offered him a job and asylum in the United States. Before Ezekiel could make it, he was killed.
Ernest has also been researching what is happening to Lisavet in the time space. Physicists have theorized that time is the fourth dimension, existing on its own plane. Theoretically, the mind could travel to this plane, which is likely what happens in the time space. Although timekeepers physically go there briefly, they all return to the “real world,” except for Lisavet. He is worried that her physical body has spent too much time in the time space, causing her to exist only in the fourth dimension. He wants to help her leave but isn’t sure how her consciousness would handle it.
Nevertheless, when Ernest returns the next day, he suggests that Lisavet leave. She insists that she is happy, and Ernest acknowledges that she lives a fuller life than he does. However, he questions whether any of it is “real.” When he quotes a poem by Robert Frost, Lisavet expresses her confusion about what poetry is. He explains and, the next day, brings her a book of poetry.
Lisavet realizes that she is in love with Ernest. She plans a night for them together where she first discovered love—in the memory of the couple in a field in Spain. However, as she makes her way to him, she spots a Russian timekeeper. She saves a memory that he burned but realizes too late that it is a trap. The timekeeper who shot Ernest ambushes her. She manages to knock him unconscious with a book.
Ten minutes later, Ernest finds Lisavet crying and covered in blood. She explains what happened. He blames himself, as he informed the CIA of Lisavet’s existence. Although Lisavet is still upset, Ernest takes her into one of his memories for the first time. They go to a nightclub, where they dance together to swing music, Ernest noting his love of the song “Blue Moon.” When he tries to kiss her, she stops him but then takes him to the field in Spain. Their kissing escalates to sex as they travel through different memories, eventually ending up in the hotel in Geneva.
Afterward, Lisavet lies next to Ernest, watching him sleep. She realizes that he has memories floating above his head, similar to how memories appear in the sky of the time space. She touches them and gets flashes of the images in her mind. She hesitates and then enters his memory.
When Ernest wakes up, Lisavet is out of bed. She angrily throws his clothes at him before thrusting the book at him, insisting that he can take it to make his boss happy. Based on what she heard in his memories, she accuses him of lying to her and pretending to love her. Ernest insists that what she saw was him lying. He is adamant that he loves her and promises to find a way to pacify his boss. Eventually, she relents, promising to see him tomorrow.
Ernest goes home. He realizes that it is morning and that he has a meeting with Jack. He decides to lie about the Russian attack, saying that Lisavet was killed.
A few months later, Ernest gives Lisavet her father’s old pocket watch, which he was finally able to track down. He confirms that it still works, opening a wooden door by winding it. Lisavet has the urge to go through but fights against it.
By 1950, Lisavet begins to experiment. Ernest has told her his theory about “temporal departure,” the thing he believes has happened to her, so she realizes that she is essentially outside of time. She is able to begin entering memories without even reading books, just by using her mind.
One day, Lisavet is in a memory belonging to a Greek shepherd. As she eats fruit beneath a tree, one of the sheep comes up to her and licks her hand. It shocks her, as she has never been able to interact with living things. The shepherd’s son then comes up and speaks to her. It startles Lisavet, so she quickly leaves. When she returns to the time space, the pages of the memory she is holding turn to ash. This happens two more times. She realizes that she is changing time itself and, in turn, destroying events; she vows never to do it again.
Ernest thinks that his lie to Jack has worked. The TRP brings in the Russian timekeeper and tortures him, and he admits to attacking Lisavet. At the same time, Ernest begins to question his work even more. Sometimes Lisavet will mention an event that he didn’t know happened or is slightly different than history as he knows it. He realizes that the alterations the timekeepers make affect him more than he wants to admit. He begins taking some of the pages he is supposed to destroy and instead gives them to Lisavet to keep.
One evening, Ernest comes home from a date with Lisavet and finds Jack waiting in his apartment. He tells him that they have been tracking his movements and know that he is still seeing Lisavet. He warns Ernest that, if he doesn’t bring Lisavet out of the time space, he will be dismissed from the CIA and charged with treason. Ernest initially considers resigning but knows Lisavet will be harmed either way. Instead, he agrees to get her to give himself more time.
The next day, Ernest and Lisavet go back to the Geneva hotel. Ernest begs her to leave with him, asking her to marry him. She is hesitant, but he insists that it will be safer for them both and that they can start a life together. After Ernest falls asleep in the hotel bed, Lisavet sees his memories above his head. When she looks into him, she finds memories of his childhood, his family, and his friends; none of them include her. She realizes that Ernest would be giving up too much if he ran away with her. Heartbroken, she decides to remove the memories of herself from his head. She places them on blank pages and then hides them in her book of stolen memories. She takes his conversation with Jack, too, hoping that Jack will figure out what Lisavet did to Ernest and realize that Ernest truly doesn’t remember.
The day after meeting James, Amelia returns to the time space. She is determined to find Ernest’s memories, even if it means seeing his death. She brings a knife with her for protection.
