68 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of graphic violence, death, child death, and rape.
In a hotel nearby, Marie contemplates what to do about the warning from Canada. She repeatedly insists to herself that she wants to stay with Bourne.
When Bourne returns, he tells her that he did not find anything at Les Classiques except a switchboard operator. He wanted to meet with Bourne later that night, but Bourne is unsure what he wants. When he asks about Marie’s call to Canada, she lies and says that she did not make it.
Marie and Bourne go to dinner. As they descend the elevator, Bourne pretends to have forgotten his wallet. While Marie gets the briefcase, he returns to the room and writes Marie a brief note telling her to return to Canada. He says that he will contact her but knows that this is a lie.
As Marie and Bourne walk to get a taxi, they spot a newsstand. The headline on the paper reads, “Slayer in Paris: Woman Sought in Zurich Killings, Suspect in Rumored Theft of Millions” (309). Marie begins to panic. Bourne buys two copies and then quickly guides her back to the hotel.
In their room, Bourne tries to calm Marie down. However, when she spots his note, she becomes upset again. He assures her that he will tell her everything, but first, they need to read the news article.
In the article, there are several falsified pieces of evidence that tie Marie to the events of the last few days. It claims that her fingerprints were on a gun in the Steppdeckstrasse as well as at the park, while the hotel clerk recalls seeing her. The article then goes on to discuss the theft at the bank, quoting Apfel from Zurich and claiming that the account belonged to Treadstone. Finally, it claims that Marie, who is knowledgeable about banking, helped a man transfer the money to Paris and steal it.
When they finish reading, Marie insists that there is more going on. She doesn’t understand why some of the information—like the references to Apfel and Treadstone—was included. She also claims that the Swiss bank would never involve itself in “speculation” like this. She tells Bourne that someone is sending them a message.
Major Gordon Webb arrives in Manhattan, New York, from Zurich with a briefcase. He travels to the Treadstone headquarters, an unassuming brownstone. Inside, he meets Abbott and Elliott Stevens, the closest adviser to the president.
The three men discuss Bourne. Webb and Abbott brief Stevens on what is happening so that he can tell the president. Abbott calls Bourne “the most carefully constructed deception” in history (332). He is not an assassin but a ruse created by the government to find and track Carlos. They believed that if Carlos thought he had competition, he would eventually try to stop Bourne, making himself vulnerable in the process.
The men express their concern over Carlos having figured out Bourne’s identity. They are certain that he got it from the Medusa records, which would only have been possible if Carlos had informants at the top of the US intelligence community.
Webb explains that they fabricated the story in the newspapers about the bank robbery to try to send a message to Bourne. Carlos published Marie’s name and her involvement so that the police and public would help find her. They have no photo of Bourne, so they used her instead. Webb hopes that Bourne will contact Treadstone in response.
Outside the brownstone, Alfred Gillette meets with a European man. They discuss Bourne, speculating that he has turned against Treadstone. Just before Abbott leaves the headquarters, the European leaves Gillette alone in the car.
When Abbott walks by the car, Gillette pulls him inside. He tells Abbott that he has learned everything about Treadstone and Bourne. Gillette is initially surprised and then angry, insisting that Gillette has jeopardized the entire operation. However, Gillette expresses his anger that Abbott never included the intelligence community, instead wasting valuable resources on a single man.
Their conversation is interrupted by the return of the European man. To Gillette’s surprise, the European man pulls out his gun and shoots him. Abbott asks the man how he identified Bourne. The man points out that there are records of Medusa’s personnel that still exist in Hanoi from the Vietnam War. These records show that Jason Bourne was killed on March 25, 1968, in Tam Quan. Despite this, he is listed as having survived the war, meaning that someone took his identity. The man then shoots Abbott.
The European man leaves his car. He finds his partner waiting nearby, and the two go up to the brownstone. As Stevens comes out, they kill him and then enter the headquarters. They destroy the security cameras and alarms. When Webb comes into the room, they kill him, too.
The European man brings all the bodies into the same room. He uses tape to place Bourne’s fingerprints on a drinking glass and then drops and breaks it. He considers this the final step in “isolating” Bourne.
Marie and Bourne quickly leave the hotel and travel to a new one on the outskirts of Paris. They argue about what to do next, with Marie insisting that they have to figure out who sent them the message. She is certain that it is the Canadian Embassy. Bourne relents, allowing her to call Dennis. She gives him their location, and he agrees to send a car.
Bourne is still not convinced that the embassy is going to help them, so he sets up a trap. He rents a second room in the name that Marie gave Dennis, and then he and Marie wait in their room and watch. Two men move quietly up the stairs and through the hall. Bourne recognizes one as the man who attacked him in his room in Steppdeckstrasse. The men enter the false room, shooting as they do so, and then express their anger when they realize that Bourne and Marie are not inside.
