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Content Warning: This section of the guide includes discussion of physical abuse, sexual harassment, gender discrimination, and cursing.
The Business Trip centers on Jasmine Littleton’s attempts to steal the identity of Stephanie Monroe based on their physical similarities. Unbeknownst to Jasmine, she and Stephanie also share specific personality traits: In addition to their physical similarities, they are both lonely and eager to start a new life. The similarities between these two women—internal and external—suggest that Jasmine acts as Stephanie’s doppelganger, a dark mirror who has a negative impact on her life.
Jasmine and Stephanie are united in their deep sense of loneliness. Jasmine is estranged from her mother and siblings and has no “family to lean on” (10). Lack of family support has made Jasmine “angry and sad” throughout her adult life (10). Although Jasmine doesn’t know it, Stephanie is also deeply lonely. She is estranged from her ex-husband and her son, describing herself as “a divorced woman with a grown child and only a cat” (20). Like Jasmine, she has no relationship with her parents, a loss that created a void. The novel suggests that, for both Jasmine and Stephanie, lack of human connection is an important motivator.
Both Jasmine and Stephanie long for an escape from their daily life. Jasmine leaves Madison for the chance to “experience life—real, vibrant, exciting, adventurous life” (33). Similarly, Stephanie hires an actress to impersonate her so that she can have “just a little bit of excitement” away from her own life (28). Furthering the idea that the women are doppelgangers, both fantasize about starting over in Mexico: Jasmine dreams of a “little beach cottage” (207), while Stephanie imagines “living at [her] beach shack” (28). Their shared desire unites Jasmine and Stephanie.
At the end of the novel, Stephanie recognizes that she and Jasmine share personality traits and are mirror images of each other. As she tells Jasmine, “[W]e both wanted the same thing […] we could have been friends in another life” (332). The crucial difference is that Stephanie pays to escape her life, hiring an actress to impersonate her, while Jasmine resorts to violence and takes Stephanie’s identity. When Stephanie hears of Jasmine’s crimes, she immediately contacts the police in order to admit her role in the drama, despite knowing that she might lose her job. When Jasmine fears that she may be caught, she considers committing more crimes to save herself. This suggests that Stephanie has a stronger moral code. Ultimately, Jasmine acts as a dark mirror for Stephanie, sharing crucial aspects of her identity with an evil twist.
The villain of The Business Trip is narrator Jasmine. However, the novel also examines the problematic nature of male anger in the obvious villains of abusive Glenn and arrogant Trent McCarthy. They distract the reader from Jasmine’s secret violent streak, and their volatile anger is central to their characterization.
Through Glenn and Trent, the novel shows how language can reflect misogyny and the potential for violence. Both Glenn and Trent use the slur “bitch” throughout the novel to express their anger at women who they feel have slighted them. They have contempt for not just individual women but women in general. Slurs are paired with violent fantasies. For example, when Glenn learns that Jasmine has told Anna about his abusive behavior, he imagines killing them. He repeats the slur “bitch” while imagining Jasmine and Anna laughing at him. He also uses the slur while destroying Jasmine’s personal photos; in this case, the photos are a stand-in for Jasmine’s body. He cannot control or harm her physically, so he harms her by destroying what she loves.
Jasmine leaving makes Glenn feel emasculated; he does not miss the relationship but the power he had over Jasmine. He longs to regain the upper hand. As Glenn muses, “[T]he thought of me regaining power of these two bitches filled me with elation” (52).
Trent’s language also reflects his misogyny. He does not see women as equals but as objects. When women don’t validate him or feed his ego, he becomes enraged. For example, he uses the slur “bitch” during the conference, referring to fellow conference-goer Dorothy after she “turn[s] to speak to some people at the table next to [them] […] ignoring [Trent]” (146). He uses the slur again when the woman whom he believes is Stephanie takes his hotel room key but does not come by to have sex with him: “I was done with her. Bitch. Cop-out. Cold fish” (153). Like Glenn, Trent uses slurs because he feels enraged toward women, whom he views as objects, and because he feels both entitled and inadequate.
Even seemingly good men like station manager Dave and Stephanie’s neighbor Robert demonstrate a capacity for rage. This suggests that all men are capable of intense anger. When Dave learns that Stephanie is taking a week off despite his protestations, he expresses his anger in small ways, such as by slamming the door. Although his behavior doesn’t hurt anyone, Dave is “seething.” Similarly, Robert responds violently when he overhears two strangers suggesting that Stephanie intentionally put herself in danger. He is barely able to “stop [himself] from charging at them and wringing their sagging necks” (121). Although neither Dave nor Robert acts violently toward others, their anger suggests that, like Glenn and Trent, they are volatile. The novel may be suggesting that they are good men for not lashing out at women. However, Garcia may also be implying that all men have a capacity for violence and that it is a slippery slope from hurting objects to hurting humans.
Garcia spent her career as a reporter and news director, and the novel reflects an interest in the challenges of managing a newsroom. The novel suggests that the world of television news is full of non-stop bids for attention. For example, in the opening chapters, Stephanie complains that “people [a]re always asking questions” of her as a news director and that she needs to be available to her employees “at any time of day or night” (23). As the director of news for her station, Stephanie gets “hundreds of emails each day, maybe even thousands, story pitches and press releases and statements from politicians and internal notes from reporters and producers and viewer feedback” (36). The stress leads Stephanie to take extreme measures to escape her life for a weekend.
Dave and Stephanie’s concerns over ethical issues are a central part of running a newsroom. Stephanie feels that she needs to produce compelling stories to ensure that her station “d[oes]n’t get beat by the other TV stations in the city” (36). However, she knows that she cannot air sensationalized stories and feels “extra pressure to triple-check that everything [they] put on the air [i]s fair and factual” (36). Dave repeats these concerns later, resentful of the fact that Stephanie has abandoned him to deal with “factual issues and whether [they] [a]re being fair to both sides” (74). The repetition of the words “fair” and “factual” in these passages suggests that newsrooms run by their own stringent moral codes.
Garcia suggests that the challenges of running a newsroom are doubly difficult for women, such as Stephanie. In the opening chapter, Stephanie complains about the difficulty of working in a “male-dominated field” (23). She dreads going to the conference in San Diego based on her prior experiences, where “the other news directors in town, who happened to be all male, would sit together in what appeared to be a good old boys’ club” (22). Her concerns are realized later in the novel when Trent sexually harasses Jasmine (acting as Stephanie) and other women at the conference.



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