When she enters the time space, Amelia immediately comes face to face with the same ethereal man from before. He introduces himself as Azrael. He implies that he has knowledge of both Lisavet’s book and Ernest’s memories, but he doesn’t give Amelia any help. Instead, he tells her to “listen” for Lisavet’s memories, as they will talk to her.
Amelia walks through the shelves, following the whispers as they grow louder. She spots Anton, wrapping the book with the blue flower in cloth and hiding it on a shelf. She waits until he leaves before grabbing it. However, he spots her as she does so, having heard her and waited for her. Although Anton tries to be friendly with her, she flees, running through the shelves. He yells after her, warning her, but she ignores him. Too late, she realizes that there is a chasm in the floor and that the shelves are crumbling around her. She starts to fall into the chasm, dropping the book and knife, but Anton catches her.
Anton asks Amelia what she is doing. She responds angrily, grabbing the knife, accusing him of killing her uncle, and trying to stab him. As Anton grabs her wrist to stop her, he realizes who she is. He tries to talk to her, but Amelia kicks him and flees. She opens a door and escapes the time space back into her home.
Moira hears Amelia return and comes to her side, comforting her. Amelia is grateful for her embrace, something she has not had since her mother died. As Moira swears to protect her, Amelia realizes that Moira is the only person she can trust. A while later, after Amelia has told Moira the entire story, Amelia asks about the chasm in the time space. Moira speculates that it is “a hole in the space-time continuum” (159). It is rumored to have started after Lisavet disappeared.
This section emphasizes the clash between personal memory and state-controlled narratives, reinforcing the theme of How Power Shapes the Historical Record. James’s work preserving Black memories exposes how timekeepers, like the government, deem certain history “unimportant” based on whom it concerns. His refusal to join the CIA highlights the moral cost of allowing political authorities to determine what memories “count,” emphasizing that preservation itself can be an act of resistance. James’s story parallels Lisavet’s in this way, as both are concerned with the preservation of the human experience in its entirety, clashing with government timekeepers and their attempts at controlling history. Meanwhile, the book’s narrative structure reinforces the practical importance of remembering history, independent of moral considerations: As the reader lives through Lisavet’s history, they simultaneously witness its impact, as shown through details like the symbolism of the blue flowers seen on Lisavet’s book.
More specifically, those forget-me-nots serve as a symbol of the importance of individual memory in the face of the forces that would erase them. The motif of poetry functions similarly, serving as an embodiment of the importance of humanity. The poetry books that Ernest gives to Lisavet and that Moira gives to Amelia articulate an emotional truth that resonates beyond factual memory. As memories are archived, burned, and hidden in the time space, serving largely as weapons for the characters, poetry reminds the reader of the truth and beauty of human experience, whatever its utility.
Several key relationships develop in this section, developing the theme of The Value of Human Connection. In the past, Lisavet and Ernest embark on a physical journey through memory, a metaphorical representation of the importance of memory and shared experience in understanding another person. At the same time, they fall in love, deepening both their trust in each other and their intimacy. In the present, Amelia and Moira come to fully trust each other in the wake of Amelia’s traumatic encounter with Anton in the time space. As Moira holds Amelia, they both realize that they have lacked human connection; this realization transforms their relationship, allowing them to transcend their use as tools by Jack. Similarly, Ernest’s feelings for Lisavet cause him to reevaluate his role in the TRP: “Ernest began to question the legitimacy of the machine in which he was a vital cog” (113). Such moments suggest how personal relationships can catalyze moral growth.
Amelia’s return journey to the time space develops the theme of The Importance of Accepting Grief and Loss, first introduced through Lisavet’s traumatic separation from her family. Where Amelia was previously reluctant to enter the time space, she now understands that healing requires confrontation rather than avoidance, a fact that is fueled by her desire to uncover the truth. However, that truth is hidden by bureaucracy and Jack’s manipulation, again underscoring how power shapes the historical record. Her violent reaction toward Anton emphasizes how grief, shaped by misinformation, can distort judgment, her personal memory clashing with institutional narrative. By contrast, her rescue by Anton complicates simplistic “us versus them” binaries, just as Lisavet and Ernest’s relationship does in the past.
Lisavet’s growing ability to interact physically with memories complicates her moral standing, positioning her as stronger than the nations that she fights against when it comes to dictating history. Her realization that altering memories causes them to collapse highlights the unintended consequences of interfering. This moment reframes her earlier mission, as her intervention is no longer purely benevolent if it risks destabilizing reality. The chasm becomes a metaphorical representation of the dangers of trying to manipulate and control history. Her act of removing herself from Ernest’s memories thus serves as an act of both self-preservation and selfishness. Despite knowing the impact that her actions will have, she chooses Ernest’s happiness over the well-being of humanity as a whole, foreshadowing her later actions with her child.
Ultimately, Lisavet serves as a foil to Amelia. While Amelia faces her grief over Ernest’s death, Lisavet instead chooses to erase everything, suppressing Ernest’s memories and fleeing from her own recollections instead of confronting them (and him). The resulting collapse of the bookshelves underscores the dangers of memory suppression, suggesting that it does not so much erase pain as destabilize the structures built upon it.



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