87 pages • 2-hour read
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Rick Atkinson worked as a journalist at the Washington Post from 1983 to 1999, covering the first Gulf War, conflicts in Somalia and Bosnia, and other major world events. After leaving the Post, Atkinson turned his attention to military history, writing what became the first volume of his Liberation Trilogy, An Army at Dawn: The War in North Africa, 1942-1943. The Liberation Trilogy, an authoritative account of the US military in World War II, which helped establish his reputation as a leading narrative historian. Like his World War II series, Atkinson chooses to structure his narrative of the American Revolution as a trilogy. The structure of The British Are Coming is a consequence of this decision: The brief Prologue and Epilogue frame the American Revolution in the context of British Empire, while the main body of the story begins shortly before the first shots are fired and ends shortly after Washington’s successful crossing of the Delaware. Though the book covers only the years 1775-1777, Atkinson’s previous works demonstrate his capacity to structure and present a historical, military narrative in this manner.
Atkinson’s approach to history is characterized by his reliance on extensive archival research and his commitment to grounding large-scale events in the lived experiences of individuals. In The British Are Coming, he draws on British, American, and German sources, quoting military reports, personal letters, journals, and newspaper accounts to reconstruct the early years of the Revolutionary War with vivid detail. For example, he uses “one of the sixteen surviving letters [William Evelyn] would write from America” (73) to provide a detailed account of British recruitment processes. Descriptions of King George III’s “looping, legible hand” not only point toward the archival research Atkinson has done for this book but also seek to evoke the character of the king and his era (17). Throughout the book, Atkinson’s notes and bibliography reveal a deep engagement with both published primary sources and manuscript collections. He includes a list of archives consulted, among them the British National Archives at Kew and the Library of Congress. These sources provide the material for his storytelling, where generals, foot soldiers, civilians, and political figures are all given space in the historical narrative. Atkinson’s journalistic and academic credentials bolster the credibility of his work and inform his research methodology.
Within the structure of The British Are Coming, Atkinson functions as both narrator and interpreter, shaping the reader’s understanding of the Revolutionary War through his choices of emphasis, pacing, and character focus. Atkinson allows historical figures to speak for themselves—often citing their own words—while carefully guiding the reader through complex military maneuvers and shifting political contexts. His prose maintains a balance between clarity and texture, often using descriptive language to bring scenes to life without veering into dramatization. When comparing casualty numbers, for example, he creates a juxtaposition between British and American accounts, showing how the different reporting of such figures had a propagandizing effect on the respective publics. At the same time, he uses his editorial oversight to clarify the probable truth about numbers, dismissing Howe’s casualty figures after one battle as “undoubtedly a considerable exaggeration, perhaps as a propaganda ploy” (452). Atkinson’s careful curation of historical detail, combined with his ability to sustain a broad chronological arc, positions him as an authoritative and engaging guide to the war’s opening chapters. His background in reporting and military history gives him both the narrative tools and subject-matter command to illuminate the revolutionary conflict for a modern audience.
At the beginning of The British Are Coming, George Washington is introduced as a man shaped by both social ambition and prior military service. Atkinson presents him as a Virginian of substantial physical presence and social standing, with an established public identity grounded in his service during the Seven Years’ War. Citing firsthand accounts of his arrival in the Cambridge Camp, Atkinson details Washington as “truly noble and majestic, being tall and well-proportioned” (151), as though he is already aesthetically suited to the role of American Revolutionary leader, even if he has not yet demonstrated the skill needed for such a role. Like many of the American military leaders, Washington earned his reputation during the Seven Years’ War. Fighting for Britain against France, George Washington is a product of British imperialism. He has successfully fought on Britain’s behalf and even shares his name with King George III, who will eventually become his military rival. He had fought under British command and gained a reputation for bravery and endurance, though his experience also left him critical of British arrogance and tactical rigidity. Atkinson emphasizes Washington’s wealth as a Virginia planter whose vast tracts of land housed 135 enslaved laborers, creating the sense that Washington has a personal, material investment in the cause for which he is fighting—a cause that Atkinson notes was often bound up with the interests of enslavers. He may have earned a reputation fighting for the crown in the Seven Years’ War, but the Revolutionary War gives Washington a chance to define himself on a broader, more personal stage.
As the war progresses, Atkinson begins to frame Washington as a figure of growing mythic status, whose image begins to transcend the ordinary challenges of leadership. Washington is described as intensely aware of the symbolic weight he carried, so much so that his arrival in the camp is said to have breathed “the spirit of conquest [through] the whole army” (154). Yet Washington’s authoritative presence is not enough to win immediately. Much like the cause for which he is fighting, Washington is still in a fledgling state. He must be urged to listen to his lieutenants, whose caution “saved him from himself” (296) by preventing him from launching an ambitious yet doomed strike against the British. Tellingly, Washington’s failures mirror American failures. Bunker Hill, for example, is a military loss yet it is also heralded as a triumph. Washington, like America itself, is on a steep learning curve against the world’s mightiest empire. As such, his bearing and conduct on the battlefield, combined with his unwavering presence in the face of adversity, helped cultivate an aura of inevitability and greatness. Atkinson recounts that some soldiers called him “his Excellency” and regarded him with a kind of reverent awe (594). The narrative does not reduce Washington to mere hagiography, yet it consistently returns to the idea that Washington was becoming a living symbol of the American cause, someone whose discipline and stoicism would help define the character of the rebellion itself. Failures become triumphs in retrospect as they contribute to the Washington myth.
