64 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of death.
Lisavet’s book is a symbol of the moral responsibility that comes with preserving memory. She uses the book to store stolen and rescued memories, protecting moments that institutions like the CIA deem unimportant or dangerous. The book therefore emphasizes themes of both How Power Shapes the Historical Record and The Value of Human Connection, as Lisavet’s impulse to save memories is rooted in empathy. As she fights the battle against institutionalized erasure, the book she preserves represents the survival of memory itself, living on despite oppressive regimes’ best efforts to rewrite and erase the past.
As the novel progresses, the book’s meaning darkens, as Lisavet uses it to hide Ernest’s memories of her and the truth of Amelia’s identity. In this way, the book comes to represent the very impulses that Lisavet once resisted, as she uses it to control what others are allowed to remember. Lisavet’s book thus mirrors her own transformation from idealistic guardian to manipulator. The dissolution of Lisavet’s book during the collapse of the time space affirms the inherent harm of seeking to own or contain history, even for good ends. By letting the book and the memories within it scatter into the stars, the novel argues that remembrance must be collective, fluid, and free. Lisavet’s book thus encapsulates the novel’s central warning: When history is dictated by one person or group, violence becomes inevitable.
Forget-me-nots in the novel symbolize the importance of the individual and their impact over time. The flowers are first introduced when Ernest drops a book cover featuring blue flowers, giving Lisavet a way to protect her memories. From there, long after Lisavet disappears from the time space, the forget-me-nots become a symbol of the rebellion that occurs in her honor and against the forces that seek to control the time space. In this way, forget-me-nots represent a fight against The Destructive Nature of War as well as historical revisionism. The CIA, KGB, and other government timekeepers fight to control both the course of history and the way it is remembered, erasing memories that they want to be forgotten. Lisavet is the first to resist this, but her ideas grow as flowers do, inspiring action after she is gone. In this way, the flowers emphasize that a single person or idea has the power to change history for the better.
In the final moments of the novel, when Amelia finds Lisavet cultivating the blooming forget-me-nots in the garden, their presence underscores the persistence of memory and individual history. Despite everything that Lisavet, Amelia, and Ernest have been through, the destruction of the time space has allowed history to take its natural course, giving their individual lives the opportunity to bloom.
Poetry is a recurring motif that emphasizes both emotional connection and resistance within a world dominated by surveillance, manipulation, and utilitarianism. From Lisavet’s earliest interactions with Ernest to her later observations of Amelia, poetry serves as a bridge between characters, allowing them to communicate feelings and truths that transcend barriers of nation, religion, ideology, etc. For example, Amelia’s recitation of Emily Dickinson allows her to form an emotional connection with Anton, conveying her understanding that he struggles with the loss of family members, just as she does. Similarly, Elizabeth Barrett Browning’s long-form poem Aurora Leigh (1856) emphasizes the importance of women’s agency, conveying the centrality of both Lisavet and Amelia to broader historical events. In this way, poetry counters the cold logic of the timekeepers and bureaucratic forces, conveying the theme of the value of human connection. The connections between Amelia, Ernest, Moira, and even Anton and his father transcend time itself, and poetry is one of the links between them.



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