67 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of substance use, addiction, and sexual content.
The Book of Sheen is a detailed and reflective account of addiction. Through his own experiences, Charlie Sheen shares with his audience what it feels like to be addicted to many different things at once. At various points in his life, he develops addictions to alcohol, drugs (legal and illegal), gambling, and sex. Sheen is frank about his addictions, and while he may regret his actions, he is honest with his audience: Alcohol, drugs, and sex made him feel good, and, by his own admission, he had a great deal of fun. However, while these various addictions made him feel good, they did not confront the deeper psychological traumas that acted as catalysts for his addiction. As his memoir develops, it reveals that rather than any substance or sensation, fame itself emerges as perhaps Sheen’s most fundamental addiction.
Every addiction in Sheen’s life is a product of his fame, going back to the set of his first film, on which he discovers that his stutter can be mediated with alcohol use. Once he starts to win acclaim for his acting, he feels pressure to perform. He drinks and does drugs to deal with this pressure, creating a spiral of self-destruction that is super-charged by his fame. Given his status and his celebrity, he has access to anything he wants. Since Hollywood demands only that he show up able to perform his lines, the entire industry enables him, feeding Sheen’s addictions to make a profit from his talent. He discovers that he does not need to act well to be praised, and as his choice of movies becomes, by his own admission, increasingly less artistically inclined, his fame remains. His artistic ambitions fall away, leaving behind his addictions and a desire to embrace his own notoriety. Sheen begins to play the role of enfant terrible, embracing his addictions as part of his own fame. Whatever artistic ambition he once held gives way to a desire to simply be famous, a fame that he maintains through his addiction-centered lifestyle. His life becomes a balancing act between doing just enough to remain famous while depending on drink, drugs, and sex to give some purpose to his life.
Sheen finds himself in an uncomfortable relationship with Hollywood when he realizes that the idealized view of filmmaking he had as a child was an illusion. He grew up on film sets and idolized figures like Marlon Brando, Dennis Hopper, and his own father. He made amateur films with his friends, only to grow up to become a movie star himself. He carved out a niche for himself in the industry only to discover that it placed no real value on his talent. By the end of the book, Sheen comes to see the brutal and manipulative role the film industry played in his addiction. He realizes that, in the end, the industry itself was the addiction that shaped and dominated his life. His reckoning with his addiction becomes a reckoning with his own childhood delusions about acting and celebrity. He faces the dawning realization that the pleasure he found in drugs, alcohol, and sex did not address his sincere artistic ambitions. His journey over the course of the memoir is the realization that his addictions point to a more fundamental addiction to fame, but that fame is not worth what it demands of him.
The title of The Book of Sheen hints at the significance of the entire Sheen family in Charlie’s story. Whereas he takes great care to lavish praise on his mother and family, his father, Martin Sheen, is the biggest influence on his life. He adopts the Sheen name when he starts to follow in his father’s footsteps as an actor, indicating the extent to which his father is a professional and personal model for Charlie. He jokes about his father’s religious views, referring to his father as the “Pope of Malibu” due to the strict moral standards that Martin developed later in his life (273). The jokes relieve the tension in their relationship but also indicate the extent to which Charlie felt as though he was judged against his father’s example. While he never really attempts to measure up to his father’s moral standards, his attempt to measure up to his father’s professional standards is evident. He refers to Apocalypse Now, a film in which his father played the role of the protagonist, as “the greatest motion picture ever made” (41). When Charlie gets the equivalent role in his own Vietnam film, Platoon, he feels as though he is following in his father’s footsteps. Yet Charlie gradually begins to feel as though the standards set by his father are unattainable. Martin Sheen is a model for masculinity, morality, professionalism, and fatherhood, and Charlie’s early efforts to live up to his father, leaving him feeling inadequate and insecure.