After the dramatic events of the Delaware crossing, Atkinson portrays Washington as a military leader whose stature has become firmly established. These campaigns, executed in the harsh winter of 1776-1777, serve as a climax to Washington’s early war narrative. Atkinson writes that after the Princeton victory, even the enemy had to concede that Washington was a “very good rebel” (639). Washington rode into Morristown triumphant, a general whose calculated risks had paid off and who now commanded the renewed admiration of his army and the broader public. Any earlier grumblings about him being replaced had completely disappeared. The men who followed him had seen both his endurance and tactical daring. In their eyes, he was the unshakable center of the revolutionary cause. Yet at the end of the book, the war is not yet won, and Washington faces many of the same challenges. He writes to Congress, begging for money and men. The difference now, however, is that Washington has a reputation needed to lead the cause, so much so that “his faith gave others faith; his strength made others strong” (669). Through trial and error, he has become the living avatar of revolutionary zeal.
In The British Are Coming, General Charles Lee emerges as one of the more charismatic and eccentric figures among the American commanders. A former British officer turned revolutionary, Lee brought a wealth of professional military experience and a flamboyant personality to the Continental cause. Atkinson describes him as “a brusque, vivid eccentric” (165), who is tall, disheveled, and quick-witted, often traveling with a pack of dogs and dressing with disregard for decorum. Despite his unconventional habits, Lee’s strategic mind and battlefield experience earned him early respect. He is “deeply imprinted him with European orthodoxy” (165), which makes him well suited to the early days of the Revolution as he is fighting against men who were formerly his comrades in arms. Importantly, Lee was seen by some as a potential rival to George Washington and briefly held considerable influence among officers and politicians who admired his aggressive instincts and strong opinions on military matters. As such, Washington’s series of failures and retreats are juxtaposed against the promise and charisma of Lee. Through Atkinson’s narrative framing, Lee emerges as the potential replacement for the head of the American forces should Washington fail again. Lee is more than just an American commander; he is the constant reminder to Washington that he is replaceable.
However, Lee’s fortunes shift dramatically due to a combination of overconfidence and poor judgment. Atkinson recounts that Lee, while commanding a detached force in New Jersey in December 1776, delayed rejoining Washington and instead took quarters far from his troops. The “scorched-earth swagger” that made Lee such a vital and compelling figure earlier in the conflict gradually becomes a threat to Washington’s tactical planning (405). By this time, Lee’s “increasingly erratic, bickering behavior had grown nettlesome” (590). The breakdown in communication and the chaos of the situation led to Lee’s capture by British dragoons in Basking Ridge, an event that not only embarrassed the Continental Army but also tarnished Lee’s reputation. His arrogance and disdain for Washington, once private, became a liability, especially after his return from captivity under suspicion of having offered intelligence to the British. By the end of the book, Lee is no longer seen as a credible alternative to Washington, but rather as a cautionary figure defined by his failure to match ambition with discipline. He serves as a useful narrative counterpoint to Washington, illustrating the peril Washington faces and good judgment and luck that help him avoid it.
Unlike Howe, Lee, or Washington, Benjamin Franklin does not have a particular presence on the battlefield. Instead, his function in the narrative is to illustrate the complex nature of the conflict. Franklin’s departure from London in 1775 serves as a marker of the cultural rupture between Britain and its American colonies. Atkinson presents the “celebrated” (337) Franklin not only as a man of science and diplomacy but also as a symbolic figure of the Anglo-American relationship. As a “universal genius” who had lived in Britain for years, he knew the empire better than almost anyone. Franklin had spent nearly two decades representing colonial interests before being publicly humiliated by the Privy Council in January 1774. His return to America was not only political but emotional, reflecting the betrayal felt by many colonists who once considered themselves loyal British subjects. The fact that Franklin, a model of Enlightenment civility and British-American cooperation, would soon help lead a revolution underscores the depth of the imperial crisis.
Franklin’s arrival in France in late 1776 marked a dramatic shift in his role as he transformed from imperial emissary to revolutionary ambassador. In Paris, Atkinson writes, Franklin is framed as a celebrity, as “the famous ‘Docteur Franklin’” whose arrival in France draws huge crowds (568). He is welcomed by philosophers, courtiers, and common citizens alike. His image as a humble sage from the New World captured the imagination of the French public. Atkinson notes that Franklin understood the importance of this celebrity and used it skillfully to serve American interests, cultivating sympathy for the revolutionary cause. Through careful diplomacy and cultural performance, Franklin helped lay the groundwork for a Franco-American alliance, turning European rivalries to American advantage by persuading one empire to support the rebellion against another. As well as Washington’s military victories, Franklin’s use of celebrity, geopolitics, and diplomacy was an essential part of the Revolution and evidence of the global nature of the conflict.



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