Distraught, Marie insists that her instinct could not have been wrong. She begs Bourne to call the embassy himself. When he does, he learns that Dennis was killed—shot in the neck—shortly after he spoke on the phone with Marie.
In Washington, DC, the remaining four members of Treadstone meet in a hotel room to discuss what to do next. They are a senator from Colorado; Navy Brigadier General I. A. Crawford; and Alexander Conklin, a man from the CIA who was part of Medusa.
Conklin and Crawford explain what happened in Manhattan. Bourne’s prints were found on a glass. They believe that Webb brought him in to speak with Treadstone, not realizing that Bourne planned to kill them all. Their only explanation for Bourne’s turn is his propensity for anger and disregard for command—as was shown during his time with Medusa. Conklin reminds them of what happened to Bourne during the Vietnam War: His wife and two children were killed, causing him to join Medusa for revenge.
Crawford tells the men that they are going to send out Bourne’s photograph for the first time. They plan to kill him rather than bring him in. The congressman argues that they cannot be certain that Bourne has turned, but Crawford shuts him down. He points out that Bourne has become “Cain,” fulfilling the myth that they created. He reminds them that Gordon Webb was Bourne’s brother.
This section of the text further explores the alternate narrative, with the men in New York providing the reader with insight into Bourne’s history. Bourne’s past is rooted in the Medusa project, a group of covert assassins who helped the United States and its allies during the Vietnam War. The name alludes to Greek mythology, in which Medusa is one of the Gorgons, a race of women with snakes on their heads; anyone who looks at a Gorgon is turned into stone. Like the mythical Medusa, the covert operation that bears her name evokes a feeling of dread. It operates outside the bounds of international law, and the implication is that anyone who looks directly at it will be harmed in an emotional or moral sense by this contact with the ugly, hidden face of US foreign policy, highlighting The Psychological Cost of Deception and Secrecy. At the same time, the mythical Medusa’s history contains ambiguity. Although she is often depicted as a monster, Ovid’s Metamorphoses shows her in a different light, introducing the idea that she is raped by Poseidon and then turned into a Gorgon by his wife, Athena. This allusion in The Bourne Identity aptly reflects the internal conflict that Bourne faces. While, on the surface, he is a lethal assassin, his history and journey lend insight into his character, portraying him in a sympathetic light. If he is a monster, he was made into one by much more powerful men.
A second allusion comes to light through the conversation between the members of Treadstone: Bourne’s operative name “Cain.” In the biblical book of Genesis, Cain is the first-born son of Adam and Eve, who kills his brother Abel out of resentment when God prefers Abel’s offering to Cain’s. He is subsequently banished from Eden, forced to permanently wander the Earth alone. This idea reflects two important ideas about Bourne’s character. First, it establishes Bourne and Carlos as allegorical figures for Cain and Abel. While Bourne is repeatedly attacked and forced into isolation, Carlos has seemingly unending connections and control. Ultimately, the two will be forced into a final confrontation, with one “brother” likely killing the other. Secondly, it emphasizes Bourne as a “wanderer” like Cain. Although he does not yet fully understand what happened, he is isolated, alone, and struggling to regain his connection with the CIA, Treadstone, and, ultimately, his past.
In this part of the text, the novel continues to shift between different perspectives, using an alternating third-person point of view. As the novel builds toward its climax, the shifting happens more frequently. Ludlum uses shorter chapters, often inserting various perspectives into the same chapter. This narrative structure reflects the events that are occurring: As more information is uncovered, each of the characters moves more quickly to prepare for the ultimate showdown between Bourne and Carlos. For the reader, tension builds while more pieces of the mystery are uncovered. The shifting perspectives also highlight the importance of Memory as the Foundation of Identity. The men in New York know far more about Bourne than he knows about himself. Between them, they hold the key to his identity, even though none of them has the whole story and each is keeping secrets from the others. As Bourne searches for the clues that would tell him who he is, Ludlum shows that the information he seeks is in the possession of others.
At the same time, the shifting narration also creates dramatic irony, in which the reader knows something that the characters do not. In this case, the reader is privy to both Bourne’s actions and those of the CIA, a fact that builds further tension and suspense as the narratives begin to converge. For example, Conklin and Crawford, who inherit Treadstone, become convinced that Bourne has turned against them. They make the decision that they are going to kill Bourne, believing that he was in Manhattan when Abbott and the others were killed. However, the reader knows that Bourne’s fingerprints were planted and that he has always been in Paris. This disparity creates a sense of foreboding surrounding Bourne. With the loss of Treadstone, Bourne has become completely isolated. Even if he manages to uncover the truth of everything that is happening, there is no clear way forward for him any longer.



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