68 pages 2-hour read

The Bourne Identity

Fiction | Novel | Adult | Published in 1980

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Symbols & Motifs

Names and Nicknames

Numerous names and nicknames are used for characters throughout the novel, serving as a motif that develops the theme of Memory as the Foundation of Identity. Ludlum frequently avoids using characters’ names, instead referring to them by a nickname, job, or title, often leaving them unnamed throughout the text. For example, the informant who repeatedly visits Carlos in the church is often referred to as “the informant” or “the beggar,” and his true name is never given. Similarly, Villiers’s wife is not named until much later in the novel, and several government agents are simply referred to by their title. By withholding names, Ludlum emphasizes the value of these characters to Bourne himself. The beggar is seen by others only as a poor man, hiding the true value that he serves to Carlos’s operations. Villiers’s wife is only important to Bourne insofar as she is a liaison to Carlos and married to the person he is working with; her name only becomes known late in the novel when her relationship with Carlos is discussed. Similarly, the government agents’ lack of names emphasizes the roles they serve: Each is just another government agent carrying out operations, and they will be replaced by other nameless bureaucrats.


The lack of formal names for most characters is a stark contrast to Jason Bourne, who has used several names over the last several years, including Bourne, Cain, Delta, and David Webb. Each of these names represents an identity—some real, some false—forming a labyrinth of information that Bourne must navigate as he seeks his true self. As he frequently shifts his physical features and changes his name to operate covertly, his true identity remains buried beneath.

Mirrors

Mirrors are an important symbol in the novel, representing the duality that exists within Bourne. Throughout the novel, he is on a journey to reconcile conflicting versions of himself, which he sees only in fleeting memories and visions. While Marie insists that he is a good person, his memories conflict with this opinion. Mirrors serve as a physical representation of the internal conflict that Bourne faces, thereby emphasizing the theme of Memory as the Foundation of Identity. Literally speaking, the person Bourne sees in the mirror does not match the identity that has been constructed for him. He has been told that he is a skilled assassin, yet he repeatedly chooses not to kill people throughout the text, even saving several people like Marie, Villiers, and d’Anjou.


After Bourne is injured and flees the bank, ending up in Steppdeckstrasse, he stands before a mirror in the room and checks over his injuries. As he does so, he reflects on the way that he repeatedly saved himself instinctually. Because he doesn’t understand why he fights so well or how he knows the things that he knows, he realizes that there is a version of himself who learned these things in the past—even if he doesn’t remember it—which frightens him. Standing before the mirror, the two images of Bourne reflect the two selves that he struggles to reconcile.

The Sea

The ocean in The Bourne Identity symbolizes rebirth. As in a baptism, the water leaves him symbolically cleansed of past deeds and troubling history. Bourne goes into the ocean at key moments in the novel as he is searching for his identity. The first time he is introduced, he is pulled from the water by the fisherman on the Mediterranean. From there, he begins to start his life over again, healing from his injuries and realizing how deeply he is affected by his amnesia. Then, he returns to the water after he leaves Washburn, swimming to the shores of France to search for his identity. In this moment, Bourne is again starting his life over, attempting to reclaim who he was or at least uncover his past. Finally, in the novel’s Epilogue, Marie watches Bourne from the cottage as he walks into the sea. When he runs back to her, he is reborn as David Webb and prepared to start his new, civilian life with Marie.

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