63 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of illness or death, death by suicide, and emotional abuse.
As the title indicates, the novel centers on books. These include literary texts, such as poetry and fiction, as well as occult texts, or grimoires. In addition, as repositories of books, libraries play a large role in The Book of Magic. The novel’s various allusions and discussions about books highlight how they empower people.
Books offer knowledge, a form of power. For many years, women weren’t taught to read and were punished for having books other than the Bible. Women being “drowned and beaten and hanged” (371) for having books in Massachusetts illustrates that books offer knowledge that could help women improve their social status and quality of life. One kind of knowledge is literary: “Life was like a book, Jet thought, but one you would never finish […] Fiction made sense of the world” (45). The novel mentions specific works that help people understand the world, such as Wuthering Heights (1847) and Jane Eyre (1847). However, Jet’s favorite writer is Emily Dickinson, whom the novel mentions and quotes throughout. Jet hides a message for Franny about breaking the curse in a copy of Dickinson’s poems.
Jet’s note concerns a grimoire, a magical text that confers power through the occult. The Owens family has its own grimoire, “the thick book that was the repository of the family’s magical knowledge” (27). Every Owens woman contributes to this book, except Sally. A beautiful art object with illustrations and glued-in pressings, it offers power via cures for various physical and emotional ailments using green, or healing, magic, in contrast to The Book of the Raven, which is a “left-handed Grimoire” (109), or a book of black magic. Black, or left-handed, magic focuses on creating curses, getting revenge, theft, and control. However, using these powers has a high cost, usually death for larger magical workings.
Furthermore, The Book of the Raven has strong connections to classic literature. It’s the “Book of Shadows” of Amelia Bassano (37), rumored to be Shakespeare’s Dark Lady: the unnamed woman he wrote sonnets about. Hoffman also refers to the theory that Bassano wrote Shakespeare’s plays. In real life, Bassano, also called Aemilia Lanyer, authored a poem collection about Eve from the Bible titled Salve Deus Rex Judaeorum. Hoffman’s giving her a strong occult presence links literature and magic. Both kinds of texts use words to instill emotions, influence people, and inspire actions.
Libraries offer both knowledge and community. Sally told her daughters that “if they were alone or separated, if they were in need, or in trouble, if they were in search of knowledge, or a friendly face, or simply a phone to use to call home, all could be found in a library” (135). She runs the Owens Library, and later works at Cat’s Library in another Essex County. The services of these public libraries extend far beyond providing books to read. The Invisible Library, a private occult library in London, has a place where scholars can stay, but it’s usually accessible only to members; one must have a key to use its collection. The novel also describes personal libraries, such as Ian’s collection of rare magical books and Jet’s collection that she leaves to Rafael in her will. Libraries offer services for public welfare, books for obtaining knowledge, and legacies that can be passed on to others.
In addition, the destruction of books provides insight into the character of those who destroy them. Tom believes that books are “worthless” (212) and destroys a rare grimoire that Ian worked hard to obtain because Ian put a magical lock on it. Tom destroys books when they don’t give him power, and his disdain for books reflects his antagonistic and evil nature. Conversely, Franny carefully copies out the words in her family grimoire before sacrificing it to break Maria’s curse. The family loses the art of the original grimoire, but keeps its knowledge. The power in sacrificing it is breaking the curse, freeing each member of the Owens family to love whomever they wish without that person dying.
Overall, The Book of Magic argues that people should be taught to love and revere books. The Owens women feel lucky that they were “raised by women who taught them what was most important in this world. Read as many books as you can. Choose courage over caution. Have faith in yourself. Know that love is what matters most” (377). Women inspiring a love of books in other women is a way of combating the sexism that kept women from becoming literate for many years.
Hoffman includes several different kinds of magic in The Book of Magic. One kind is genetically inherited witchcraft, which can be used without training. Another kind of magic comes from books and oral transmission, and is referred to as both the Nameless Art and the Unnamed Art. Some learned magic is healing magic, called green magic, whereas other learned magic is left-handed, or black magic, which is malignant. In the end, Hoffman argues that an important aspect of magic is choice.