One way in which Charlie finds himself failing to live up to his father’s standards is in terms of fatherhood. Around the time that Platoon is released, Charlie becomes a father unexpectedly. He must balance his duties as a father with his desire to reap the benefits of his newfound fame. Martin Sheen was adamant about being present in his children’s lives. In the early chapters of The Book of Sheen, Charlie notes that Martin insisted his family accompany him on every film shoot. He wants to be present in his children’s lives and emphasizes his duties as a father in the context of his career. Charlie, in contrast, is absent from his daughter’s young life, and the narrative alludes to a quiet resentment that his unexpected fatherhood has burdened him at a time when he feels that he should be enjoying his success. Rather than deal with his sense of responsibility or his guilt at being absent, he masks his inconvenient feelings in substance misuse. This creates a negative feedback loop in which Charlie’s addictions cause him to be absent, prompting him to feel guilt, which he alleviates by using drugs and alcohol, leading him to be ever more absent.
Charlie’s struggles with fatherhood and the guilt he feels over his failure to parent stay with him for a long time. He rightfully takes credit for spending nights in the hospital with his premature twins, but this period of committed fatherhood soon gives way to a sobriety relapse and an abandonment of his duties. At the same time, his father remains a model of morality and fatherhood. Charlie’s brother, Emilio Estevez, also seems more capable of balancing his work and family duties. However, by the end of the narrative, Charlie comes to recognize that his relationship with fatherhood is not sustainable. He comes to realize that his children are not a burden, but a reason for him to commit to sobriety. He slowly begins to take responsibility for his absence, deciding that his guilt should not be channeled into efforts to heal. Sheen takes responsibility for his past failures as a father by reframing sobriety as a path to becoming a present and loving father.
At its core, The Book of Sheen interrogates Charlie Sheen’s struggles with identity. This struggle is not new to the Sheen family: The Sheen name itself is a product of the struggle with identity, adopted by Charlie’s father because he feared that his Spanish-sounding name would lead to discrimination. For Charlie, the Sheen name presents a different question of identity. While his brother Emilio chooses to launch his career under their family’s given name, Estevez, Charlie signals his desire to follow after his father by adopting the Sheen moniker. This illustrates the complex intersection of identities that preoccupies his young mind. As he struggles to measure up to his father, personally and professionally, the lines of his authentic self begin to blur. His profession exacerbates this problem, demanding that he adopt a new identity as a matter of course. As his career accelerates, Charlie loses track of himself, a blurring of identities which is summed up in his line from Wall Street, as he feels himself asking, “Who am I?” (143).
While Charlie is caught in this burgeoning crisis of identity, he finds himself a sudden celebrity. The more he appears in the press, the more Sheen finds that other people are telling his story. When he acts, he speaks words written by others. When he sees himself in a newspaper, his words are reported through the filter of whatever journalist or publication happens to feature him. The agency over his identity is surrendered to others, and Charlie begins to feel as though he has no control over his story or his identity. As a celebrity, his identity seems to belong to the public, and he finds himself wishing that he could exercise agency over what it means to be Charlie Sheen.
Sheen’s identity evolves over the course of his career. He is first Martin Sheen’s son, then a famous actor in his own right, before he finds himself becoming more of a celebrity for his antics and his scandals than for his acting. His identity is written by tabloids, court transcripts, and gossip. He is rarely more famous than when he sits down for his notorious interviews but has completely lost control over his identity and story. His attempt to mitigate this through a series of one-man shows, in which he speaks directly to the public, fails, and he withdraws. Feeling as though he has completely lost control over his identity, Sheen looks inward, reshaping his sense of identity from himself and his loved ones rather than from external validation. He decides to be a better father, a demonstration of agency that leads to a commitment to sobriety. The Book of Sheen is the final expression of this desire for agency, a reckoning with his addictions in his own words. He narrates his own story, portraying his life on his own terms. In many ways, his memoir serves as the first step on the journey toward reconstructing the identity of Charlie Sheen by taking control of the story.



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