The Owens family is Hoffman’s main example of bloodline magic. They “were bloodline witches, genetically predisposed to magic, with a lineage to ancestors who possessed the same sacred gifts” (5). Bloodline witchcraft includes special gifts like being able to smell water, to always float, to cry black tears, and to bleed black blood. Witches in the Owens family can predict the weather and see auras without training or even knowledge of magic. Their inherent gifts give most of them a natural aptitude for learned magic. For instance, Kylie’s “talent [of] sight was no different than an aptitude for music or dance” (91). The Owens family members can easily learn green or black magic from books or practitioners.
People who study the Nameless Art from books of magic include Margaret and Ian. When Margaret and Franny meet, “the women [size] one another up, intrigued by what they [see]. One [has] practiced the Nameless Art all her life, the other [was] born with magic” (298). Though Margaret lacks inherent powers, she helps people in her community, like Jet helped people in Massachusetts. Margaret passes down her love for magical books to Ian, and his studies enable him to investigate and remove black magic; this is how he carries on the family tradition of helping others. All people, not just bloodline witches, can use magic for good.
Tom isn’t a bloodline witch and only does left-handed magic. He learns evil hexes from books. Franny notes that “whoever had set this hex had done so by the book, rather than by the strength of their own magic” (182). Tom’s magic is so malignant that Sally must sacrifice her bloodline powers to break the second hex he places on Ian. Bloodline magic is consistently stronger than magic learned from books.
At the novel’s end, Sally chooses to study the Nameless Art with Margaret. She “[learns] how to make elixirs for fevers and rashes and potions for love, and […] magic [comes] back to her, not the bloodline magic […] but the magic she [chose] for herself.” (367). Sally always disliked her inherent powers, but she enjoys the magic that she chooses for herself. Hoffman argues that magic needs to be a choice. Part of this choice is sharing information about bloodline magic. Had Sally taught Kylie about her genetic gifts, Kylie may not have turned to left-handed magic.
In addition, everyone can choose to participate in the magic of love. Ian reminds Sally that after her sacrifice of bloodline magic, they “still have magic together” (331). Magic, not just from books, but also from the heart, can be a part of anyone’s life.
Sally and Franny both make sacrifices to save those they love. Sally gives up her magic to save Ian, and Franny gives up her life and her grimoire to save the family from the curse. In both cases, the novel illustrates how sacrifice is an act of love and how love is the most important thing in life.
For many years, Sally refused to practice magic and refused to love again. However, Ian changes her. She saves him twice and considers the saying, “Save a man once, and you have a heart. Save him twice and he has yours” (326). He gives her his heart, falling in love with her when she (and her family) remove Tom’s first hex. The cure is expensive but, like most things in life, only involves a sacrifice of money, time, and energy. The second time Tom hexes Ian, Sally must give up her hair and her bloodline magic: “That was the price to pay. That was the key. She would no longer have magic” (328). Sally doesn’t realize how much she’s giving up because she has always wanted to be free of her bloodline powers. After they’re gone, she feels their loss deeply. However, she feels that her sacrifice is worth it because she has still learned magic and the magic of love.
Franny’s sacrifice isn’t just to preserve Sally and Ian’s love; it keeps all the beloveds of Owenses safe. The curse took the lives of many they loved. Franny reads about curse-breaking in The Book of the Raven: “You sacrifice yourself and the past and let them start anew” (344). She has lived a full, long life and is ready to join Jet in death. Franny offers few public displays of affection. Like Sally, she’s curt and can appear coldhearted. However, Franny loves deeply. Her sacrifice is “meant to be, this was the path she had taken, this was how much she loved and how well loved she felt in return” (340). The love her sister, brother, nieces, and other family members gave her inspired Franny to give them freedom in love in return.
Both of these sacrifices point to the centrality of love in the lives of the Owenses. Hoffman argues that everyone should structure their life around love. Sally and Franny’s willing sacrifices illustrate how “[l]ove was a sacrifice. It was all things and everything. It was the way they had lived their lives” (338). Nothing more important than love: “Know that love is what matters most” (377). Love is everyone’s salvation; it makes life worth living.



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